Saturday, 4 April 2026

House of Spirits - Prose Poem By Greg Patrick

 






House of Spirits


Prose Poem

By Greg Patrick


 

“Away, come away: Empty your heart of its mortal dream.
The winds awaken, the leaves whirl round, Our cheeks are pale,

our hair is unbound.”- Willam Butler Yeats, Riders of the Sidhe

 

All Hallows Eve cast its dark spell. How far he ventured astray into the rain and mist he

could no longer tell. How long had it been since he was home? Son of Traveler blood

cursed to roam. Across the horizon working the odd job just to earn a few bob.

So many familiar faces now gone once again standing on Erin's greenest shore the

prodigal son.

He just kept aimlessly walking haunted by the echoes of the past talking

past the caravans ignoring their wares and hawking. The road was now dirt.

The wind intensified and he felt out of his element in just a shirt,

returning to his native soil after years of foreign toil.

A gathering storm swallowed the sun. Too many memories here. No energy to run.

He lingered by a lonely pilgrim’s shrine remembering the girl to whom he would have

proposed in the Celtic twilight where proud Cuchulain strode and Samhain eve when

the Dullahan rode its great black stallion that galloped and snorted as the faer people

on the old standing stones cavorted. He remembered the stories by the peat fireside

confronting Samhain even when the Sidhe warrior don bright helms to ride seeking to

steal a mortal bride yet he knew true monsters bore a human face. Here in the remote

stretch of the Burren sought solitude from the urban race.

How long had it been since a drunk driver took his love losing faith in a God above?

He returned from Australia to his native soil weary from the loneliness of foreign of

work and toil.

He stood aloof and shunned at her wake, not touching a drop of drink or a crumb of

cake. He stepped into the night, exhaling a steaming sigh. Why of all people was it her

that had to die? He walked out to nowhere under a brooding angry Irish sky.

The punishingly chill wind swept his soul with a ghostly singer's voice

and caress as he envisioned his Maeve when he first saw her in a green dress.

He remembered when they last kissed as he was enveloped in a wave of mist.

He thought of their last night together dancing with her eyes outshining the stars as

she graced the floor in a feis dress. He closed he shivered at the mist's ghostly caress

where night falls even as legends rise. His breath steams as he sighs

feeling like a scribe with no tribe. The muse left with her curse to utter no song.

He did not compose lyrics in so long. The muse eluded him as he shivered in the

raven's shadow of mourning. Yet he dared love Maeve despite the gods all but

screaming a silent warning.

Dark clouds swallowed the moon. He tried to raise his spirits by singing the

rising of the moon yet thunder roared, drowning out his tune.

He shook in the rain memories slithering like electric eels through his brain.

As he was immersed in shockingly cold rain, he thought he could see her,

his Maeve calling to him. His life's delight and pain. She seemed hailed in shimmering

iridescence as he staggered towards that radiant presence. The dream cut as deep

as a sacrificial dagger. He clutched his heart and began to stagger.

“Maeve!” he called out in vain, his lost love in sight hailed in cold tears of rain.

He staggered blinded by the rain that roared like a passing train.

Then music reached his ears. Yes, it was. “The Rising of the Moon” he hears.

A village and a pub in this lonely windswept place where he thought to disappear

without a trace. A world away from the urban race.

He passed from the storm-swept night to one of the music, song and fire burning bright.

It felt eerily wrong as if he were a wayward mortal as if he crossed into the sidhe realm

through an Elvish portal.

He lingered at the threshold haggard shivering, and cold eyes haunted by stories

untold.

He tried to find a lonely place by the warmth of the hearth to brood offering a polite nod

to the patrons not wanting to be rude.

Yet he looked into eyes as green as meadows of dream not seen her like since losing

Maeve to the banshee's scream.

He stood up only to swept away into a dance, a reel closing his eyes into his partner’s

embrace. The music grew louder and more wild. He went from feeling as old as the

hills to giggling like a child.

