Friday, 10 May 2024

Five Poems by Susan Mayer Brumel

 



circle of seasons

 

rain drips soft

on green grass

loud in bucket

 

fevered foliage

imposes and crowds

-  summer boughs out

 

painted branches

flaunt then tumble

- autumn leaves

 

snowy tempest’s

coveted land

- winters over

 

warming earth’s

elysian snowdrop

- springs up

 

rain drips soft

on green grass

loud in bucket

 

 

Lullaby of Many Moons

 

One night I walked the foggy wood,

beneath a five moon cluster;

Observing it through leafy hood,

charmed by its golden lustre

 

Sleepy thicket, quiet and still

but for the tree frogs on the boughs;

The air was musky, dank and chill-

a fear in me it did arouse

 

Impervious path, I had to kick

away the thick and thorny vines;

I held fast to my walking stick,

and carried on toward the pines

 

The moons then shone more bright than day,

as if five suns were in the sky

A trail they painted for my way;

their comfort to me did abide

 

When from the forest’s edge I looked,

there, in the clearing, boldly stood

a buck whose massive antlers shook

to warn of something dire afoot

 

Most careful not to make a sound,

my body quaked in discontent;

I quickly turned myself around

and back into the wood I went…

 

The five moons led me to a field

where wildflowers dance into the night;

-No need to tame away the weald

of thick and thorny vines that bite

 

Instead, I laid my body down

upon a tufted quilt of blooms,

and fell asleep to whispered sounds-

a lullaby of many moons

 

 

Time’s Comedic Architect

 

The vision in the mirror illustrates

reflections of an aging woman’s face

Gnarled lines enshrine the many years embraced

But starlight in her eyes still radiates

 

The lips are pale and drawn a little thin

The teeth once bright have grown a wee bit dim

The jawline softly hangs with sleepy skin

But faithfully, her beauty glows within

 

The thickened neck still holds the head erect

The arms and hands are weak, with frail effect

The breasts no longer plump, profiles detect

But she laughs at time’s comedic architect!

 

The dimpled belly sits a little round

Upon the hips more padding can be found

Downy wisps grow scanty on the mound

But longings deep within her still abound

 

Once shapely legs have lost their sex appeal

Swollen knees make it difficult to kneel

The ankle bones more often are concealed

But her feet yet strong, still walk her through the weald

 

The aging woman’s changing self belies

greys and wrinkles that are but the years’ disguise

Brilliance emanates yet, from her thoughtful eyes

And her brave and youthful spirit still abides

 

 

On High

 

Like ribbons on a kite,

I am taken to the sky

Surrendering to flight,

as curls of clouds drift by

 

Upon uplifting winds,

I am traveling higher still

Far from a life that’s been,

and not against my will

 

No worries weigh me down

in obsessive, doleful thought

By no burdens am I bound,

no hopeless feelings wrought

 

Soft the air, and lighter,

boundless skies cerulean blue

As sun shines even brighter,

old mem’ries fade from view

 

Beyond its mortal being,

my timeless spirit climbs

By revealing light I’m seeing,

as if for the first time

 

Ethereality is blissful,

My spirit-heart beats free

Hereafter ever peaceful-

On high, eternally

 

 

Of Dreams and Time

 

i.

If age dulls not

the sense of time

or passion poised

on poem’s rhyme

then in my dreams

when slumber comes

I’ll see myself

forever young


ii.

If sunset lulls

the world to sleep

and dawn

within her breast,

light keeps

then as I wake

if light I see

a world of peace

will ever be -

But if I wake

to darkening sky

and dawn’s bright light

not in my eye

then back to sleep

with hope in me

to dream of

better days to be


iii.

If tulip touches

lips of spring

in dreams of warmth

that springtime brings

then when it blooms

with colour bright

will warm the chill

of darkest night


iv.

If treetops tickle

skies of blue

and sunlit stars

fall onto you

then you will see

beyond your dream

stars not ever

what they seem


v.

If fire crackles

through the wood

and leaves its scent

where trees once stood

then I will breathe

the smoke of sleep

and in my dreams

their essence keep




Susan Mayer Brumel retired from a thirty-five year career in hospice social work a few years ago, at which time she began writing poetry. Susan's work is inspired by the journeys of her patients, the compelling beauty of nature, and the human condition. She also enjoys music, long walks in the forest, flower arranging, and jumping in puddles with her grandchildren. Susan lives in New Jersey with her husband and Bernese Mountain Dog, Dottie.


