Monday, 29 March 2021

One New Poem by Susan Tepper

 



ENTER


a dream’s soft padding

changing—

shadows swim the walls

at close of day.

Did you arrive

just wearing socks?

Quick plunge

to clear your head.

I do recall complaints

about cold feet.

Smashed strawberry-

red on vanilla

fluffed the channels of

my bed comforter.

Yummy.

By then

you had us both.

Torturing you.

Squeezing you side by side.




Susan Tepper is a twenty year writer and the author of nine published books of fiction and poetry.  Her most recent are a poetry chap CONFESS (Cervena Barva Press, 2020) and a funky road novel WHAT DRIVES MEN (Wilderness House Press, 2019). Currently, she’s in pre-production of an Off-Broadway Play she wrote and titled ‘The Crooked Heart’ based on artist Jackson Pollock in his later years. www.susantepper.com


Fiction - Serial - Part the Second by Will Nuessle



BARRY BOTTER AND THE SORCEROUS PHONE 

by W. C. Nuessle 

‘The Hogwash Express’

Part the Second

 

            King’s Cross Station was no stranger to the odd and uninviting passenger, but even the troupe of mimes, long known as the scourge of thinking people everywhere, packed up their invisible boxes and made hasty way for Haggard, still dragging Barry in his fragrant wake.

            Watching passers by wrinkle, cover and even flat-out stuff Daily Mirrors up their noses, Barry realized that he was slowly becoming used to Haggard’s remarkable musk, which frightened him more than anything had thus far. “Where are we going?” he asked, partly to reassure himself that he at least hadn’t lost the power of speech.

            “Yer going; I’ve got other business.”

            The thought that he might get away from this delightful character did wonders for Barry’s constitution. “Ah, yes, well, where am I going, then?”

            “Hogwash, as I told yer. Try and pay attention, Barry.”

            “I meant specifically where are we going right now—” and then Barry stopped talking as he saw the helpful station number. “Platform Three, then?”

            “Not quite, Barry.” Haggard abruptly stopped walking. Barry picked himself up and dusted himself off, looking as though sprawling full-length on a public transport platform was exactly what he’d meant (in that way only cats and the English can quite manage.) Haggard went on as though nothing had happened (see previous parenthetical regarding cats and English,) “Here we are; Platform 3.1415926532.”

            Barry blinked. “I’m sorry, what?”

            “You got mites in yer ears? Platform 3.1415926532.”

            Discovering he did indeed have mites in his ears, wonder where those could have come from, Barry dug them out, flicked them at the closest retreating mime and asked again. “Once more?”

            “Platform 3.1415926532.”

            “Just one last time, begging your pardon.”

            “Platf—are you having a go at me?”

            Barry grinned. “I should say I am. What’s all this rot, anyway?”

            Haggard grunted. “You’ll see.”

            The noon train shortly groaned to a stop in front of them and Barry, with nothing better to do and very much liking thoughts of sneaking down the stairs on the train’s far side, never to have do with this hairy giant again, started forward. The hairy giant in question stopped him with a meaty hand on his shoulder. “Not yet.”

            With a mighty squeak, the train lurched forward roughly six inches.

            “Now, then. Platform 3.1415926532. It’s magical, boy. Can’t be seen by the Marbles.”

            Barry thought about pointing out the multitude of folks around them climbing aboard, asking if all of them were ‘whizzards’ too, but realized he was wasting his chance of escape. “Well, thank you, Haggard, I’ll just nip up to a berth, then. Get right off at this Hogwash place.”

            “Cor bless you, Barry, make sure you keep yer wand with yer at all times! Never know when a Demented might strike.”

            Returning Haggard’s mighty wave that had passers by retching in its wake, Barry reflected that he was pretty sure he knew exactly what a Demented looked like; he shook his head as he boarded the train, planning to skive off between cars and get back to normality.

            This plan was thwarted nearly immediately by the two individuals waiting for him. “Barry?  Barry Botter?”

            “Oh, what fresh hell is this,” Barry muttered to himself.

            The short, squat fellow thrusting his hand forward had just wiped his nose with it; before Barry could figure out a way to not shake the hand and still qualify as English the handshake had concluded. “I’m Don! Don Weasel. Cracking good to meet yer, Barry.”

