Friday 26 April 2024

Four Poems by Elaine Sorrentino

 





Before and After

My life is measured in befores and afters.

Before slimming down
I was a carefree, kind, jocular teen

After, I was self-aware, guarded, judgmental.

Before marrying the wrong man
I romanticized married life

After, I embraced solitude.

Before children
New Year’s Eve was about partying

After, New Year’s Eve was about staying safe.

Before divorce
the ocean washed my home away

After, home was anywhere my children were.

Before my father died
life was carefree and celebrated

After, the plane hit the building.

Before my forever man
perfect marriage was a fairytale

After, I was loved unconditionally.

Before cancer
I was undone by mean emails

After, I pressed delete.


Irish Twins

When folks inquire about my children
I tell them I was twenty-seven when I had my first,
twenty-nine when I had my second.
This is not the whole story.

I fail to share their birthdays are seven weeks apart
or that my birthday is sandwiched in the middle,
because two years is a more respectable gap
than thirteen months and three weeks.

I omit the part about passion born
out of our Red Sox in the ’86 World Series,
the excitement of witnessing victory after victory…
interrupted when Buckner and Mother Nature surprised us both.



My Hero

She tattooed swooping sideburns
and intricate Irish symbols
in vibrant blues and greens
on her exposed scalp,
for when alopecia knocked.

I couldn’t unhitch the parachute, freefall
I’d choose the wig,
perhaps hair replacement,
but never sterilized needles
with their mandatory repeat performance
every few years.

She never judged,
this maverick
who cuts my aging, thinning locks,
she calls her radiant self a freak.



Godmother Sacked

Stay away from her
they instruct you,
as if divorce
were contagious.

Quietly, they remove
you from my influence
assign a new spiritual overseer,
a deferential one

who follows the rules…
directives powerful enough
to unravel my purpose
and impact my children’s future.

I hope you understand:
sacrificing you
was never my intention.





Elaine Sorrentino has been published in Minerva Rising, Willawaw Journal, Glass: A Journal of Poetry, Ekphrastic Review, Writing in a Women’s Voice, ONE ART: a journal of poetry, Haiku Universe, Sparks of Calliope, Muddy River Poetry Review, Gyroscope Review, Panoplyzine, Etched Onyx Magazine, and at  wildamorris.blogspot.comShe hosts the Duxbury Poetry Circle and was featured on a poetry podcast at Onyx Publications.


Five Poems by Herb Tate

 



We Suffer To Be Broken

 

We suffer to be broken what can break

When cause of what is fragile in us finds

Wonder in beauty made for its own sake.

 

Not seen, or spoken, touched, yet still divined

Like promised shoots un-stirring from the soil

Until the spring, with winter left behind.

 

Whilst all should from life’s certainties recoil

Who would not know a bloom-less prospect first -

With chance to flower, equal chance to fail.

 

So too of others, though by far the worst

The heart that wagers more than it should stake

On winning joy when losing must bring hurt.

 

Yet still the chance that most prefer to take:

To suffer to be broken what can break.

 

 

Remember


Remember when we used to have seasons

Instead of this endless summer of electric

Light and measured heat, so with the curtains closed

We didn’t know if it was day or night.

 

Remember when we used to see with our eyes -

Our own eyes - not have delights delivered to us

Like a take-away, just to be thrown away

Again, replaced by something on the other side.

 

Remember when we used to write poetry.

And it wasn’t just a pastime or therapy

But something wonderful in its own right:

A craving and compulsion.

 

Remember the silence.

When did noise find time to mask each moment

Of our waking lives? And where did silence go? It went outside

To pace the empty roads and wander to and fro.

 

Remember when singing songs meant the massed

Ranks of men and women at the old Town Hall

Not echoes in the bathroom - the cries of an animal

That doesn’t know it’s caught.

 

Remember the daily grind, the one supposed only

To start and finish here - hard when it doesn’t take you

To another place, at least in body -

Sometimes giving purpose, sometimes dignity.

 

Remember when we used to think that time

Was short because we felt it moving,

Running from us, even. But now it’s just

Diluvium, damming every morning.

 

Remember when the past enveloped the future

And rang its death with a plague bell;

This is what it means to live in the present -

A kind of purgatory, and heaven, and hell.

