Tuesday, 31 March 2026

Five Poems by Maria Downs







A GLIMPSE OF ETERNITY

 

This peace fulfilled, as an oasis of rapture

within the solace that thrills,

as a bird free, that glides upon the winds,

warbling its notes that ripple velvet whirls,  

while he sings –

 

so rests the recess of the heart, remaining still,  

as a glass lake,

calm, as the ancient hills, loathed to awake

and alert the mind to a voice that stirs without,

demanding jibes for bread,

plagued by anguish without a love to own,

as near or close about.

 

Paradise in this, as a nirvana where a mentor speaks,

rolling letters, as waves that hurl

or the winds that blow upon the heath.

 

Though time floats, as precious, 

within the mayhem of souls’ lives,

goading to work, earn more gold

to thrive upon each quest, to survive –

 

yet strange it be, to clearly see the span of years

all, as one,

the past present and future,  

as you await each day for the morrow sun,

enveloping all, yet to ascertain for sure

the present moment to esteem, to enfold,  

like nectar’s honey oozing, pure

within the tranquil – laden, sanctuary,  

be it remote or obscure.

 

Heaven calling within this realm,

as hours toll, the church clock affirms,

the onset of eve and the coming sunrise lost, by this spell.

 

Traversing dreams to feel and believe,

in the wonder of beauty’s care,

in the heart alone, in each natural scene.

 

Lest the rains will chase away

those pages of words that remain,

uphold this gift, yielding joy, that rings,

the mind that senses all, in every little thing.

 

Turn away no more, to read

the romance verse, where the imagination leads

to a place, as those azure skies,

to eternal live, to never die.


 

A GLIMPSE OF LIBERTY

 

Alone, as the soul floats blind,  

like the wild, river to the sea,

so stays the bliss, to indulge, amidst this sweet cradle of

peace,

as the gentle dove rests to dream of this,  

that frees the heart and mind,

when the world seems to dissipate, crumble,  

like a shattered mosaic,

content at last, to remain lost and bewildered,

by all observed and seen.

 

To long no more for life, save amidst this lost mind,

where the senses remain intact, amidst this euphoria,

though asleep to the furore, beyond, in the city streets,

where all will cry, will need.

 

Bliss to be thus, where ecstasy swells and sings,

ambling wild and alone, amidst myriad imaginings,

with the heartbeat’s thrill,

treading light – foot, through golden fields,

sensing paradise, so near, espying, the magnet sun,

hear the blackbird calling, upon the winds.

 

Can love swell elsewhere, when it rests and remains, thus

within this glorious midst,  

where life eternal, pulsates its beats,

brushing sweeps of the wild green,

the willowy leaf,  the ribbon – like, weaving grasses,

that bend and sway, upon the breeze?

 

Trailing loose, as a soul that wanders alone,  

upon this winding road,

elated to embrace the dawn at morn,

the song thrush chirping, its velvet tones,

that resound, amidst the sunny blue.

 

Joy thus, blazes its colours and hues,

like the heart’s healing inner, voice of light,

to endless stay, as a tiny wren -  

frail and captive -

to this distant call, to this final grasp

of what one knows,

yet loathe, too

this recurring, pounding sound, this wave of might,

descending instead, at last, into a welcome peace,

at the bliss of night,

where at last, the mind stills, gazing at rest,

at the reflection, of the world

amidst this calm, still mirror pool of the soul.

 

Hungry no more, for nought,  

but the place of death, of woe,

where the heart is released, from all that ensnares,

chasing butterflies free, upon the air

carefree, as the winds that blow.



A LONELY WOMAN

 

The scars hurt: walking steadily into the night,

would to be a night of delight.

Alas, the wandering snake within

writhes, hedging upon deaf ears, in the din.

 

To feel a beat, a whisper of hope

when the tired body seems barely afloat.

Crisis crumbling, like old buildings in the blitz

recall to memory a mother’s pain

dimly hearing, sweet birds again.

 

To die in a dream of bravery

though anchored in a body of slavery -

leave well alone, silence invites,

a kingdom of peace still, in the light.

 

Live, as senses will be dumb

though clamour of the city

thrives on feelings won.

