Monday, 17 February 2025

Five Poems by Kurt Luchs

 






The Artist in Her Garden 

 

This too a palette bringing forth beauty: 

from chaos, order; from dark earth, colour. 

Now browns, blacks, whites and greys 

erupt into spring like a madwoman 

with a box of crayons marking the asylum walls, 

except that these blossoms calm the heart 

as they dazzle the eye. 

There is peace in this profusion, 

a quiet center, which is the fire pit 

ringed by rough wooden benches and rusted iron. 

The pit holds only last years ashes, 

the benches seat only ghosts 

and the laughter of ghosts. 

But soon there will come new fire, 

new laughter, new love, or rather 

old love made new by an almost imperceptible 

tilting of the turning earth beneath the sun, 

older than time yet evergreen. 

The picture pleases, though it cannot 

be framed and hung over the mantle.

 

 

 

 

Death Row 

 

The paper gets smaller every year. 

Soon it will be a postcard 

with a tinted photo 

of the city on one side 

and obituaries on the other. 

 

Speaking of death, I see she came 

for Charlie last night, 

cutting off his wind as effectively 

as holding a pillow over his face. 

It says here the official cause 

 

was pneumonia, drowning 

in his inner lagoon, 

but I think we can chalk that up 

to a failure of investigative journalism. 

Were all on death row. 

 

Its just a matter of time 

and there will be 

no last-minute reprieves. 

Most nights I fall asleep 

with a book propped against a pillow 

 

and the flashlight on, 

forgetting to mark my place 

with that lovely postcard 

which may or may not have 

my name on the other side. 

 

 

 

 

Half Gone 

 

The world is half gone, 

whited out by the dusty snow 

falling lightly yet continuously 

for a day and a night. 

Some things are still showing: 

tree trunks, stalks of grass, 

green sprigs of pine needles 

spreading their little fans 

lower down on the tree, 

two squirrel nests. 

The undersides of branches 

are dark openings  

into another dimension. 

No birds, no visible animal life. 

The sky a smudge of grey 

made by a dirty eraser. 

All is silent, expectant, 

a held breath. 

A real storm is coming. 

Then we shall see  

what, if anything, remains. 

 

 

 

 

Home 

 

Home is where the telltale heart is, beating 

Beneath the floorboards and driving us mad. 

The sins of the fathers bear repeating 

In families, whether happy or sad 

Or simply too tired to resist the pull 

Of intergenerational decay. 

Drink deeply of despair. Your glass is full 

And will remain so every night and day 

That you try to survive under this roof, 

A shadow among shadows, a grey ghost 

Whose mere existence provides ample proof 

That some things take a long time to be lost. 

Enter the home, you will enter the heart. 

And then tear it, tear it, tear it apart. 

 

 

 

 

Ode to Silence 

 

Ive never heard you, if Im being honest. 

For many years now a mild case of tinnitus 

has left me with the continual chirp of locusts 

or crickets in my ears, not unpleasant, 

actually a sort of comfort, but it does mean 

there is always a noise in my head. Before that 

I dont recall ever experiencing complete quiet, 

no, not even for a moment. 

There was the hum of the air conditioner, 

the cough of the furnace, 

the breeze rustling the blinds, 

distant thunder or the low rumble of traffic 

the neighbours dog barking at the end of his chain, 

a tomcat howling for sex, 

music from the house on one side 

and television from the house on the other. 

If nothing else, the sigh of my own breathing, 

the beat of my heart counting down my life. 

And now were getting to it, silence. 

Ive never heard you, yet I wonder 

if I will at the end, or just after, 

and if so, will you be 

like a period at the end of a sentence 

or an ellipsis marching ever forward 

into the blankness of the page.











Kurt Luchs (kurtluchs.com and https://www.facebook.com/kurt.luchs/) won a 2022 Pushcart Prize, a 2021 James Tate Poetry Prize, the 2021 Eyelands Book Award for Short Stories, and the 2019 Atlanta Review International Poetry Contest. He is a Contributing Editor of Exacting Clam. His humor collection, It’s Funny Until Someone Loses an Eye (Then It’s Really Funny) (2017), and his poetry collection, Falling in the Direction of Up (2021), are published by Sagging Meniscus Press, along with his latest full-length poetry collection, Death Row Row Row Your Boat (2024). He lives in Kalamazoo, Michigan.

  

 

 

1 comment:

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