 

 

In The Morning

 

And in a dream, before I closed my eyes,

Rocked in the night, so far from sleep,

Mounting my own Calvary;

Lost in the shade of the viaduct;

And falling into sunlight

Like a lizard on a hot rock

Either basking or dying here.

 

In the morning I am going to start again

And live again as the moon lives.

Eyes blinked away in the bathroom

(Gaudi blue-blood on the porcelain).

An aureole of shadows

Came to bed;

And, later, a cigarette.

 

The shabby aftermath begins, pretence

Of love emerging from the counterpane,

And breakfast on the cold remains.

One flake of snow falling

Itself a blizzard;

And a door slowly closing

On quotidian faces since remembered.

 

In the morning it is the world reborn,

Not I: Botero’s horse who points the sun

Across the sky - same shadows cast -

No light in day from other stars;

And I with barely strength remaining

To repeat, repeat, ad nauseam:

I am going to start again, in the morning.

 

 

The Zombie Glass

 

This is what you would have seen

An empty tunnel sucking back

The foetid air of the people stack

And West-bound words and whispers that

Belong to no-where but the black.

 

Flinching from the horror scene,

The hum, the thrum, the rails of death

Piping rats to the terror, breath,

Look up at the sky instead

Heaven is pasted overhead

 

In territory by marks disputed:

Pupils gouged in neat graffito

Gazing blindly down below

Eyeless to the culture show

A consequence of Ruin’s blow.

 

Something has to happen soon.

Something like a bargain plea.

And all of those who follow me

Must think of what they too may be

And might, and might, their future see.

 

Captured in the zombie glass

Face and face and face flash past,

Whoever makes the looking glass

Show what it knows - knows what to ask -

Will see themselves complete at last

 

And then exposed:

Like face-cleats of a seam begin

In surface lines that hide within

The fissures and the rock formations

Every gold and silver thing.

 

But what of those you cannot see?

The wielder of the perspicacious knife,

Cutting out his heart to save his life,

Cutting where the pain is rife

Or won’t survive.

 

Taken back to Murder Street.

Shown the place where Agnes’ flame

Was lit, and lit, and lit again:

Will you from bitter sacrament abstain

Or be yourself, the blameless, blamed?

 

Why should the holy Lords escape

If they act devils when they come

Like cataracts that plague the sun

Darkening eyes of everyone

To natural light and reason?

 

Oh, what is it I have become?

See me as I am not as you need me.

Let this bodily machinery

Moved by pure will now and airy

Saving that it must be wary

 

Of the ineludible, the final act.

Beckoned forth at Birling Gap

The Seven Sisters seeing that

A lowly spirit struggled raised him up,

And up, and up, until I sat

 

As high as I had ever been

In such an awe-full, gloried state

I felt the lifting of the weight

And dread begin to dissipate

And sense of ending forced to wait.

 

But calendars had marked the date:

The rise of morning set in train

A million movements until when

I stood behind the yellow line

To look beyond the crowd again

 

And hesitated.

Another petal fell instead -

Though seemed from the same flower head -

As bright as any wound that bled

Or dress that lost a ravelled thread:

 

I couldn’t follow where she led.

I crossed the line - but not to take

The invitation Charon made -

To carry on, that end delayed,

Towards Burnt Oak and future days.

 

 

I Saw Him, But No-One Believed Me

 

I saw him, but no-one believed me.

Not even in flight

Or against the sun

But on a fence post, looking,

As we drove across the Glen.

 

I saw him, but no-one believed me.

In the Samode Haveli

A thousand miles from home,

Nursing a glass of whisky

And smoking his blue Gitanes.

 

I saw him, but no-one believed me.

He, who they all thought dead,

Undeterred by the unfamiliar,

And making a world of pain

Make peace with itself again.

 

I saw him, but no-one believed me,

Alive in unleavened bread,

Who sat himself beside me,

And took the pain inside me

Into himself instead.

 

I saw him, but no-one believed me,

Caught in the mirror’s eye.

And, viewed in a different light,

All these and other things,

Perhaps imaginary.