 

Drift – bliss, like the wave:

sleeping baby, brave –

as the tides will wash away

the longing for light, at the end of day,

yet your iron will only remits, as the falling rain

to hear the lonely voice or some savage wit, once again.

 

Wanting someone to forgive,

as you taste the fruits in richness to live

yet knowing all will fail, as the ashes turn to dust,

each man of truth or beauty thrust -

 

while sensing those scars upon your heart

outcast, from a world that starts

with power thronging, like booms of noise

crushing, the flower of your voice.

 

So alone, yet still at peace

within the idyll of your dreams,

as you hear each wave, the call of sea

to know of home, by those lonely trees.



ABIDING CLOSE TO THE HEALTHY GREEN

 

So hushed and still rests, the cool evening of night,

that seems to lullaby the soul, thrilling,  

with such an acute, perceptive sense, of natural life -

bringing this tranquility, into a soothing balm,

while the tawny, owls hoot, from afar,

as if in adulation, of this hushed, silent dream

under the stars.

 

Can the heart need no more?

 

Only, suffice to be, to hear, see, no more,

the mundane coarseness, gabbling,

in the city’s dirty streets

but only, for what, in the end,  

does not satiate, the lost, wild spirit,

nor fulfil, each searching heart,  

for love, for a little, peace.

 

Deceptive therefore, remains the life,

to but, only esteem, with each holler, each cry,

but the aspirations, of wealth or luxury,

while though you be entranced,  

only, to seek out, each song of the blackbird, 

the mellifluous sound of those clear waters, that flow

filling up, the sense

replenishing the spirit, as to remain, lost and bewildered,

by such merry elation, of folks’ steady, cash flow.

 

Call me a fool, to indulge, in escapist fantasy,

aware, all the while, of such, that thwarts each life,

be it, through loss of love,  

the greed and hoard of monies, more

though you be ousted out,

as the nerve jars, over such resounding, paraphernalia

upon by what, or whom, such,  is gained.

 

Let me linger, for many hours and years, to come,

treading light – foot, in the silvery snow

amidst the cold and still, so joyous,

to dance in the sun, that, at the dawn of spring,

will heat much, that parades and boasts its colours,

when Apollo’s gift, comes.

 

In love, eternal, with the eye and ear,

rejoicing always, with this old, reminiscence,

of the first music, that intoxicates, the sense,

from the very beginning, of the vibrant green,

coating the lands and spruce,  

of each living, home of trees.

 

Aware endless, of this, so old and ancient,

that ripples waves, of velvet tones,

steeped in each valour, to join in, the hunt

to praise these feathered ones,

the greatest ones, who orchestrate, the very skies

the true reminders, of one’s own mortality,

when death strikes, its fatal blow –

 

mourners, side by side, at each grave, shed tears,

as the little, winter robin, upon the cold headstone,  

sings with each refrain -

its plaintive notes, to those far distant, skies,

as if carrying, with each song,

each whim, fret or strife

towards the sun and moon, to the stars, at night

perennially, upon this eternal wheel,

this eulogy, to comfort and bless, alone,

amidst this wilderness, of the ancient green,

the unfathomable seas, the sun and moonbeams,

of our one and only, home.



AGELESS SANCTUARY OF A SOUL

 

Furore raving waves of sound,  

of voice and music beats,

that sweeps its pulse and blare, harps and snaps,

with all souls engaged, within the bane of work trades,

to plod with grit, as slaves.

 

But what of this?

To leave only, but monies load,

this irksome harangue, to dwell, twixt one another?

So remains the populace, in need for love, or surface gain,

Perhaps, to feed the flesh, on fire, each night

and fulfil each lustful, appetite?

 

Yet soulless, does each sense receive this, to be,  

as the notorious, epitome of class -

observing, alone -

this frail demise of one, gazing lost, to all

seeming, but fruitless, filling not, this inner well, within

where the clear waters flow -

finding no rapport, with minds that dwell, not

where this harmony of peace,  

as the blackbird that swells with song,

at the early hours, of each summer’s morn.

 

Regarding little, with such enterprise,

that tarries not, with such, as these

within an abode, where a heart of bliss resides,

amidst the hushed realm, in awe of each word,

that inspires, that expounds from the head,

like the boom and rush, of those cascading falls.