            “Yes, all right,” Barry responded noncommittally, scrubbing his hand on his jeans. Then he looked over Don’s head at his companion, and forgot about all of his body parts save one.

            Tall enough to look him full in his eyes, Barry was instantly aware of the sparkling emerald green quality of hers, to say nothing of curves on top of more curves below. “Such a pleasure, Barry,” she said in a sultry voice, the proper, very tight schoolgirl outfit that she wore sparking all manner of thoughts in Barry’s brain which would not have been approved by the Church of England. “I’m Ermine Grazing.”

            “Hergleth,” Barry said succinctly, trying very hard to look in Ermine’s eyes and not her front porch, distantly aware that he couldn’t remember his girlfriend’s name for any price. Deanna? Ermengarde? Casting about for something intelligent to say and still trying not to be a complete letch, Barry spotted a drinking straw poking out of Don’s shirt pocket. “What’s that, then?”

            Don smiled and patted his treasure. “It’s me wand, Barry. Got it at Olive Juicer’s special.”

            A direct throat-clearing from behind him reminded Barry of his Continental upbringing, specifically the part about how One Never Held Up A Queue, and he followed Don and Ermine into the closest berth, vaguely sorry to realize Don was there as well. “Olive Juicer?” Barry repeated for something to say.

            “It’s a bit soon for that, Barry, but I’m sure we’ll be great friends.” Ermine beamed, which Barry thoroughly enjoyed, sliding what appeared to be, and was, a swizzle stick out of a breast pocket that was too strained to hold anything more substantial. “Did you get a wand as well?”

            “Of course he did,” Don guffawed, sprawling into one of the seats.

            Barry tried not to stare at the general area where Ermine was replacing her wand, and for distraction pulled his silly stick out of his back pocket. “Found this; Haggard seemed to think—”

            “Cor!” Don goggled.

            “My goodness!” Ermine breathed.

            “What?” Barry wondered.

            “A real wooden wand? Untrammelled by the hand of man?” Don marvelled, even as Barry realized he wouldn’t have expected Don to know any version of the word ‘trammelled’ if it rolled up and bit him. Ermine sat in the remaining seat and Barry next to her, mildly jealous of Don for having the significantly better view. “You must be quite a powerful wizard, Barry, to have procured such an item.”

            Wand envy, was it? “It’s not the size, it’s how you use it, Don,” Barry muttered as the train lurched into motion, throwing him briefly against Ermine, which was such a delightful experience he wished the train would stop and start again. Being British, they apologized to one another profusely and endeavoured to sit as far apart as possible. “Speaking of using it, what’s the point of the sticks, anyway? Weird version of conkers, eh what?”

            Ermine smiled at him again as he tried to remember any of his times tables. “There’s only one fiend to conquer, Barry.”

            “Well,” Don interjected, “and his minions.”

            “Yes, and his minions.”

            A bad guy in all of this ridiculous? Barry knew this would be good. “What’s his name, then?”

            Don and Ermine spoke simultaneously, resulting in the bizarre experience of his left ear feeling horribly assaulted while his right felt coddled lovingly. “He Of Whom Nothing Must Be Said For Fear It’ll Get Back To Him.”

            “Come again?” Barry whispered, hoping only Ermine would hear.

            No luck; they both spoke once more. “He Of Whom Nothing Must Be Said For Fear It’ll Get Back To Him.”

            Curious if he could get them to recite that dreck a third time, Barry remembered that humour lies in not repeating a joke and moved the conversation forward. “That’s quite a mouthful, idn’t it?”

            “He has a true name, of course,” Ermine allowed, as gorgeous English countryside flashed past the window which Barry paid not the slightest attention to, “but it must never be spoken except in whispers.”

            “Well, um,” Barry tried, knowing an opportunity when he heard it, “if you wanted to whisper it to me, just so I don’t say it accidentally…”

            Willingly, Ermine leaned over and Barry tried to concentrate with what little of his blood remained in his brain. Her beautiful full lips almost brushed his ear as she breathed “Moldywort.”

            At the very moment she spoke that name, a sharp pain suddenly, unexpectedly stabbed at Barry. Specifically in his right foot, which when he looked down he saw Don stomping on. He got the hint and moved back to his corner, rubbing his instep. “I’ll definitely not say that aloud, but the official version’s a bit of a mouthful. You know what—”

            “That’s it!” Don exclaimed.