Herb Tate is a teacher and poet who lives and works in the UK. He has had a few longer works published in Plum Tree Tavern and Philosophy Now but primarily writes haibun, haiku and senryu: his short form poetry has featured in a wide range of on-line and print journals including Frogpond, Modern Haiku, The Heron’s Nest, Akitsu Quarterly, First Frost, Presence, Autumn Moon Haiku Journal, Blithe Spirit, Wales Haiku Journal, Hedgerow, Poetry Pea Journal, Failed Haiku, Prune Juice, Whiptail, Heterodox Haiku, Drifting Sands, Contemporary Haibun Online, Bones, dadakuku, Cold Moon Journal, Pan Haiku Review, Under the Basho, and others.

www.herbtate.com


Four Poems by Beth Tolmach

 



Tiphereth

 

we were born in the time of the

cardboard empire

of hiding from the ones

who say

beauty comes

and beauty goes.

 

today there is much left to be desired

and tempered

going slow when the world is fast

the temptation to know

has surely surpassed

the capacity to be inspired

and to see into the past,

beyond extremes of

white and black, endeavouring

not through frosted glass

to think.

 

i wear green but reminisce in pink

and dream in translucent starry forever.

i guess its the duality that stings

to be the thorn and want the rose

to aspire toward the goodness life can bring

must mean its nemesis we will be shown

 

i read a book, i looked inside,

i thought i had always been so nice

brimming with poetic words,

knowledge pinched and summarized

wrapped in lace and velour

I pressed send, to lift your spirits high,

but now i see my lines for what they were

gleeful disguise, seven of swords,

icy reserve, faux feminine demure

 

though i held you close in my mind

my lips couldnt give shape to

dim contours, of moments endured

it was clear only on the other side.

and the first part of my current life

i was but stumbling the earth

spirit in body not yet arrived

the wider vista not yet discerned

 

until the day i awoke,

i was just a paper doll

pushed forth by her time of birth

as the angels had it scrawled

you and i both,

after all, we do align,

tethered, as it were, through

sun and north node,

mercury jupiter trine

 

And despite reading many books

and seeing many signs

to you it was a joke

a self-indulgent waste of time

that one could otherwise devote

to infusing material life

with true antidotes

to the woeful conditions which

through birth we are obliged

 

so in a culture crystallized,

those magic arts,

by weight of souls twilight,

are like a bouquet kept in hope

that flowers past their prime

might get their second growth

 

but morning rays of light

will always expose

sweet multicoloured decay

a desiccated form

reminding us of what 

we once could appreciate

and in brighter eras what

was once understood more.

a design of intangible worlds

that were once ours to explore

do you remember those days?

 

even in a landscape populated

by plastic shapes even in dropped calls and

messages later erased 

i want to believe there exists

something like a solid core,

a permanent state,

a love that persists,

despite resistance towards

its binary form.

and in the end, its this

force that we will face

the love that moves all to be born

and all to disintegrate.

 

and in these times

be ever wary towards

the ones who claim

that all is illusion,

that theres nothing

worth living for,

when upon death

memory is effaced, and

oblivion is ensured.

 

for the reality of beauty past

is merely one of many doors

which open pathways

to the array of outer stars

an expanded sense of space,

where binary stars dance

in full knowing of their fate,

in true showing who they are.

 

where colours not yet named

entice us to keep on going

into plains too vast

for mortal thought to contain,

into a sky formed by the rhythm

of ever darkening and glowing.

there lies the goal of the heart of gold

to embrace a picture 

of time ever flowing.

 

 

Medicine Woman

 

i have 28 pens but all of them ran dry

i have a box filled with journals

with words spilling from every line

i search for myself, by going back in time

it took reading every frayed page before i’d realize

 

that i was always writing the same thing about you

the wheel spun, yet i got no closer to the truth

i was always writing the same thing about us

the shadow bunnies hopped up the walls

and the walls turned to dust

 

and on every finger i got a paper cut

and they stung, in the wash, as i

cleansed my sins

from the touch

of the past

that lingered on

 

singing a song about

how life is perfect, and

everything is wrong.

God is love, 

and i’m obsessed

with perfecting every

letter drawn.

even when my

book was bound

i could only focus on

rubbing my sore wrists

and putting the kettle on

 

babe you don’t have to remember it,

just blow a kiss to God and be one,

like the Sea is to its droplet.

spill blood and ink, down the sink,

twisting red-azure rivulets.

yet, i take it seriously

so here i am scrubbing the dishes

wearing liquid cat-eyeliner in gold 

replaying everything you told me

ever sinking further into it.

