Wednesday, 11 March 2026

Five Poems by Ken Gosse

 






That Touch of Mint, with Cary Grant and Doris Day (100 Words)

 

They walked into a rustic bar

to drop their guard that night,

but as they wished upon a star

she startled with a fright.

 

She saw a moth fly toward the light

and said she had a fear

of bugs which fly around at night

then land a bit too near.

 

They ordered drinks; a brew for him,

for her, a sweet delight.

His dark foam slowly topped the brim;

her scent of mint was bright.

 

A sudden scream would pierce the night,

“A bug is in my beer!”

He took a sip, laughed in delight,

“Your Grasshopper, my dear.” 


 

Neighbors In Your Lessonhood (100 Words)

 

She garnered knowledge back in college

of some things you can’t acknowledge

to your fathers, sisters, brothers—

lessons that aren’t taught by mothers.

 

More than she had learned before

from older boys who knew the score,

she learned to snare from girls who’d dare

to share their secrets of mancare.

 

She’d give advice about the spice

of life which sometimes causes strife,

but few details on what prevails

to sweeten up her fairy tales.

 

Those secrets known to her alone

were not for sharing, but to own,

yet not a few of her friends knew

those mysteries—and others, too. 


 

Hoopless (100 Words)

 

He fought to rebound once again,

contemptuous of other men,

and drove full speed across the court

in hopes of one more last resort

with full intent to penetrate

the strong defense she’d generate.

 

All focus had been placed on him

as he approached the sacred rim—

then slapped away just as his finger

made a gesture meant to linger.

 

Shouting that he’s on the prowl,

both technical and flagrant foul

were called for being out-of-bounds,

providing her with ample grounds

to banish him, ignore his plea

henceforth unto eternity.

 

Instead of scoring as he planned,

he was permanently banned. 


 

Time Washes On (100 Words)

 

“Right now” becomes “then” by the end of each moment;

as time marches on in the foam it will foment

new waves on the shore, each one like that before

although never the same and soon gone evermore,

moving each grain of time, leaving most of them there

for the next wave to hit as it takes its fair share,

for an instant exchanging while it’s rearranging

our here and our now which are constantly changing.

 

The past stays behind and the future’s ahead,

but when we arrive, it becomes now instead

while pondering whether it left hope or dread. 


 

Scoping You Inside-Out (100-Word Sonnet)

 

The snake’s main task along its bending route;

discover what’s askew at every spot.

Not null but void, you now feel inside out

because of time deployed upon the pot.

 

Enabled, as you were, by fluid meds

and potions worse than Shakespeare’s witches’ brews

whose toils and troubles every user dreads,

you offer up the very best of views.

 

Meanwhile, avoiding fiber and NSAIDs,

penultimately drinking every meal,

enduring drought since neither drink nor breads

may pass through lips now parched by your ordeal.

 

Although I’d sensed discomfort long ago,

this time, they knocked me out—I missed the show.






Ken Gosse usually writes short, rhymed verse using whimsy and humor in traditional meters. First published in First Literary Review–East in November 2016, he has also been published by Pure Slush, Home Planet News Online, Lothlorien Poetry Journal, and others. Raised in the Chicago, Illinois, suburbs, now retired, he and his wife have lived in Mesa, AZ, for over twenty years, usually with rescue dogs and cats underfoot.



 

 


Three Poems by Hedy Habra

 






Or Don’t You Ever Offer Yourself As A Main Course

                        After Unexpected Visit by Remedios Varo 

 

Wrapped in your finest muslins, long curls loose, you sit by the table set for two, decorated with the utmost care, the same care it took to apply blush and eye shadow. The wind blows rusty leaves through the open door, teases the flame of the flickering candle, its life half spent. The cat has been in and out, tirelessly chasing the leaves littering the hardwood floor. You think of the odds of writing a story in which he’d grow tall, take a seat, share your candlelight dinner.

 

Eyes wide open, you stare at the flame, the only source of light, it seems to rise, stretch and remain still at the same time, casting a golden glow over your dreams, dancing shadows all over the walls. Behind you, a hand emerges from the heavy folds of the wavering drapes, a hand, a replica of yours, reaches out, holds on firmly to your wrist. Fingertips singe your skin, warn you of the times you’ve waited in vain, wearing his favorite perfume. You hear your mother’s voice deafened, crossing that liminal space that fades away day by day. 

 

First published by Gargoyle

From Or Did You Ever See The Other Side? (Press 52 2023)






Or What If You Could Overhear Our Hushed Voices?

                        After Horse, Owl and Chaise by Gertrude Abercrombie 

 

At first glance, you can see that I'm not lying on the blue sofa,

nor hiding under it. But how about the open window framing

the white horse's head peeping into the empty room? Could I be

outside the canvas, listening behind walls?

 

Some might say that the meditative owl perched on the shelf

is my alter ego, my mirror image looking back at you,

or couldn't it rather be the horse? Now, if you were to enter

my dreams in search of a clue,

 

you might still not find me but you'll be able to hear me

talking to my divided selves watching over me like guardians.

Yet so much is left unsaid like in Chinese ink brush painting;

you know, those blank areas

 

similar to pauses in poetry? This is where the calligrapher's

brushstrokes form verses, beckoning you to add your own.

Picture me lying down on the aquamarine sofa, musing over

the space of desire. I sink into the velvet

 

upholstery as in a tailored cloud, see myself riding the wind,

a winged stallion oblivious to the monotonous raison d'être

of the wary owl. Could I be the moderator of their diatribes?