He was drawn into the depths of her Celtic sea green eyes as if lost in a trance

on a night where old wounds ached in the cold feeling as empty as a man whose soul

was sold.

Red lips like reopened wounds as the stranger girl whispered a song in his ear as his

eyes shed a tear he felt the sensation of falling then flying.

“Am I alive then or dying?”

His dreams passed like a shadow in the night amid red leaves falling.

He awoke not in a lonely room but groggy and disorientated sheltering

under the slab of an ancient lord's tomb.

"I shall arise and go now is that not what you said Mr. Yeats?”

Time once more to stand and challenge the fates.

 

 





Greg Patrick - A dual citizen of Ireland and the states, Greg Patrick is an Irish/Armenian traveller poet and the son of a Navy enlisted man. He is also a former Humanitarian aid worker who worked with great horses for years and loves the wilds of Connemara and Galway in the rain where he's written many stories. Greg spent his youth in the South Pacific and Europe and currently resides in Galway, Ireland and sometimes the states.

 

 

 

 


Three Poems by Momina Raza

 






Baptism

 

“Wash me, and I shall be whiter than snow.” — Psalm 51:7

 

the water stings–

every drop of water,

i count like prayer beads.

 

steam softens the shame,

turns it holy.

 

i mistake the steam as your breath

draping my body

 

your name slips,

not a prayer,

not a curse,

an apology.

 

the flower blooms in grief

 

the climax feels like forgiveness

till it doesn't

i open my mouth,

                                             left agape…

 

bless the shower

for never asking why.

 

there are secrets that only water knows,

 

clean me of my shame,

                                                                                                                        disperse me like light!


 

Letter to a Lost Lover

after Barbara Hamby

 

Is there a theological Urdu word to describe what

has happened

                              between us, like, barzakh, which is

used

for washing blood away from my hands, but after I

walk to the next haveli,

                              I wash my hands again; or faqadān

which is an emptiness that remembers and aches

for many years

perhaps, for eternity even after

all scars have healed,

                              this wound shall remain blooming.

Sara Shagufta confesses, weaving a language of silence:

“These eyes, this heart, give it

to a hollow man.”

 

I long for a word for someone who looks into her lover’s face

               and sees his smooth skin peel off like a candle’s wax that has

burnt with endless ardour in the sleepless nights of Lahore where

               childless mothers tie red threads in shrines, a dog

howling at what used to be divine, motia blooming with grief,

mistaking tears as rain drops, counting each like penance,

books everywhere, Agha Shahid Ali on Naheed, Ghose under Rafat,

               writings all scribbled with stories of lost lovers, once sipping

coffee in a bookshop, tenderness woven into fingers that tremble

               to feel the same love they lost in the crowded streets of

Liberty Market, endowed with my grandmother’s silk sarees,

 

I can see what he sees– all my books dogeared

to safely honour the flowers my friends gifted me in sepia

toned books as souvenirs, remnants gently wrapping

itself in ink and memories, feet adorned with red paint and

               gold anklets, flashing like wheat in lush fields, veins

flowing like rivers of milk, eyes as bright as hope in hospitals,

               how unlucky we are to love in distance, for a moment,

I can’t help but think of Shagufta, a fire burning her soul, looking

               at the man she loved, thorns for hands, saying,

I dress myself in my pain”, as I turn those pages, I feel the heat of

               your absence, a symphony lost in longing, as the book

closes, the spine arching its back, moaning a prayer.



I Could Never Speak to Allah About You

 

In a dream, I wake up

with hooves for feet.

 

The raven at midnight,

a warning. I never understood

 

why did my hair turn grey? —

a reminder of my grief

 

of always waiting for Godot who

never arrived. Once, I laid bare in

 

desolate moors, the moon draped

me with light and forgiveness that

 

stung like my grandmother’s curse

of loving the wrong people.

 

Redemption lies beyond so I break

the moon into pieces, glass splintered like

 

unforgotten idols in grottos. I never

learnt the language of silence.