Two Poems by Mark Hendrickson

 




Decade of the Dead (or I Love the 80’s)

 

Zombie enlightenment

Rampant and spreading

I get my brains from others

 

Smoking to breathe

Tanning for warmth

Cruising to connect

 

Dragging my feet     

Gnashing my teeth

Rotting for fun

 

Never waking     

Never sleeping

Lurching primal mindless

 

Always thirsting    

Ever hungry

Cold and heartless    

 

Nihilistic numbing nightmare

Hedonistic hangover

Apocalyptic apoplectic autonomic

 

Thrill of gore

Bite of death

Immortal decay

 

Joy of denial

Sin sensation

God damned

 

 

Just Another Mean Case of the D's

 

Disconnected down doldrums: dribs, drabs. Disproportionate displeased dissonance denied desiring, disturbed discontentment demoralized. Distrusting dystopian discord, disgusted dysfunctional distress. Disenfranchised despondent despairing. Disembodied deconstructed disease. Detached, decommissioned. Disillusioned, defeated. Deluded? Daily.




Mark Hendrickson (he/him/his) is a poet and writer in the Des Moines area. His work has appeared in Variant Lit, Five Minutes, Leaf, Cosmic Daffodil, Lothlorien, and others. Mark worked for many years as a mental health technician in a locked psychiatric unit. His background includes music, healthcare, and psychology. Connect with him @MarkHPoetry or on his website: www.markhendricksonpoetry.com 

 


One Long Poem by Hedy Habra

 





Meditations Over Phoenician Letters

 

Words were born at the dawn of time in Jbeil, Byblos, the

oldest inhabited city in the world. Symbols appeared

inscribed over the skin of goats and sheep, bearing visual

messages that sailed from shore to shore undergoing an

alchemical transformation, still echoing the same sounds

in other tongues.


 




I.


Aleph for ox marking furrows in parallel lines, erect

like that first letter initiating the article, al for aleph, the one

and only of its kind, encompassing all meanings.

 

 

Beth, bayt for house as bosom, womb, al bayt, where

families gather around the homemade meal cooked over a

hearth, often bearing a burning dot under the cast iron tray.

 

 

Gimel for camel, ships of the desert, al gamal, battling

dunes as waves head bent, back curved under chests filled with

gold and spices, eyelids heavy with the secrets of Timbuktu.

 

 

Daleth for door, half open dal hospitality leading to al

dar, a heart with open valves to transfuse friendship, erase

boundaries, a steaming stew’s scents welcoming you in.

 

 

He for a window’s delicately laced wood, musharabiyehs

filtering the sun, letting the wind in, al hawa’ from each cardinal

point, allowing al hawa’s ethereal love to hover along the walls.



II.

 

Waw for hook uniting letters forming words or setting

the tone as a vowel, mouth in awe for wow, al waw, asking for

more, doubled in the depths of noor, the light, and osfoor, the

bird.

 

 

Heth for stones erected for lamentations, al hayt,

separation, veiled with graffiti, muralist paintings, a wall to be

destroyed, leaving only its pillars for memory.

 

 

Yodh for yad, a hand for lovers hand in hand, for

building, cooking, painting, hand shaken in a peace agreement,

asking for a daughter’s hand, granting her hand. Would a girl’s

hand always belong to a man?

 

 

Kaph for palm, applause, al kaph, life lines filled with

expectations, holding a wealth of cherries or raspberries, a

measure for caresses, a palm filled with water to quench your

thirst.

 

 

Lamedh, lam, for unattainable desire, frustrated

springs, a liquid lambda, flowing stream filled with lost

opportunities, forgetfulness, yearning to settle down on the

shores of earthly hope.



III.

 

Mem, the letter mim, conjuring water: al may’ droplets

of dew, ripples or waves, ambrosia, gold nuggets buried in deep

wells for the desert voyager, Andalusian fountains whose

crystalline notes echo al oud.

 

 

Nun for the letter nun, for the tail of al thu’ban, curling

up into itself, an uroborus, nun, marked at times with a dot

for its piercing eye, the end and the beginning, a restless eel

leaping out in foaming spirals.

 

 

Aiyn for eye, a lidless eye lined with Kohl, right inside

Fatima’s palm, a blue amulet conjuring al ayn, the evil eye, the

Sight that opens the gilded gates of consciousness.

 

 

Pe or feh, al fam for mouth lined with carmine lips to

surround love words, the kiss, the silence, the breath, opening

and closing the door to the soul, the spirit of life or death.

 

 

Qoph, another sign for palm, yet closer to al qird for

monkey: it once was a gird for three monkeys, al qouroud,

spinning the wheel of fortune, the one on top flaunts a fleeting

crown, but his luck is changing, unless he’d master the wisdom

to say nothing, see nothing, hear nothing.