 

This endears light and serene, amidst the imaginings,

like the floating, feather that softly, falls

silent and wisp – like,

as the cool, brush of fragrant winds,

that carouse the heart, once more, to live

amidst this solace, where erupts, each prosaic dream.

 

No man, nor life, could bind with this closeness,

to much, that lingers and wavers, as upon the very brink,

yet recalls still, this overspill, of much that is wondrous,

with each faint, distant nuance of sound,

that receives such, that is fair, so much of beauty

only, to merge and flow,  

into an endless call of timeless verse,  

held silent, with one, who thirsts,

for what only belongs, with the ethereal realms,

where solitude plays out, this parade and dance,

of what exists, in its essence,  

but pure love of the heart and mind,

amidst this solace resting, within.

 

Hearing not, this brawl and swagger, to labour hard,

but submitting only,  

to this fertile landscape of the inner world,  

where butterflies will flit, upon each rose briar

and larks herald each morning’s dawn.

 

So, drifts the nomad soul, that skips and whirls,

alighting upon every beauty word,  

at last, threading ribbons of light,

by what is thrilled to ignite, but each sense,  

through what one writes -

the eye to espy, the listening ear

in awe, of this streaming flow,

the eternal song, that carries all, that resounds,

with but joy and peace,

to the very frontiers, of the fathomless, sea.

 

So, in this way, the mind will release,

these sweet songs, of silent words,

ageless, as the stars born, yet only, to die,

gazing alone, to sense far, beyond

and so, to feel each joy, each woe,

upon this ever spinning, cosmic wheel.



Maria Downs - Has been playing the piano for fifty years. She a has painted over 150 artworks, of garden scenes, moorlands and seascapes for fourteen years and has been writing poetry, concerning Nature’s realms, the universe and the soul,  for forty years, writing over 2200, verses.

Maria has lived in Lyon, France, studying French and in Florence, Italy, studying the history of art, musical drama, history of Greek theatre, aesthetics, Italian language  and classical music with emphasis on the composers, Robert Schumann and Debussy.

She reads excessively and now, mainly loves writing her verses, reading biographies about interesting gifted people, playing upbeat pop music, easy listening, and Motown, Rhythm and blues and Soul music on her piano. She loves to read, a genuine “good book”. 


 

Five Poems by Ken Wheatcroft-Pardue

 






Insomnia Poem #148


Unusually, she woke in the middle hours.

Strange, because normally she'd fall right back

into a comfortable numbness,



but not tonight.

So she imagined effluent-filled, rat-colored

rivers dyed deep ocean blue,



like you'd see from a plane thousands of feet above

in the lapis lazuli sky she never sees in her city life.

Imagined a star-filled night sky, a sparkling arm of Milky Way.



Holdovers from the Paleolithic Era,

our greatest hits to calm ourselves,

to beat back our modern insomnia that always gnaws.



But tonight, nothing works,

not the buffeting winds outside,

nor the sure pulse of blood beating at her temples

 

 

Remember that woman’s



scream at the Piggly Wiggly – what? – ten years ago now?

We thought she’d lost her marbles, but she’d lost her baby instead.

She was crying in Produce, shrieking in Dairy.

In Frozen Foods, positively apoplectic.



Having somewhere else to go, we quit that Louisiana backwater,

but some nights late I swear I still hear that woman scream and wonder:

did she later find her baby in the arms of a well-meaning friend?

Or was it instead found dead, head down in a ditch, its limp

and swollen form bobbing next to the molten holes of crawdads?



Or was the baby stolen?

That would be a blessing, right?

How many times has the girl passed her mother on the street,

sold pralines at her door, brushed within inches of her?





Abuzz



Our world is abuzz with velvet sounds we cannot hear

and pulsing colors we cannot begin to see.



In a field of snow, all we see is white, white and more white.

Hungry reindeers, though, can spot their favorite snack, lichens,

a fungus plus algae combo, because it traps UV light we can't see.



And after their snack, this evolutionary gift keeps giving.

They spot wolves ahead and steer clear because

absorbed in the wolves' fur is that same UV light.



Our world is abuzz with velvet sounds we cannot hear

and pulsing colors we cannot begin to see.



In fall, millions of birds migrate every night.