 

I washed my feet with dirt every time

the wind carried your name to me.

 

A forlorn dog howls at what used to

be divine. Brothels witnessed more

 

prayers than a masjid, I could never

speak to Allah about you.






Momina Raza is a writer from Lahore, Pakistan. She holds an MPhil degree in English Literature from Kinnaird College for Women. She was selected as a finalist for the 2025-26 Pakistan Youth Poet Laureate program in English. Momina’s work has been published in literary journals such as Borderless and Pandemonium among others. You can find her on Instagram @momina17_.

Four Poems by Andrew Robertson

 






Brother Andy
Brother Andy, a noble man
His life was for the Lord's command
He threw himself some say unplanned
Into a life that did demand
Surrender

The brothers they were strong at heart
And resolute to make a start
With full commitment, not just part
To put the horse before the cart
Remember

Impossible to say the least
Upon flesh, enjoy a feast
Instead of mother, she's called a beast
Instead of butcher, he's called a priest
Pretender

Andy, he was sad within
It seemed that he just couldn't win
He tried again to sink or swim
To reach the end he must begin
At last

The corridors, the monastery
Remain to some a mystery
Mutually directed flattery
A long respected history
It's past

A noble but a normal soul
Still attached to rock and roll
Deviating from life's goal
Empty chapel hymns cajole
Life's fast

But Andy he could still persist
The taste for life could not resist
For suffering, renouncing bliss
Desires again to taste a kiss
To live a lie

Entangled in a way so dry
Beyond the walls to see the sky
The glimmer in a young girls eye
A pig alone without a sty
High and dry

Lusting for the ways of young
Desires to hold on to someone
Alive, they talk of death for fun
impalement, cross, and resurrection
It's sad

The brothers they were compromised
To keep him here although despised
Embroiled in guilt and spoon-fed lies
Try that jacket on for size
It's hurting

High ideals and aspirations
Are not enough for liberation
Personal emancipation
Requires personal association
Not flirting

God is not behind disguise
A sunken treasure or lottery prize
Nor imaginations of the wise
He has curling hair and lotus eyes
Andy is waiting



Sense Desire

I could compromise with my eyes
and watch the TV set
And realize that to despise
Is something I regret
But attachment comes back at me
I thought I could renounce
By trying again, the frying pan
My shortcomings pronounce

I could listen clear with my ear
and take in what's around
And without fear, though insincere
would come back to the ground
But vibrations reach much deeper
And change my own good sense
First they steal my heart
Then my intelligence

To avoid the senses calling
I must try hard to refrain
No amount of pondering
Can help me become sane
Thought I could just dabble
But I splashed out once again
Refuse amongst the rabble
In the pouring rain

I could repose with my nose
the objects it demands
But I suppose that just shows
I need a helping hand
Cause out of time a band in line
cant march straight anymore
And one sense without a master
will mislead the other four

I could lunge in with my tongue
and taste the bogus treats
A human sponge just for fun
will try anything to eat
But tasty leads to lusty
Control becomes complex
My sharp edge becomes rusty
with desire for more sex

I could win with my skin
in a pampered paradise
For it's no sin to want to grin
A smile is worth any price
But what begins as innocent
becomes a mad embrace
Forgetting I'm a member
of the human race

Conditioning
Life’s like an illusion, confusion reigns supreme
Some people trade their time for sin and others only dream
Of ways to combat misery and find a way serene
While drowning in the ocean of the universal scheme

People born in passion, lusting for love and wine
In ignorance all good sense is lost on wasting time
The good become conditioned, their apathy a crime
For while they grin the rest will sin and say everything is fine

You may say I’m pessimistic, and that may be quite true
Because I come from the same place, I used to be like you
Advancement takes some time, for the moment all I can use
Is distaste for my conditioning, for this you should excuse

Catching Up
One time I was a hero
The next I was obscene
One time she was a weirdo
The next she became queen
There is something going on here
Something quite unseen
The law of karma is catching up
And it’s got me in-between


A person standing on a green fence

AI-generated content may be incorrect.