 

IV.

 

Resh, for head, al ra’s, harboring inner thoughts, true

feelings under hats or veils, the mirror we wish to present to the

world, the leader or dictator, the crowned hero or the beheaded.

 

 

Shin for tooth, al senn, losing one in a dream means

the passing of a loved one, losing them all at once is the end of

love. A tooth can be a sign of strength, a serpent’s fang, or a

way of identifying a skull.

 

 

Teth spins the thread of life around al takht for bed,

and al tamar the palm tree, the fabric lovers’ sheds are made

of, its dancing fronds inspire tales that conjure the simoon,

measure the inclination of the wind, drift into the unknown

under sand storms.

 

 

Samekh for fish, silvery scales glittering in circles, al

samak, intangible, mercurial, like words whispered in the dark,

slippery oaths and good omens in dreams, harbingers of

cornucopia when they rise from the bottom of your Turkish

coffee dregs.

 

 

Zaiyn for a sword shaped as a sickle, a scimitar, al

zayn, perfection, as the number seven and the mandala circle,

infusing inner beauty and grace for al zahra, a white blossom

delicate as jasmine, or al zohoor, an orange tree bursting with

blooms.

 

First published by Sukoon Literary Journal

From The Taste of the Earth (Press 53 2019)





Hedy Habra has authored four poetry collections, most recently, Or Did You Ever See The Other Side? (Press 53 2023); The Taste of the Earth, won the Silver Nautilus Book Award; Tea in Heliopolis won the USA Best Book Award and Under Brushstrokes was an International Book Award finalist. Her story collection, Flying Carpets, won the Arab American Book Award’s Honorable Mention. Her book of criticism, Mundos alternos y artísticos en Vargas Llosa, examines the visual elements in the Peruvian Nobel Laureate's narrative. Habra holds a B.S. in Pharmacy. She earned an M.A. and an M.F.A. in English and an M.A. and Ph.D. in Spanish literature, all from Western Michigan University where she has taught. A twenty-one-time nominee for the Pushcart Prize and Best of the Net, and recipient of the Nazim Hikmet Award, her multilingual work appears in numerous journals and anthologies. https://www.hedyhabra.com/



Thursday, 9 May 2024

One Poem by Alan Catlin

 



Frankenthaler’s Art at The Clark

 

                        1-

Off White Square:

 

an almost landscape, multi-hued;

immense impressions of sky.

 

A white square defines

what we are meant to see.

 

 

                        2-

 

Red Shift:

 

Blood on the sun,

a red harvest amid scraps

of swirling colour, fallen moons

amid a galaxy of red dwarf rising;

a single figure in a deep heat dream.


 

                        3-

 

Watery Goddess:

 

A painted room is an ocean

with sea creatures in it.

We may be one of them,

if the artist wills it so.

 

 

                        4-

 

Imaginary Landscapes:

 

First creatures swim against a muddy tide.

one cell becomes another until

something larger grows.

 

The frame cannot contain them.


Alan Catlin has published dozens of chapbooks and full-length books. He latest published works include How Will the Heart Endure (about life and work of Diane Arbus( from Kelsay Books and listening to the Moonlight Sonata from Impspired (UK).

 


Ten Haiku Poems by Daniela Misso

 



HAIKU 

 

among the pines

butterflies in backlight . . . 

forgotten dreams

 

*

 

spring fever 

golden primroses 

peep out

 

*

 

expectations

at the start of a trip . . . 

poppies

 

*

 

photo album 

a lonely cricket 

starts chirping 

 

*

 

on my way home

bee's buzz 

in the shopping bag

 

*

 

cold april –

a mouse scratches

under the sink

 

*

 

going out the launderette . . .

drifting clouds

 

*

 

seedlings rise 

from the cotton wool

childhood memories 

 

*

 

healing . . . 

spring clouds 

expanse

 

*

 

crow-caw –

crossing the threshold 

of the taproom

 




Daniela Misso is winner of The R. H. Blyth Award, WHR Spring 2023. Her work has received numerous awards: 2nd Place in the Japan Fair Haiku Contest Awards 2023; 1st and 2nd Place in aha Haiku Contest Annual Hortensia Anderson Haiku Awards 2021, 2023; 2nd Place in The Fleeting Words Tanka Contest 2021 UHTS United Haiku and Tanka Society, and many others. She was recognized in the Haiku Euro Top 100 list 4 years in a row, since 2020. Her haiku have been published online and in anthologies, journals and newspapers worldwide. Some of her haiku have been published into Japanese, Romanian, Arabic, French, Croatian, German, Bulgarian, Russian and Spanish. She is author of the books “Connessioni Sottili”, ed. FusibiliaLibri, 2021 and "Ciliegi in fiore", Edizioni Accademia Barbanera, 2023. She enjoys observing and immersing herself in nature.