            “What’s it?” Barry questioned, irritated.

            “It’s perfect,” Ermine breathed.

            “What’s perfect?” Barry questioned, pleased.

            “You Know What.” Don nodded.

            “No, what?”

            “You Know What’s perfect.” Ermine smiled.

            “No, I’m afraid I don’t,” though he desperately wanted to, “what is it that is perfect?”

            “You Know What.”

            Despite feeling trapped in a particularly mediocre Abbott and Costello sketch, Barry marshalled himself and tried to be precise, in such a way as to commandeer the linguistical situation. “When the two of you are saying ‘You Know What’, are you referring to an actual question or the answer to one?”

            “The answer to one,” they answered immediately.

            “And,” he dared ask, mildly terrified, “what question would that be?”

            Don laughed. “The question of what to call He Of Whom Nothing Must Be Said For Fear It’ll Get Back To Him. We’ll call him ‘You Know What.’ It’s perfect; it’s three syllables rather than sixteen,” which Barry decided to take his word for even as Ermine started counting on her lovely long fingers, “and will save ever so much time.”

            “And here’s the thing of it, Barry,” Ermine interjected after trying to get to sixteen several times and failing, “the prophesy said that the one who would defeat, er, You Know What would be the one who bestowed upon him a more efficient name.

            “And you’ve done that,” she concluded, her eyes shining.

            Even as she spoke, the train lurched to a halt, allowing a grateful Barry to make a quick, very necessary adjustment to his clothing.

            “Come on, Barry,” Don grinned, wiping his nose once again. “It’s just a short walk through Hogshead and we’ll be there.”

            Somehow Barry found himself following Don off the train with Ermine following him, which was not at all how he had wanted to arrange things; but if she was to be accidentally poked by a wand, better the one in his back pocket than his front, if you get my meaning.

            The town of Hogshead looked sullen and uninviting, like many a small town in England. Despite how very little had been out of the ordinary so far (save everything, really) Barry had half-expected fairies flitting about, or bursts of multi-coloured sparks in the distance. He chewed on his disappointment as they walked through the depressingly ordinary town, and was still working out how a person could ‘half’ expect something when Don and Ermine stopped, pointing at a large iron gate.

            “Here we are,” Don sniffed.

            “Home sweet home,” Ermine agreed.

            “Oh, bloody hell,” Barry sighed.

            It all made sense now.

            (Chapter Three: ‘Bumblebore Speaks’, coming soon!)



Will Nuessle holds a third-degree brown belt in ninjitsu; rides a Harley; primary caregives a five- and two-year-old (with the third arriving in April) and claims to be able to recite the alphabet backwards in less than ten seconds. He also writes occasionally.


Sunday, 28 March 2021

Three Poems by Julie Stevens


 


U-Turn

 

Days can lead to sharp places

where each step scrapes the rising blade

of troubles known to alarm.

 

Moments that set the hour on fire

hunting feelings and throwing them

to heartless flames.

 

They always take me when I

least expect, journey into grief

rotting behind a content mind.

 

I will gather the storms and throw them

down the river of hurt,

no callous air will ruin my day.


 

Only at Night

 

When I sleep it’s gone,

sometimes.

 

I have a different make-up

wear feet that skim the ground

and run to dreams I miss.

 

I climb galaxies of hope

wrap them round my shoulders

and sail without ever holding on.

 

There’s a light filling the air

I hear everyone is well,

I know there is no slow.

 

Under sheets I lie believing

glide along the night

and rise with everything intact.

 

When I step on the carpet

the room always vanishes,

there’s never a wing to guide me in.


 

Step into the Dark

 

Let the sun cover us and warm our leave

keep the air safe from death’s call,

guide us on this lonely road.

Our walk outside is shackled with fear

bells of peace no longer sound,

roads falling lower than a foot’s touch.

Life drags us along

to taste this unknown war;

tepid steps building fire.

 


 

Julie Stevens writes poems reflecting the impact MS has on her life, as well as other topics close to her heart. Her poems have recently been published in Sarasvati (Indigo Dreams), Dodging the Rain, The Honest Ulsterman and Nymphs. Her debut chapbook Quicksand was published by Dreich in September 2020. Website: www.jumpingjulespoetry.com, Twitter @julesjumping.