When my mother's sight was failing,

 

she would sit silently for hours, then, open up like a live

notebook enumerating aloud all of the to-do things while I'd

become part of a Xu Beihong ink-and-wash galloping horse,

hair flowing in the wind, the featherlike

 

equine mane caressing my face

till I'd face her absent look

swallowing life with every breath. 

 

First published by Impspired

From Or Did You Ever See The Other Side? (Press 52 2023)


 

Or How Do You Think We Came To Be Stranded In That No Man's Land? 

 

when your mother is dying in a hospital and you can't hold her hand

when you are pacing from room to room yearning for a friendly voice

when museums' hallways are haunted by a few masked people

when you die a thousand times of longing because you can only see

your loved ones through a screen

when you know funerals must be solitary affairs and weddings

have become intimate

when you can't hug your grandchildren don't you inhabit a no man's

land designating others as persona non grata?

when you only need to review old sci-fi movies to realize how

their surrealness has swept into your own life

when deserted streets and avenues unfold over our screens

don't we feel stranded in an absurdist novel or maybe a hybrid painting

conceived by a collaboration between Kay Sage and her husband Yves

Tanguy within the setting of Dali's anamorphic landscapes and wouldn't

the ultimate construct translate into a movie fit for the times?

when Magritte's veiled lovers seem to be stepping out of the canvas

reeking with repressed sensuality and Abercrombie’s touchless courtship

seems natural aren't you then convinced that life imitates art since these

characters learned the notion of physical distancing before it became the norm?

 

First published by Impspired

From Or Did You Ever See The Other Side? (Press 52 2023)






Hedy Habra is a poet, artist, and essayist. Her latest poetry collection, Or Did You Ever See The Other Side?, won the 2024 International Poetry Book Awards and was a finalist for the Eric Hoffer and USA Best Book AwardsThe Taste of the Earth won the Silver Nautilus Book Award and Honorable Mention for the Eric Hoffer Book Award. Tea in Heliopolis won the Best Book Award, and Under Brushstrokes was a finalist for the International Book Award. Her story collection, Flying Carpets, won the Arab American Book Award’s Honorable Mention and was a finalist for the Eric Hoffer Award. Her book of criticism is Mundos alternos y artísticos en Vargas LlosaA twenty-five-time nominee for the Pushcart Prize and Best of the Net and recipient of the Nazim Hikmet Award, her multilingual work appears in numerous journals and anthologies. 

https://www.hedyhabra.com/

 

 


Six Poems by Wayne F. Burke

 






Story

Where do I go from here? "Down the wishing well," said Alice.
     We dropped in a bucket--straight down to Howell's Cavern, a mile underground. Black onyx water, stalactite drip; I wished myself back up and sure enough came-to on the Jersey shore.
     "It is a funny old world, alright," my grandfather said.
     "The best of all possible," said Pangloss.
     "Oh dear, oh my," whined Hardy Har har.
     "Why are we here, anyway?" someone asked.
     "To dream a further dream," said someone else in the crowd.
     The ocean roared.



5 O'Clock

Put my work boots on and go out the door and wait under the streetlight for the truck to pick me up, take me to JOB. Dream of being laid-off and having time to make art, write and read; in the meantime run a jackhammer, the smell of exhaust in my face, shovel dirt and wet cement, work my ass off; return in the dark to my room and do it all again the next day and the next and the...So many days at JOB: too many--I decide to quit: cannot quit, need the money; I am caught in a vicious cycle. There must be a better way to live. What is it?



A Taste

Like Proust with his madeleine I think of the cream puff eaten in my childhood: the delicacy of the puff and light creaminess of filling. Grapefruit sized cream puffs from the Polish bakery, up-street from where we lived, a mile distant from more populated sections of town.
     The puffs had little caps like hats that were removed for access to the cream dipped into and extracted with a spoon, unless you simply tore the side of the thing open, ripping it like cloth and eating it off your fingertips, using torn pieces to plow the cream and deposit the bolus into your mouth.
     What a treat. And though as a teener I had fore-swore desserts, I ate the puff. Ate strawberry shortcake as well. And on my birthday, when given a choice as to the flavor of the cake I desired--always vanilla--I partook of that.
     Yeah I did.



Haiku

his hangover
the leash
of his worries



Dream

she only had three teeth
but was kind of cute, and
after she asked if I wanted to buy
a bottle of whiskey
I hesitated in response, and
off she ran, for the 
liquor store
as I called her
to come back
because
I do not drink alcohol anymore.
No,
I don't.
 


The Shadow of City Hall

crept across the road
as I slept sitting-up
on a park bench, my
head hung low.
I woke numb and
with a lariat around my tongue, and
horney
for cub-scout den mothers
meter maids
nuns...
Dirty sun and a frog
smoking a cigar
and
Mole-Man with a cane, the
hirsute leader of Bohemian
hordes.



Wayne F. Burke's poetry and prose have been widely published online and in print, including in LOTHLORIEN POETRY JOURNAL. He has authored ten poetry collections, most recently WHAT EVER HAPPENED TO BABY WAYNE? Hog Press, 2025, and two works of fiction, most recently NO TAB FOR SULLY, Alien Buddha Press, 2025. He lives in Vermont (USA).




Five Poems by Ken Gosse

  That Touch of Mint, with Cary Grant and Doris Day (100 Words)   They walked into a rustic bar to drop their guard that night, but...