further into it, into it

I go into it

 

i look out the window

at the white owl

in the distance

winter sun

white light

talons drawn

i have a witness

prey is clawed

my hands are tied

so i will not pray

but instead visualize

 

the truest riches of my life

come alive

Gold and myrrh

Hawaiian sage

Of crystal aeons and

oil crayons that

tantalize the page

with infinite colour

but do not stain

we’ll never be what we were

those creatures

from a forgotten age

waves to the shore

we will return

at a future time

in a different way

 

my life is colour

your love is my core

pearlescent feathers

point toward things that

are not yet born

on the other side of

this rainbow bridge

it all exists

in liquid form

every sculpture of ice

must melt into its

unbound state,

become vapor

 

 

Affliction

 

The gusts of wind cleanse

As much as they afflict

Alone in nature is the lens

By which is revealed all the tricks

And traps, being set, in my thinking

So twisted gets my vision

That I put value in the words of

Unwitting servants to the system,

That thing so rotten to its core

With all its minions keeping the score

Of illusory games, flashing their chains

For affirmation, like prisoners of war

Who have no date set for liberation

 

Strolling the green free fields of the living plains

Bee and dragonfly wings spell out the plain situation

Of how depraved and poor the human soul became

In its relentless quest for illumination

Devolved into obsessive activities to transcend death

Scrolling, giving rise to a cascade of distractions

Like a pail with a hole

The rhythm of time stripped of sense 

Til theres nothing left

 

How dense was I to think there might be

An exception to the rule

That I could survive a few drops of venom

With my mind intact and blood flowing smooth

But in the knowing which these winds bring

Such deception cannot stand

What other step next then to break

From the world of men, and be the fool

 

So I commend the one talking to herself

In a pitched tent or a forest bench

Meditating, listening to the songs of birds

Vibrating, which continue on & on

Like an ancient breath revived, it mends me,

But only when my attention is steady enough

To let it all in, this moment of time,

Ill not forget it, nor will I cling on,

Thus it becomes never-ending

And so am I

And then its gone.

 

 

The Cocoon

 

with every year going by

we become a bit more calcified

the dreamworld of another life

fades out while mundane memories

take its place, sculpted by

time and space,

the culture makes its way,

fortifying cobwebs in the brain, 

spinning its own dream, the illusion

of having something to say.

but when you read between the lines, 

in magazines, newspaper pages

there is nothing they can say,

there is nothing, just empty signifying 

plastered on top of a phat fact 

that everything they love has always been dying 

just as much as its been thriving

and prose as dainty as a rose

will not stop the deluge of time,

So give up.

you are just one grime-coated pearl pulled from the

mouth of an oyster; deaf dumb, and blind.

there is meaning to be found in 

being beaten down by the 

hand of something you cant understand.

please Divine one, correct my retarded need to

compete in the ever-spinning ferris wheel of

performances and ideas.

 

i have inherited this disease,

a material form filthy from aeons of 

taking in, filling a junkyard with what i please, 

like a hoarder, and not releasing,

the windows are fogging up so

the light has to be decreasing.

we are prisoners in a fogged alien life but we keep

chasing it, the darkness, 

as if theres something final to reveal 

 

When I lift up a rock I see the

insects underside are of a number unbounded,

infinity contained neatly within just one planet,

one universal flow, and do you remember that 

just one spark can ignite the whole world?

they dont write about it 

because it cant be counted, 

so they dont know how.

 

if you felt one drop of warmth, like a moth to a flame

youd give up everything, just to figure it all out

i have to melt down this wax i spent

So much time trying to make right, 

shaping it with my doubts instead of

Allowing myself to be shaped,

maybe ill receive the gift of vision when

i let open the blinds of this house  where I reside 

Dont forget, im a prism bitch but not yet crystallized

just waiting for my chrysalis which will 

take me to the other side, that will undo me

Every page before it was paper

was a plant reaching toward the light,

of a star which burns and dies through me 

 

 


 

Beth Tolmach is a writer and artist based in the Hudson Valley, New York. By profession she is an art educator and small business owner. Her creative voice is informed by a love for nature, occult philosophy, and time spent living in different countries. She has been writing poetry on and off since childhood, on those occasional instances where inspiration strikes. Besides poetry, she also likes to work in the visual arts (primarily drawing and collage) and as an electronic pop musician known as C.O.R.E.


Four Poems by Elaine Sorrentino

  Before and After My life is measured in befores and afters. Before slimming down I was a carefree, kind, jocular teen After, I was self-a...