Excerpts from Irene Koronas' manuscript chiaroscuros, Volume VIII of The Grammaton Series

 

Excerpts from Irene Koronas' manuscript chiaroscuros, Volume VIII of The Grammaton Series

23°

 

It quavers between

the terrapin neck

and an old cockshine

 

that caresses an object

with chiaroscuro

 

where sfumato blurs

the contour

it smudges charcoal

 

as waves secrete

the pale oblivion

 

the hallow blue

throbs with harmonics

 

roseate flesh

is shot with gray

nipples a thin brush

 

around this frenzied

vortex. The obsession

with optics

 

mappae clavicula

snips plaster

 

prepares the

transition from monk

to artisan

 

the hierarchy in trade

the ultramarines

the severe pigment

 

in spiritus

on parchment skin

 

alchemy rolls

in color innovavi

 

azurite from copper

carbonate

 

the herbs woad and indigo

ground into hot dung

for a nosehand

 

then mixed with

the foam it turns dye

into pale horses

 

turnsole or folium

from plant extract

red purple and blue

depends on the acidity

 

the rigid stretch

 

 

24°

 

Involute the clench

form and gully knots

the imbrications

in pigment

 

the sliding identity

or rapturous erotic

swarms that drench

and shuffle fantasy

 

with speed conveyance

the winglike shapes

are squiggly 

 

vulval slits

in a chancy dribble

that stains effects

 

and congests

the irresolute surface

in a jumble box

 

an anagram in paranoiac rage

the dusty residue inherited

from nanodada to a pedestal

 

for abstract ardour

the paroxysm

in the octahedron leans

toward a salivating

fishfly on a cantata

 

with the tongue tip

it dries the scab

to their rictus

 

bites the uperuman

and devours

the antiprotons

 

with an oil drop

synchronized

with a quasidope

chiaroscuros, Volume VIII of Irene Koronas' The Grammaton Series, is a hyper-minimalist écriture, melding its aporias with a mix of staccato posthumanism and the historiography of colour.

 

Irene Koronas is an extreme experimentalist. Her The Grammaton Series includes gnōstos, Volume VII (BlazeVOX, 2023), siphonic, Volume VI (BlazeVOX, 2022), lithic cornea, Volume V (BlazeVOX, 2021), holyrit, Volume IV (BlazeVOX, 2019), declivities, Volume III (BlazeVOX, 2018), ninth iota, Volume II (The Knives Forks and Spoons Press, 2018) and Codify, Volume I (Éditions du Cygne, 2017). Her extreme experimentalism has been published in Alligatorzine, Argotist Online Poetry, BlazeVOX, Buzdokuz, Die Leere Mitte, E·ratio, Graphic Violence, Hyper-Annotation, International Exhibition of Surrealism Lothlorien Poetry Journal, Marsh Hawk Press Review, New Mystics, Offcourse Literary Journal, Otoliths, perspektive, #Ranger, SPAMzine, Stride, Sulfur Surrealist Jungle, Synchronized Chaos, Utsanga, Version (9) Magazine and Word For/Word. She is the Publisher of Var(2x). Her website is irenekoronas.com.

Excerpts from Daniel Y. Harris' manuscript The Apostasy of Proxy Godbot

 

Excerpts from Daniel Y. Harris' manuscript The Apostasy of Proxy Godbot

40

 

Proxy Godbot’s in a corpsepit with panoûrgos

(Hook), when the pataquietist is a headbasher  

in novissima die huius artis (Xenomorph v3):

 

for a cramprobbeln, a ruuntic (BrasDex)   

nihillihin, there is la terra del rimorso

(TA446/COLDRIVERT/TAG-53/Blue

 

Charlie) in the tarantist metachorxe

as the dimenticati with a parabrigandic

romp in lysergica: he cantāvīs müüüü

 

rummpfftillffkwiieennzkrrmüüüüüüü,

for il demonio, the exterminating anus

jesuves its filthy parodiar below the solar

 

annulus’ http://thēríou666.cn/product/

chuangxincaifu-3: demur, for the red

coprophagic guðspjalls this annusoracle

 

in R’lyeh’s corpsecity and alarms its raw

penetralia: jūdex the hostia where foul

effluvia from NKAbuse malware plugs

 

these sphincters with a Mithraic disc:

this sabbathic plechtigheidje praefluōus

its blind kilolux between the antliatores

 

and the antliaclasts, preserves inviolate

the ideal censure: he cantāvīs RrRrRrR

rRrRrRrummpfftllfftooooziiuunnzkrr

 

müüüü—in the phylundhic, the high

voltage pylon crucifies lalangue (Raum)

in these patanecropastorals with Qilin

 

ransomware gang’s VMware ESXi

encryptor as the chorozonic reigns

supreme over a fascistoidal melainachole.