While we, enclosed, stream movies, shop with our fingertips,

tediously check our phones, a swallow, no bigger than a butterknife,



weighing less than a pair of shoes, navigates over our heads in the dark –

cross-countries, cross-continents without GPS. Because their eyes, not ours,

have cryptochrome 4, a protein that allows them to see magnetic fields.



So we are no masters of this world,

but handicapped, limited, weak,

but lethal.

 



A Thought



A thought popped into his head.

Maybe he should just slam the brakes.

Hard, really hard.



His cheating, soon-to-be ex-girlfriend's car

would spin off the rain-slick asphalt

then barrel through the barbed wire fence



that ran along the farm to market,

your basic Texas two-lane unlit blacktop.

They'd end up sunk in a muddy field



where white egrets perched on a herd

of Charolais cattle would stare at them

with their beady, unsentimental cattle egret eyes.



On the other hand, maybe he should

knead the steering wheels grips, take a breath,

maybe more, and, why not? -- accept his rejection.




This Palpable Absence



The space on the floor where she lay

near the bathroom that I was always

or almost always careful to step over.

Today, there's no need now that she's ashes.



Almost 30 years of a dog or dogs inhabiting my house.

But today, only myself and my wife.

Too damn quiet! I miss the whisper

of paws on the wood floor.



`` She aged. Got sick. Stopped wanting

to go for the walks she always loved.

Stopped eating, even her favorite – chicken and rice.

We took her to the vet, and now she is gone.



It is like what I can only imagine

a phantom limb is like.

You see, I keep thinking she is still in her usual spots.

I even step over them as if she were there.



And when I leave home, I want to tell her

to be good while we're gone. And when I come home,

I fully expect she will pull herself up off her rug to greet us,

her little stub tail wagging as it once always did.





Ken Wheatcroft-Pardue, a retired high school English and ESL teacher, lives in beautiful Fort Worth, Texas. He is an essayist, fiction writer, and poet. Ken has had poems published in Concho River Review, The Texas Observer, Borderlands, California Quarterly, Book of Matches Literary Review, Nerve Cowboy, Red Eft Review, and two anthologies of Texas poetry.


Saturday, 28 March 2026

Three Poems by Emily Tee

 






A Turning of Seasons

 

            after Tom Hennan's “In The Late Season”

 

Have you looked at lines

until they become a box, a house?

Petroglyphs of stick figures,

become men, women, deer, coyotes.

Cartoon sun, moon, stars

resolve to a map, a calendar.

Someone lived their life by them,

the hunting, planting, harvesting.

Marks meant magic – and knowledge.

They felt the same rock vibrations,

the heat leached into it from the sun,

the heartbeat of the seasons passing.

Like a snatch of lost language

heard in folk tales something calls to us.

Millennia, aeons pass.

The stars are the same.

Deep down,we're the same,

still seeking knowledge

and magic.


 

Prayer in the shadow of the serpent's slither 

 

    After John Slaby's artwork "The Serpent" 

 

Flickering screens let the world in

    all the wickedness, hate and sin

 

Big Cup, burger, pill bottle spills

   medicines for every ill

 

Fifth of cheap booze, Jesus statue, candle

   a prayer for everything I can't handle

 

Ashtray filled with stubbed out butts

   Venus statue slashed with cuts

 

Old take-out cartons, half full wine glass,

   hope that my bad thoughts will pass

 

Visualise and manifest

   try to conjure up the best

 

Photos, postcards, old iPhone

    why do I still feel so alone? 

 

 

Sometimes it travels at night with the snowfall

 

            a cento after Mary Oliver

 

this morning again it was in the dusty pines

a certain sharpness in the morning air

a bitterness, acid

 

October, first snow entering the kingdom

lonely white fields

the night traveller

the black snake sleeping in the forest

 

some questions you might ask a visitor,

little owl who lives in the orchard,

maybe one or two things

 

when death comes

white owl flies into and out of the field

crossing the swamp, the river Styx

 

happiness, a dream of trees

morning in a new land on winter's margin 

 

Source: this cento uses the titles of poems by Mary Oliver in "Mary Oliver: New and Selected Poems Volume 1" (Beacon Press, 1992).