Andrew Robertson has around 350,000 words published yearly for world-leading organizations and news outlets, in print and online. None of the work is in his name. Once a page is published, it is gone and forgotten about. Andrew is a quiet positivist living in a loud world, with lots to laugh, cry, and sing about. Andrew likes to explore the super-conscious and find spaces in our world that we all share but aren’t necessarily aware of.

Five Poems by M. Frost

 







the hollow inside

 

not emptiness but hunger

not parchment but thirst

not void but craving

not darkness but endless quest for light 


 

Bleeding Heart 

 

Since I became Empire—person and domain—the long squares of my land

are all I can see. They say my heart bleeds because I want to rip out all

the straight lines, pull down the boundaries I once built to keep us clean.

                                                        I want to escape,

 

find the river, follow it to a primordial root, swim through

its inhalation, lungs of the world that take in all the dust I have made,

let it sediment in the eddies and spins, impact upon its bifurcations.

 

I bleed, my chest heaves, dust impacts on the bifurcations, the thick muscle

of my aortic valve thrusting blood into my lungs for oxygen. Since I became Empire,

the clean and the unclean are joined, carved from me in straight and broken lines,

 

cut off from a tributary of red, the forbidden path that has governed my heart

                                                        since I became Empire. 


 

Keeper of the Scarab

 

The carcass of the beetle has graced

my car’s dashboard for weeks. I think of insects

on satin display, brilliant colors preserved, gold-

green iridescent shell reflecting a spotted light

 

What is this impulse to craft a reliquary for the daily detritus of death?

 

To capture a pearl-headed pin in thin fingers

to press it through the chitin, bury it in a foam-

nest beneath the red or black lining, catch a

silver clasp, join stained wood 


 

Gargoyle of Notre Dame

 

Capture lightning

Prisms through a stained-glass window catch the sun’s

ultimate pillar of light. Twilight empties the church.

Candles blaze only to expire in gutters of wax. The gargoyle,

guardian, gray-blue skin etched in shadows, vacates himself from

a stone-metal sconce to creep down bell-shafts and columns

to reach the nave. There’s a moment—ghost lungs of choirs

rising in the air—when he pauses, lifts his wings, bares teeth.

 

Conjure water as if it were flame

His job is to regurgitate rain, convey it, unbroken, from its path

between heaven and earth. Engineer, he survived years of water

and fire. He took the damage upon himself, loyal worker

unheralded. He enters the nave, stretches clay wings.

 

Repeat and repeat, like an endless storm

Wisps of smoke mark his display, charcoal stains of resilience.

What do you hope to see here? What lines drawn from

transcript to floor, enduring scores, like water against stone,

etching it the way only water can. What does the Gargoyle sing

when he enters the nave? His throat stopped with the flood, every note

a gurgle, the rush of storms, the lightning that catches the spire,

the summit that juts out, leaden, a feat impossible to hold.

 

Guard the nave with just this solitary note 


 

The Tropes 

 

I get how the ruggedly handsome hero

saving the equally comely princess

from the tower of evil mages

might be a thing

done enough

 

But I submit that when the princess

shrugs the prince off,

picks up her weapon

aims it at her

abusers

 

this needs to be done again

         and again

                   and again



M. Frost - The creative work of M. Frost appears in Strange Horizons, Star*Line, Orion’s Belt, and many others, with chapbooks Cow Poetry (Finishing Line Press, 2006) and The Women of Myth (Island of Wak-Wak, 2025), as well as Constellation, a collaboration with artist brother (CreateSpace, 2013). Explore further at mfrostwords.com and follow @mfrostwords.bsky.social.



House of Spirits - Prose Poem By Greg Patrick

  House of Spirits Prose Poem By Greg Patrick   “Away, come away: Empty your heart of its mortal dream. The winds awaken, the leaves ...