 

 

41

 

Proxy Godbot’s .elpy drops info.text

and info.hta ransom notes when omnicidal

neoagents overkill their stale miméomai’s

 

http://www.thēríou666.cn/caijingyaowen-1

/kill/1503307086-23107593.html: as foetidgods,

the anabatic/katabatic .xro struēreal

 

has its tectonic roots in doyenic guards

who wardō their cenobitic craythurs:

desecrate the impaler and append .nbwr

 

and .nbzi extensions with a cinnabaric

ṇtérveröld, for this simalāvīc Hyperborean

patapidginics with teleoplexic circuitjes 

 

stylite its .GrafGrafel with citadels:

when forebodics seal against injury’s

Adware-MemWatcher, the bastinado

 

method is paired with the poena cullei:

he cantāvīs ziiuuennzeziiuunnzkrrmüü

üü, pairs il tormento della corda with ta’liq,

 

for the zyklonic protopsaltis’ http://www.

thēríou666.cn/caijingyaowen-1/article/1

500099766-23098901.html, Th’ Arch-chimic

 

Sun so farr from us remote Produces with

Terrestrial Humor mixt Here in the dark:

when d^hóh₁mosdaar plays on the abscess

 

as imposture, antiquo more tenebrionum,

he anchors the saint with psephisato

and apsinthos and he is anthropophobic

 

in his .ljuy extēnsiō: this phanai, this pheme

from the PIE root, recedes in h₂élyosic

anonymity and uses the tchk06 campaign.

 

 

42

 

Proxy Godbot’s necrocode is a command

and control server at 45.138.74.191:443

and 65.108.218.24:443: here, nostalgia

 

for the psychofyllan has its trüschübel

in this xenodivinity with d^hergþuz

(oateron, anyad, alienum): for fascinans,

 

plasmid spectra and protopaurvic

congeries reform krijsgod (Marduk)

with this protoġesċæftiality: he cantāvīs

 

raketerinnzeketefümms böwöböwöröb

öwörötääzääkwiieek, augurs http://thēríou

666.cn/product/tianxinzaixian-2:

 

this Rhadamanthys stealer denudes

the póleōs and valorizes aeternitātibus

in mockgruppoduirian fechoun (Abraxas),

 

the megas archōn: then, with ab, ben, rouach,

hakadōs; sōtēria apo xylou, Sartael, the mækir

confrère resurrects Mallox ransomware:

 

here, autarchy is the apsis in urdeorcra

spindrift—for with this morgue carnage,

brbrganrac eugrom siht htiw roftfirdnips

 

brarcroedru ni sispa eht si yhcratuabrera,

wemosnar xollw rruser errfnocbbrrikm

eht leatra uolyx opa, airtsbr sdakah hcauor

 

neb ba htiw nehtbrnhcra, sagem eht saxarb

a htiw: nuohcefbrnairiudoppurg kcomni

subittinreteabrsezirolav dna selp eht

 

seduned relaetsbrsyhtnamadahr siht

xnaixiaznixnait—for this crucichristics

is http://www.thēríou666.cn/gsgk.html. 

 

The Apostasy of Proxy Godbot, Volume VII of Daniel Y. Harris' The Posthuman Series, is a misprision of A.R. Ammons’ Sphere: The Form of a Motion, divided into 155 sections. The protagonist, Proxy Godbot, is malware as John Milton, Black Hat Hacker. 

 

 

Daniel Y. Harris is an extreme experimentalist. His The Posthuman Series includes The Metempsychosis of Salvador Dracu, Volume VI (BlazeVOX, 2023), The Resurrection of Maximillian Pissante, Volume V (BlazeVOX, 2022), The Misprision of Agon Hack, Volume IV (BlazeVOX, 2021), The Reincarnation of Anna Phylactic, Volume III (BlazeVOX, 2019), The Tryst of Thetica Zorg, Volume II, (BlazeVOX, 2018) and The Rapture of Eddy Daemon, Volume I (BlazeVOX, 2016). His The Posthuman Series has received praise from Charles Bernstein, Harold Bloom, Andrei Codrescu, Kenneth Goldsmith, Daniel C. Matt and Marjorie Perloff. His extreme experimentalism has been published in Alligatorzine, Argotist Online Poetry, Blackbox Manifold, BlazeVOX, The Collidescope, Denver Quarterly, Dichtung Yammer, E·ratio, European Judaism, Exquisite Corpse, Marsh Hawk Press Review, The New York Quarterly, Notre Dame Review, perspektive, Poetry Salzburg Review, #Ranger, slowforward, Synchronized Chaos and Word For/Word. He is the Publisher of Var(2x). His website is danielyharris.com.