Four Poems by David Alec Knight

 



Growing Up With Detroit Channels

 

I loved Detroit  

I watched WGPR:

Doctor Who and Dark Shadows

were on every day after school.

 

I loved Detroit  

I watched WXON:

Kung fu films on Friday nights

provided action, poorly dubbed.

 

I loved Detroit  

I watched WKBD:

Creature Feature Saturdays,

Robert Plant's wailing voice in the lead-in.

 

I loved Detroit

when I was young,

turning the dial

and taken away.

 

 

Mornings We Ran

 

I remember running

(when I used to run)

decades ago distant.

 

Early opaque mornings

we would run together

hold conversation between

us, this pretty vibrant

Somali woman and I.

 

Along that Detroit River

on the Windsor side we ran,

trading mutually furtive glances,

sometimes at pace with the flow.

 

I cared for her, so much

more deeply than she may

have at first intended --

more deeply than I may have

had a right to do, but then

she may have liked who I was

more than I had deserved.

 

These days, my knees shot,

I can only dream

of running.

 

 

Karen In The Wild


Is it that I

wore a mask

among a crowd that didn't

(gasp!) --

is it that I

wore a heavy metal t-shirt

at my age

(shock!) --

is it that I

wore a chain

around my neck without cross

(terror!) --

or, is it that I

was merely a man with his son

crossing your path in a store

on a bad day for you

that made you act like

such a...

Karen?

 

 

Rust Belt Rhyme

 

As a moody child clutches

the hem of  an indifferent mother's gown,

oh my Canada, I love you,

no matter the times and ways you let me down.





David Alec Knight grew up in Chatham, Ontario, Canada. Recent work has appeared in Verse Afire, Night Owl Narrative, Tickets To Midnight Volume 2 - It's Human, Starman Oddity Anthology - Poetry And Art Inspired By David Bowie, and Stormwash: Environmental Poems. He was recipient of the Ted Plantos Memorial Award for Poetry, 2021. His most recent book, Leper Mosh (Cajun Mutt Press, 2022), is his first book to feature his own art on the cover.  


Wednesday, 8 May 2024

Pomegranates - Flash Fiction by V A Wiswell

 





Pomegranates




Flash Fiction

by V A Wiswell

       

The grocery store’s fluorescent lights bounce off the shiny floors and into my eyes. It’s jarring and a bit painful. I squint, ignore it and keep moving. Except for the ballads serenading me from some corner of the nineties and the hum of the coolers, my thoughts are the only noise in the store. I can picture the rest of the town at home, sipping coffee at their kitchen tables, enjoying the cool before the July sun turns their houses into ovens, looking the same as when I drive by at six a.m. They know well enough to save their shopping until afternoon, when the industrial-grade air-conditioner turns this store into a temperature-controlled refuge.

The milk and Chex Mix are already in my cart. If I wheel straight to the produce section for my limes without stopping to read Car and Driver, I’ll have time to swing by The Caffeine Stop for the espresso my brain is begging for. I hate living in the zombie-fog world of the late shift, but I like the higher wages and dental insurance, so I siphon gallons of coffee and keep signing up.

Getting home to plow through the yard work before the heat’s snare grabs hold isn’t why I cut into my sleep for an eight a.m. alarm. Mowing sweaty and shirtless doesn’t scare me. That’s what showers are for. Not finishing in time to plop my butt on the couch and enjoy an ice-cold gin and tonic made with the limes I’m fixing to buy before opening pitch at noon, now that makes me shake like a five-year-old in a Halloween fun house.

Sorry, Car and Driver, we’ll catch up next week; I’ve got limes to get.

Two wheels into the produce section, I pull to a halt.

She’s leaning over the pomegranate bin, face inches from the fruit, sniffing and inspecting them. Her pale legs, dangling from her mini skirt like loose shoestrings, set an alarm off in my head. Turn around, it says. Forget the limes. It isn’t worth it.

But a gin and tonic isn’t a gin and tonic without lime. All week, I could taste the magical blend of sweet and sour and feel the cool of the glass in my hand. I’m not leaving.

I maneuver around the apple bin until I can see the front of her faded Minor Threat concert tee, the roots of her bleached hair, and the whole of her face. She’s attractive, a bit cheeky in her style for my taste, given we have to be side by side in age; nice looking, though, just the same.