Emily Tee is a writer living in the UK Midlands.  Her poems and flash fiction have appeared in a variety of places online and in print, including recent work in The Poetry Lighthouse, The Hooghly Review, Gypsophila Zine and the Lines of Communication Anthology by The Wee Sparrow Poetry Press.



 


Seven Poems by Mike Everley

 






Pondering

Sitting on a granite chair
circling an ancient sun
in a far corner
of a hostile universe
wondering why
humanity wastes time
and energy
on hate.

Arguing about race
and culture,
neither real
just social constructs,
rather than watching
the dying sun
fall from the sky
blazing red and gold.

Trapped within borders
of narrow culture
failing to perceive
the common thread
twisting through cells.
The beauty of
humanity's music
drowned out by tribal drums.

We erect flags
mark out arbitrary
boundaries
becoming each others' other
in the looking glass
of distorted minds.
Meanwhile, earth spins
across the vast heavens.



Lema Sabachthani

 

It is a cold wind that rises.

          Lema Sabachthani.

Let us huddle close in homage

as treeless earth cracks to dust.

Lazarus, nothing but gnawed bone,

pads his shadow towards town.

Lifting his skull towards the moon.

 

For it is a cold, cloak-like wind.

          Lema Sabachthani.

Snouting along dusty streets,

alleys and hidden retreats,

nudging between dry stonewalls.

Hear it rattle doors and tread

with grating paws on slate.

 

It is a chill wind that rises.

          Lema Sabachthani.

Sucking marrow from our bones.



Bodmin Moor

 

Bracken, black burned,

a lone straggling

saffron gorse bush

splashes colour

onto bleakness.

 

A small croft

perched beneath

a peak of rock

huddles a distant

copse of conifers.

 

Strangers here,

migrants trapped

in thin soil,

clutched together

in desperation.

 

Cars, A30 bound,

draw you back

with engine sounds

from timelessness

towards the modern day.



But

 

It's such a small word

of only three letters

yet it says so much

about what matters.

 

I'm not a racist, but...

I like immigrants, but...

I don't like fascist, but...

 

Such a small conjunction

used without compunction

yet what follows after

is no laughing matter.



Clouds

 

The clouds are strange today.

Looking up they spread

wispy strands to weave

forests of lost trees

amid swirling white mist.

 

At their stationary centre,

a woman's face

with wide panoptic eyes,

her mouth teasing

trailing tendrils

into eerie shapes.

 

Perhaps she is Nephele,

goddess of the clouds?

 

Or, perhaps,

she is just in my head?



Umbrellas

 

Cargo shorts do not suit old men,

beanpole legs sprout from gaps too wide

to encompass their shrunken skin.

Creases form where flesh fails to fill

canvas sides that flap and go wild.

Old umbrellas, forlorn we stand,

with empty pockets and lost dreams.



Waves

 

Poseidon is angry this morning.

Smashing me into submission

with his seventh wave.

 

Undertow pulls. Sand offers no grip.

I fall in the water and cannot rise

betrayed by old knees.

 

My granddaughter’s hand

reaches towards me

and helps me stand.

 

A golden sun sinks from its zenith

turning orange above the sea,

a curl of cloud black across its face.

 

A blood orange ball falling

silently beneath the waves

as I sit upon the warm beach.

 





 


Mike Everley has had fiction and poetry published in the Anglo Welsh Review, Cambrensis, New Welsh Review, Poetry Wales, Outposts, Cardiff Poet, Undiscovered Poet, Entheoscope, Poetry News (Poetry Society), Lothlorien Online Poetry Journal, 5-7-5 Haiku Online Journal, 101 Words, Cranked Anvil, Voice Club and Acumen. He also has poetry accepted for next year's issues of Red Poets and The Seventh Quarry. He has had articles published in general, specialist, family history and literary magazines and journals including: New Statesman, My Weekly, Popular Crafts, Family Tree, Family History, Who Do You Think You Are and Ancestors. He was a member of both the NUJ and the Society of Authors before retirement.


Swansea and District Writer's Circle: https://swanseawriters.co.uk/

Website: https://www.everley.link  

 

 



Five Poems by Maria Downs

A GLIMPSE OF ETERNITY   This peace fulfilled, as an oasis of rapture within the solace that thrills, as a bird free, that glides upo...