the feline canon
cat creeping
footpath bitumen
jumps the fence
& rustles leaf
as soft fur falls like a muffled
gunshot into the garden
& we stop our discussion
—of King Lear
& Fournier’s lost domain
Bukowski’s detached self
& how Carson McCullers
really died
—lean back & look over
to see the disturbance
gather itself
lick their paws
& trot off
oblivious
fool me
I come back that afternoon
to her lounging
in the backyard, smoking
Kents in the sun
since I left, she’s done
and hung the washing out
in tumble dry wind
and been for a run along the river
undoing all my hard work
she says, inhaling slowly
do you ever cycle? I ask
no, she says
bikes don’t work my arms
and my legs
are already too big
for the rest of me
I think—glancing down
at my hands against her thighs
stretching their smooth
weight across my lap
—could have fooled me
Galaxy brain
Supermassive black holes and holiday income.
You don’t get a lot of either at the edges
of things: the gig economy, structures of star
systems and societies spinning around absent
centers that anchor, yes, but also refract.
Gravitational lensing bends all light and energy
into solitary inhuman singularities of attrition
and then, a double feature, of capture and
consumption: late capitalism. So, don’t miss
the show, mate. It’s playing tonight. A retro vibe
at the re-opened drive-in. The event horizon, fall
into it. Loose facts and faculty and none of it
matters anyway, all false flags and fake news
narratives. So, que ‘em up. Biden lost, bro
do your own research: the vaccine’s shot
and masks don’t work. Let ‘em echo
edgy, from the center of your universe.
That galactic, grinning self.
A synaesthetic history
The colour of my condition
is Crayola apricot. Paler than
its namesake, the Armenian
apple: familiar and ancient—
hardier than some delicate peach
yet also sickly, glazed-sweet
poison stone with maudlin dreams
of dried out flesh and desert winds
—but representation never quite
lived up to life now, did it? And
perhaps it’s not a colour, but
an inkblot that keeps us up
these nights. Circling the Caucasus
comparing notes—and searching
for the centre of it. Looking
for the meaning
of hard
bitter things.
rattle it
when the bone orchestra decamped
once more, marching off to sift through
old rubble somewhere else, some
players bedridden and carried on
makeshift canvas stretchers, still
clutching horns and percussion
and stringed instruments into evening
seeing the sky sink low into sunburnt
ember, night’s half-dark reaching down
to halt them — they played on, a staccato
symphony hurled against the grey
enough to rattle it
enough to keep its silence
at bay
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