Wednesday, 25 March 2026

Four Poems by Lynn White

 






He Who Drowned The World



I used to see him lying there

stretched out atop the Moelwyn

in his favourite position

head on Mawr

feet on Bach

water pouring 

from fingers 

and toes

flooding the fields below

on its way to the sea.


Then one day I saw him leap

on to the top

of Nyth y Gigfran

right behind my house.

I watched him as he sat there

his face turned away

his water pouring

the back field

already flooded.

I think he would have to swim back.


But I have no way of knowing.

I will have drowned by then.

We will all have drowned.



First published in Brave and Reckless Feb 7 2024






It’s Only Make Believe?



The little cinema was packed,

even if fictional, films about the locality were rare.

And later, in the bar there was much discussion.

The shots of the sheep blocking the road were appreciated.

Well, our sheep were famous for their techniques of blockade.

This was no fiction.

There was insider knowledge here!

It was the mass action that was shown. 

It brought the occupants out of their cars

to wave their arms and shout in angry frustration.

But the individual acts of defiance by escapees

were not shown.

This was considered regrettable.

It was felt the film should have acknowledged the action 

of a single ewe lying nonchalantly chewing 

on the tarmac while the cars stopped 

and drivers moved rapidly from

“awww cute sheep” to louder and more frantic hooting 

and then to arm waving and shouting outside,

There was no discrimination, after all.

Old cars, new cars, large cars, small,

the ewe would eyeball them all impassively.

Locals just drove round her.


But the main discussion centred on the two elderly sisters

who lived up the mountain.

They drove a very old car.

One of them had learned to drive in the War

and no one had thought to check if she still held a licence.

But, no matter,

she could still drive well enough

even though blind.

Her sister could see fine. 

And even though she could not drive

she was adept at giving instructions.

Well, it was only fiction!

Or was it?

The audience doubted it.

All could almost remember these women,

or similar ones.

More insider knowledge was suspected 

as they argued happily

about the identities of the eccentric drivers.



First published in Politics/Letters Live, Car Poems: A Collective Vehicle, Oct 2018






The Neighbourhood of Make-Believe



My grandma said I lived in a dreamworld.

But it was just a different neighbourhood

one where almost anything could happen,

one where almost anything could be found.

Even so I’d searched the rainbows for so long,

I’d given up hope of finding it

and then it happened!

It was sitting there

on the top shelf 

in grandma’s kitchen,

in her own neighbourhood,

just waiting to be discovered.


It was hidden in a brown jug.

Such an ordinary

piece of crockery.

The perfect place

for my grandma

to hide her secret.

As I reached up to bring it down, 

some of the contents spilled out 

in a scatter of golden buttons 

gleaming so much more brightly

than the foil wrapped chocolate ones

I was used to.


I felt guilty to have discovered it

before she shared her secret.

I knew she would share it.

She always did.


Perhaps their light would capture rainbows.

I would have a surprise for her then,

a secret to share

when she returned

to our neighbourhood.



First published in Mocking Owl Roost, 2024






Beauty



Once I was whole

a smooth skinned beauty

standing tall

in a palace garden

celebrated,

admired,

seen

with awe.


Then came the war

that destroyed it all

and stole me away,

carried me far

but not as far 

as intended.


For then came the wave

that drowned me

and them,

broke me,

and them

and left me 

alone

down

below 

in that garden in the depth.


But I’m still beautiful

and still admired.

I have a home here

and now I give a home here

better than the garden of a palace.



First published in Philpot Challenge, Ekphrastic Review, August 23 2024











Lynn White lives in north Wales. Her work is influenced by issues of social justice and events, places and people she has known or imagined. She is especially interested in exploring the boundaries of dream, fantasy and reality. She has been nominated for Pushcarts, Best of the Net and a Rhysling Award. 

https://lynnwhitepoetry.blogspot.com and https://www.facebook.com/Lynn-White-Poetry-1603675983213077/


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