If this were any other day, I would stand a polite distance away, wait for her to finish whatever she’s doing, and move her cart out of the way.

Today isn’t any other day. Today, the Rangers play the Marlins. Today, I have to mow, weed, and water the garden. Time is the enemy. And her cart, blocking access to the lime bin, is working against me.

Still, I can hear my mother reminding me, She was here first, Scott, that counts for something.

Sure, it does, Mom.

I lean on my cart and take a deep breath. A loud, deep breath. Loud enough for her to hear.

She keeps going, squeezing and rolling pomegranate after pomegranate in her hand, nearly slicing their skin with the blades of her black fingernails before placing them into her cart.

It’s okay. Be patient. She’s nearly done.

Wrong.

The longer I watch and wait, the more it all gets to me.

Maybe, eventually, I’d get past the hair and the nails— people are more than their looks, if anything, long term, that counts the least—but the pomegranate obsession, a food miserable to eat due to the wildly out-of-whack seed-to-fruit ratio, no way. Sucking on seeds for a tease of flavor might be her idea of a good time, but it isn’t mine.

It would never work. We’re too different. Together, a train wreck. Exhilarating to watch, but likely no survivors. I need to get my limes and go.

I tap the handlebar of my cart. An unignorable, You’re in my way!

No reaction.

It’s like she’s in a pomegranate trance, enchanted by the fruit, oblivious to the world.

I want to shout, “Hey, mind moving your cart so I can grab some limes?” but it seems

risky, like waking a sleepwalker. She might startle. Then I’d waste precious minutes talking her down.

It’s eight-forty. The game clock is ticking dangerously close to opening pitch. Everything I still have to do before noon makes my chest tighten like it does when the production line at the plant backs up.

Sorry, Mom, but politeness isn’t cutting it today.

I wheel next to the apple bin, sidle as close as possible to her pomegranate train, lean over it, and willy-nilly grab two limes. It’s not how I like to select my fruit, but with her executing a military-grade blockade of the limes, it’s my only option.

On my way back, I bump the northeast corner of her cart. Two pomegranates topple out of an overstuffed bag and bounce onto the floor.

I freeze.

My sprinkler goes off, spraying my hairline with sweat.

The thud of the fruit breaks her concentration. She stops sorting and spots the terrified, maroon orbs snuggling together on the grocery store floor. Her eyes dart from the fruit to the sweaty stranger standing too close to her cart, holding his hastily selected limes.

“Hey, I’ve seen you here before,” she says, eyes narrow.

Not prepared for a conversation, I step back.

“You’re always buying limes. What do you do with them?”

“I—I make juice,” I say, sounding like a semi-lucid moron.

“Nice,” she says, smiling. “I’m making pomegranate punch for the game today—for the neighbourhood block party.”

“Oh.”

“You should come. Have some punch.”

“Yeah, I’m free.”






V A Wiswell - lives outside Seattle, WA, with her human and animal family. Her work has appeared in The Lake, 34th Parallel Magazine, Sad Girls Literary Magazine, Ignatian Literary Magazine, OJA & L Magazine, Front Porch Review, and Five on the Fifth, and Panoplyzine Magazine as the Editors’ Poem of Choice. She has work forthcoming in Crab Creek Review, Luminal Journal, Spry, and Figwort.

You can find her on Instagram at @vawiswell and www.vawiswell.com.

Nine Untitled Monostich Poems by J. D. Nelson

 



Nine Untitled Monostich Poems

 

 

gel can’t elixir clam a shouter

 

—

 

microbes in a boat unmasked tuxedo cat

 

—

 

silverback calculator a nothing in sauce

 

—

 

beard comparison tulane spaghetti

 

 —

 

tightness wheat root beer ruby

 

—

 

peroxide truck carob

 

—

 

creeping hello we didn’t

 

—

 

parquet ammonia filo annex

 

—

 

tulips in vitamins but we know 

 

 



J. D. Nelson’s poems have appeared in many publications, worldwide, since 2002. He is the author of eleven print chapbooks and e-books of poetry, including purgatorio (wlovolw, 2024). Nelson’s first full-length collection is in ghostly onehead (Post-Asemic Press, 2022). Visit his website, MadVerse.com, for more information and links to his published work. Nelson lives in Boulder, Colorado, USA.


Three Poems and Four Haiku by Sue Spiers

  Eboniza – Goddess of the half-cast     Her skin is dark as polished jet Her eyes are pools of loam. Of icicles her cloak is made. It chink...