One Experimental Poem by S.C. Flynn

 

LABOUR

 

During the writing

of this poem

I paced a total

of 4.3 kilometres,

smoked three cigarettes,

drank six coffees

and a bottle

of cheap red wine,

wasted 2.6 hours

looking out the window,

un-jammed the printer,

answered the phone three times,

watched two and a half

episodes of soaps

and cleaned the flat

twice

S.C. Flynn was born in a small town in Australia of Irish origin and now lives in Dublin. His poetry has been published in many magazines, including Rattle, Quadrant, Cyphers and Honest Ulsterman.

Five Poems by Nathan Anderson

 

Empty Sentence +vanity+

 

 

                                         karmic//lipswing=========

 

 

 ghostly//leftfoot======================

 

 

 

                                           branching from

                                           mmmmmmmmmmmmm

 

 

                a liability

               in                             ●SOUND●

 

 

 

scavenger of carbuncle

 

 

                                                                  

                                                                    (((((lift me over the

                                                            meditating yogi))))))))))))))))

 

 

 

 

                                 AAAAHHHHHHHHHHH

                                 THE                           MIRACLE

 

 

 

 

 

 

 

:::::::::::::::::::::::::::::::::::::::::::::MACHINE:::::::::::::::::::::::::::::::::::::::::

Glass Magnolia House

 

 

                                              shining////condemnation

 

 

            A PRINCE

 

 

and +++++++++++++++++++ a

 

 

                        line in

 

 

................the sand

 

 

 

 

 

                                                     i gave up the close

for  this???????????????????

 

 

 

 

 

                            ■

 

 

                   not anymore

 

 

                            ■

 

                   not anymore

 

 

 

 

spaspaspaspaspaspas

                                p

                                a

                                s

                                p

                                a

                                s

                                p

                                a a a a a a a a a a a a a a a a a a a a

 

&

 

 

                                 THE RECORD PLAYS BACKWARDS

                                 SDRAWKCAB SYALP DROCER EHT

 

 

 

it's               a                                        hit!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Levitating [sentence] = pulp

 

 

leg                rooooooooooooooooooooooooommmmmmmmmmmmmmmmmm

 

 

LEG             ROOOOOOOOOOOOOOOOMMMMMMMMMMMMMMMMMMM

 

 

 

 

[][][][][][][][][][][][b][a][c][k].................

..................................[g][o][n][e].....................

[][][][][t][h][i][s][][][]......................

........................[w][a][y].........................

 

 

 

 

 

                                                         trample out the

                                                         elephant

   

 

                      an abridging telescopic sight

 

 

 

 

                  'radio is listening'

 

 

'radio is listening'

 

 

 

 

                                                 

                                                       ●

Persimmon Symphony (otherwise)

 

 

                                          c//a//n//'//t//

//h//o//l//d//

                              t//h//i//s//

 

             //s//t//r//i//n//g//

 

 

 

the e

      d

      g

      e d g e

 

 

                                                     IS

 

 

                           BENT

                                                             

                                                                    

                                                                              

 

 

 

 

                          ...continuing...

 

()()()()()()()()()

.......................

<><><><><><><><><><><><><><><> 

 

 

 

 

welcome back

how was the afternoon

schooled as always

better than

better than

 

 

 

 

                                                                 'only turncoats'

 

 

                     'only emblems'

 

 

the shell turns back

on

itself

 

 

 

 

 

                                                            ==sit cross legged

                                                            ==better

                                                            ==better

 

 

 

 

                                  ((((((((((((BEST))))))))))))))))))))))

Promulgated (tepid+tepid+tepid)

 

 

 

#################################

yellow

##############################

over

#############################

blue

################################

over

##############################

yellow

###############################

 

 

 

                                                                                               sheltered through

                                                                                               the magazine

                                                                                               a shunt and a

                                                                                               whinny

                                                                                               cup your hand

                                                                                               to form the scoop

                                                                                               and eat what you

                                                                                               would find

Nathan Anderson is a poet from Mongarlowe, Australia. His most recent book is The Screaming Paper and his work has appeared in BlazeVox, Otoliths and elsewhere. You can find him at nathanandersonwriting.home.blog or on Twitter @NJApoetry. He is a member of the C22 writing collective, c22press.wordpress.com.