One Sublime Poem by GJ Hart

 



The Window

 

A break from climbing

oceans And brick dust -

I sit at my window looking -

my garden small but large

for London, the grey

tigered fence and behind,

window upon window

like mine -

 

oh what a time

sounds grand - back then

it ebbed and half

seen, nudged at my hull

or drew my neck with one

thin finger - now perfection's

a crime, I lock each day

to lose the key -

 

and here In London's

furrows, beneath the plane's

white hair - I'll keep my

mouth shut, darken

old words, wishing i'd never

given way to oncoming life -

 

and one day when I must

spread wings in any bed

of flowers and the pain

of best efforts ebbs,

I will drink my atoms

like any poison and forget 

there once was time.

 



GJ Hart currently lives and works in London and has had work published in Isacoustic, Nine Muses Poetry, The Molotov Cocktail, The Jersey Devil Press, The Harpoon Review and others. He can be found arguing with himself over @gj_hart



One Collaboration Poem by Elizabeth Bates and Robin McNamara

 



Lockdown Boulevard 

 

Clocks going backwards / forwards
and all the days are complicated. 
Mondays are Sundays— 

the bins constantly out 

the wrong night.

 

I stare out the same window 

already glanced through six—

or was it seven— times

this hour at that spot,

where the rose budded/

blossomed

and perished in what passed 

as measured minutes—

and a year simultaneously. 

 

Midnight strangers passing by

in Lockdown Boulevard.

 

 

Elizabeth Bates is a writer and teacher from Washington state where she lives with her husband, son, and two Siberian Huskies. Bates is the EIC of Dwelling Literary. Her writing has most recently been published in, The Daily Drunk, Yours Poetically and The Minison Project and is forthcoming in the BYLINE LEGACIES anthology (Cardigan Press, 2021). She tweets at @ElizabethKBates.

 

Robin McNamara has over 145 poems published worldwide in America, Canada, Ireland and in the UK with Versification, Pink Plastic House, Daily Drunk, Full House Literary Magazine, Dream Journal, Literary Heist & Ephemeral Elegies. 

A regular contributor to Poetry Ireland and Black Bough Poetry poetry prompts. Robin’s debut chapbook, Under A Mind’s Staircase is to be published with Hedgehog Poetry Press in 2021.



Saturday, 27 March 2021

Two Poems by Iolanda Leotta

 



The Fates

 

If you’re wondering what’s your fortune,

look me up!

don’t tremble in pronouncing my name,

don’t be afraid to know me,

I can lead you where no one

has ever taken you: to Hell or Paradise.

Look me up!

I’m "Shai", your life companion,

wherever you go I’ll be there,

mysterious, evanescent,

but always present:

the goddess of Destiny.

Look me up! Anytime and I’ll answer you

with an ethereal sigh,

listen to the Sistrum of "Hathor",

his voice keeps singing and

invites you to seek the universal harmony.

When you were born, I foretold your fate,

you can persist in trying to change me

but don’t challenge me! nothing is worth

your effort if my consent is lacking,

the last queen of Egypt "Cleopatra"

paid the price, "Anubis" took her away.

It’s all written, good or bad, don’t avoid me.

Accept me: I’m the "Fate", yours!



Justice

 

What’s the justice!

I’ve lost the cognition,

we live in a frivolous world,

with no ideals,

full of great contradictions.

What we must device

to get rid of  hypocrites,

cheaters, false policy.

Where the sermons

of the great useless men end up?

in the heart of the honest men,

of the humble, these have to pay

and wait in vain.

What future could predict

those old quacks?

What we must device, to say no!

to idle promises, to false parables,

We say that enough is enough!

We no longer listen to sterile words

of some clown, self-styled political.

We’re surrounded by a sea of lies,

fake news, half-truth, we’re confused.

We no longer know

who’s right and who’s wrong.

If we’re looking for justice

and we can’t find it, for god’s sake!

don’t give up fighting,

sooner or later it will come.

