ATTACK OF THE BRAIN ORGANOIDS
“A hundred horror films in my head.” –
Charles Simic
In a laboratory where so many things
Of dubious value, questionable use,
And potential disaster have been developed
In the search for more marketable
products,
They are growing microscopic brains,
Little globs of human tissue
Manipulated in petri dishes.
Now those little globs have surprised them
By developing, without any prompting,
Pairs of dark eyes looking
Back up the microscope
At their creators.
But don’t worry, they say,
They can’t actually see us,
These tiny brains cannot think,
They are not conscious,
They are not a threat,
At least, not yet.
How long before they outgrow
That petri dish, the lab, the building?
What else will they develop?
Ears? Mouths? Hands? Feet?
Free will?
Where is John Agar when we really need him?
DEATH AND THE OLD MEN
Aging men sit around the table
like velvet dogs playing poker
thinking they have accepted death,
yet as bones become more brittle
and skin thins to parchment they begin
to acknowledge that death might
more reasonably seem preferable to
the sudden realization of the slow
disintegration of their bodies, their
minds while they are able only to
watch from the sidelines, often
medicated, numb, uncaring
helpless observers unable to
delay their own drawn-out demise
occasional flashes of rage emerge as
impotent as their shrivelling balls
anger aimed at the unknowing young
flaunting, burning through their youth
reminding the old men of their own
wasted days lodged between the ones
which were well worth living,
memories emerge from years past in
whole or in part more vivid than what
they did yesterday or that morning
while the constant assault of the new
throws them off balance and leaves
them floundering in a present of which
they are only temporary occupants.
ABANDONED
HOSPITAL
The broken windows of the
abandoned hospital, where
they cracked my chest and
split it open,
stare down at the weedy
parking lot and across to
the road I’m driving
like the still open, immobile
eyes of a dead man
which seem to keep asking:
what the fuck just happened?
ST. MARLENE DIETRICH
(after Mike James)
No one knows what she looked like toward the end. She wouldn’t
Let Schell film her, he could only record that unmistakable voice.
So we are free to imagine wrinkles, thinning hair, perhaps a bit of
Turkey neck, the regal posture bent, tortured. But why should we?
When we will always have her images: ambiguously seducing Cary Grant
In top hat and tails, Welles’ blousy Mexican gypsy, Destry’s showgirl.
Inspiration for generations of drag queens, and kings, she lives still
And always will where raspy voices sing about Falling In Love Again.
In 1975, her last tour, a long, tight, white gown slit up the left side
From ankle almost to hip, exposing one perfect leg. Standing very still.
SPIDERS AND SAINTS
re: St. Veronica Giuliani (1660-1727)
People say God always provides what is
needed.
Thus did Saint Veronica, who manifested
the
Stigmata, find the spiders to eat when she
Otherwise had no food in her confinement.
Renfield, in service to a different god,
also
Ate spiders in his cell while he was
waiting
For his master to free him. And flies.
He ate flies when he could catch them.
I can find nothing about St. Veronica
Eating flies, or anything else, during
The times of her imprisonment,
Only spiders.
At our catholic school, in the early 60s,
A priest came with a slide show about a
Woman who had recently died. She subsisted
For her final 13 years by consuming only
A daily communion wafer. The priest
narrated
The slide show with great reverence and
awe,
Knowing that only God could make that
possible.
Decades after her death she was beatified
By Pope John Paul II, who, after he died,
was himself beatified, then canonized.
Renfield however, remains staunchly
secular.
M.J. (Michael Joseph) Arcangelini was born 1952 in western Pennsylvania. He has resided in northern California since 1979. His work has been published in many magazines, online journals, over a dozen anthologies, & 6 collections, the most recent of which is “Pawning My Sins” from Luchador Press, 2022. He was nominated for a Pushcart Prize in 2018.
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