TRILLING GALES
Housebroken avians
on shipshape flotilla,
hearten a r
u
c
k
u
s. Scuttle-bucket knocks,
thundering to deep-laid rubble.
Alan Brownjohn was his own canary.
DANGLE BUG
...as necklace
on out-of-sorts pipsqueak. H
e
a
l
s
any doing-rounds ickiness.
Louise Brogan was dumbfoundingly tip-top.
WISPY BEETLES
...from chinks in parched topsoil
budge nimbly.
Swatting calls forth
head-pounding d
o
w
n
p
o
u
r
s.
Malcolm Bradbury toddled
conscientiously.
ANOMALOUS FRUITFULNESS
Too-muchness in hips, haws,
blackberries
forewarn of t
r
i
c
k
y winter.
Edwin Brock's yeech-raw tootsies
prickled for extra socks.
IMPEDIMENTS
Mustn't ground foot of bunk
towards steadfast lintel -
wooden overcoats a
d
i
e
u that passage.
Edmund Blunden snored a high feather.
In 1998 Christopher Barnes won a Northern Arts writers award. In July 2000 he read at Waterstones bookshop to promote the anthology 'Titles Are Bitches'. Christmas 2001 he debuted at Newcastle's famous Morden Tower doing a reading of poems. Each year he read for Proudwords lesbian and gay writing festival and partook in workshops. 2005 saw the publication of his collection LOVEBITES published by Chanticleer Press, 6/1 Jamaica Mews, Edinburgh.
On Saturday 16Th August 2003 he read at the Edinburgh Festival as a Per Verse.
Christmas 2001 The Northern Cultural
Skills Partnership sponsored him to be mentored by Andy Croft in conjunction
with New Writing North. He made a radio
programme for Web FM community radio about his writing group. October-November 2005, he entered a
poem/visual image into the art exhibition The Art Cafe Project, his piece
Post-Mark was shown in Betty's Newcastle.
This event was sponsored by Pride On The Tyne. He made a digital film with artists Kate
Sweeney and Julie Ballands at a film making workshop called Out Of The Picture
which was shown at the festival party for Proudwords, it contains his poem The
Old Heave-Ho. He worked on a
collaborative art and literature project called How Gay Are Your Genes,
facilitated by Lisa Mathews (poet) which exhibited at The Hatton Gallery,
Newcastle University, including a film piece by the artist Predrag Pajdic in
which he read his poem On Brenkley St.
The event was funded by The Policy, Ethics and Life Sciences Research
Institute, Bio-science Centre at Newcastle's Centre for Life. He was involved in the Five Arts Cities
poetry postcard event which exhibited at The Seven Stories children's
literature building. In May he had 2006
a solo art/poetry exhibition at The People's Theatre.
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