 



Iolanda Leotta, poetess and storyteller, was born in Rocca di Neto (Kr) Italy. She holds a degree in Sciences of Linguistic Mediation. Cultural Mediator. Recently, her poetry book “L’esploratrice dei sentimenti e dei valori umani” has been published in Italy, by Giuseppe Aletti editor and literary critic, it was presented at “The Federiciano International Poetry Festival”. Testimonial of the public event was Alessandro Quasimodo, son of the poet Salvatore Quasimodo, Nobel Prize for literature. She holds many diplomas. Her poems may be found in National and International literary anthologies. Winner of "Premio Europa Cultura 1988" for the singularity and peculiarity of her poems. Official godmother of the event Nicoletta Orsomando, announcer of RAI TV. She take part in the Cultural Initiative with 4 poems selected by the publishing house Aletti:“Alessandro Quasimodo reads Iolanda Leotta” and "A. Quasimodo reads Contemporary Italian Poets" with the video poem "Solitude" included. –The Video-poems published on the Youtube channel are titled: “La Fortuna”; “Fantasmi”; “L’Inganno”; “La Libertà”. She attends the masterclasses with: Francesco Gazzè, author and songwriter; Giuseppe Anastasi, singer and songwriter; A. Quasimodo, actor, author, theatrical director; Davide Rondoni, playwright. She takes part in the laboratory on poetic writing with: Mogol, lyricist, writer and record producer.

Website address: https://www.facebook.com/Jole69


Three Vignettes and One Poem by Adele Ogier Jones

 



Three vignettes

 

(i)

Red roses on dry earth, crumbling clay

so many surprises in Afghanistan

blood red roses bloom

unexpectedly. pink, crimson and mauve

reflecting the surrounding mountains

at dawn and day’s farewelling

sunset

 

(ii)

as daytime heat dies with the sun

a breeze remarkable in its coolness emerges

long hidden in caves, waits for the dark

to invite the stars on a clear, black night

blows a gentle tune through rustling leaves

a lullaby for weary souls worn down

by harsh light and day’s

noise

 

(iii)

night so black in Badakhshan

darker than velvet with sequins of silver

stars take on new meaning, distances and horizons

where Kabul light cannot dim the ebony of night.

darkest in regions, remote and unnamed

in mountains and deserts where campfires

remain unheeded as men gaze to stars

as companions and leaders.


 

Ensemble

 

Even a one stringed violin sounds beautiful here

A guitar and accordion can bring a listener to ecstasy

A long trip, short preparations, then a performance

Like a bud transforming to full bloom, full eroticism.

 

A stage set for dual musicians, guitar and accordion

At their feet tabla and rabab waiting for the moment

A slight cadence, gently building, swelling to roundness

Like a spark bursting into full flame, full heat.

 

The accordion whispers, one note then and beautiful on the air

Fingers moving down, down an across a bridge, ivory on black

Then full throated and singing in deepest melodies

Rich, exuberant, powerful. Romantic, fully sure.

 

On and on with the guitar in ascendance and then falling

As the accordion dominates, each playing to the other

Making love, aching for control, sensitive

To the improvisations of the other, each time new.

 

Then to the stage robed players stroll, ancient and regal

Red flowers presented in expectation of what is to come.

Scarlet cushion reflecting the crimson of the accordion

As it weaves wide, then closed, spreading and collapsing.

 

Single displays, applause and joined by its ancient mate

In new ways, unheard before, unknown contortions

Together and alone, then another and the fourth, each

Its own music but aware of the other, enjoying the rhythm.

 

In unison, in opposition, each enjoying the feeling

Exhilarated by the sound which was not the same as yesterday

New sounds with old, ancient rhythm and melodies

Cadences unknown to each other, intervals newly felt and heard.

 

Building to a crescendo unheard in traditional houses in Kabul

Experiments of an earlier century in Paris and Marseille

An audience cheering in as many languages as the instruments themselves

An encore to guitar and tabla, to rabab and accordion, old and fresh together.




Writing creatively as Ogiér Jones, Adèle calls Freiburg i. Br. and Melbourne home. Professional writing is published under her name Adele M.E. Jones. She has four published collections of poems, the first, Afghanistan – waiting for the bus published by Ginninderra Press (2007, republished 2015), with the most recent, Counting the Chiperoni (Ginninderra Press 2019) written while working in Malawi. She appears in numerous anthologies including I Protest: Poems of Dissent (Ginninderra Press 2020). Like most of her poetry, her first novel Desert Diya comes out of her international and intercultural work.


One Poem by Ray Whitaker

  DRAGONS How could the anger go the disappointment from then the mad over lost love dissipate from sight,  from feelings? Wafted away in a ...