Paradise, Lost
Outside the ancestral window,
a thrush cracks the seeded sun.
The ruining arbored porch now honored,
songless stones cannot lay quiet.
Sing the land of my dreams
with voices, full and rising,
like the first spring beckoned
from oaken earth,
our paltry field struck copper
in the noonday sun.
Her glories are plowed
under with each turning blade
of grain, year upon reckoning year,
and coming is the day when the finch
will no longer find its nest
in the sorrowing eave.
Such an oracle splits the brimming moon,
breaking in tides across the dark-eyed grass,
till birdsong perishes in tangled night
outside my window, sighing.
Countries Yet to Come
I came to you,
full of a psalm offering,
but you had gone,
winged away
on some slant
of afternoon sun.
I tended you,
with my scorned heart,
feathered mercies
in the nested cave
of my paperbox,
the unrelenting Yes
spoken true
against the world’s
default of the lifeless No.
You were born,
not for nests,
but for skies,
and I am to live,
not as one dying,
but as one yet born,
again and again.
Set this heart of straw ablaze
and the cinders I will scatter
in flight across the steel gray lakes
of countries yet to come.
The Road Winds Home
The road winds home
among this ruining place,
her shattered light
and bankrupt dreams.
The names of her children
lie unremembered as dust on the sill,
for ivy has afflicted her porches.
The hard-won harvest
is now absent from her widowed table,
a reckoning for words uttered in haste,
last rites for the silenced blessing.
She wanders lost among the field,
its grasses ebbing like the unforgotten sea.
Some springs the thrush comes alighting,
lingering, just beyond my pane —
this bereft place sighs grace,
and with delicate hand
I will bathe the Bavarian teacup
in the pools of her eyes,
ink upon my sunlit page.
Places of Shuttered Light
I pass them as I am on my way,
the places of shuttered light.
Widowed barns sleeping
among low drifting clouds,
no whinnying horse to shelter
or keep, silence yet fragrant
in the sparrowed loft, and timbers
well-spoken from spring to spring.
A house creeps slowly by,
her skirts tattered around her.
Once a bride, now long wearied,
she is motherless and breaking,
watching the world
through shattered eyes
on its indifferent road.
Intermezzo
Now at my mother’s piano,
I am far from you,
oh child---
how the rivers
between us converge,
passing cold—
Young once only,
your dreams were all the fevered sun,
and Chopin, springtime’s first lover,
perishing with every daybreak
upon the dappled grass.
A nocturne yet calls
across the field,
stirring the flowers
wild and easy
with its dusking hand.
On this side of the river,
my fire burns slow,
the seduction of an intermezzo
contented, true, complete.
Melissa A. Chappell is a writer living in rural South Carolina, USA. Her poetry is greatly influenced by the natural world. She is an ordained Lutheran pastor and has a BA in Music Theory and a Master of Divinity degree. Chappell has previously been published in BlazeVox, Adelaide Literary Magazine, The Orchards Poetry Journal and The Emerson Review, among many others. She shares her life with her family and two miniature schnauzers.


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