The Coffee Grinder
by Julian Matthews
It looked
like it belonged in a museum, behind glass. It had a single drawer, like a
clothes chest, but much smaller. You could hold it in the palm of your hands.
It was woody
brown, unvarnished, and the top half was a brass half-globe, unpolished with a
tiny window, openable, heart-shaped. It had a small hand-crank, the kind you
see on documentaries on Amish country.
She said it
was a coffee grinder. Manual. You would put the beans on top, turn the crank
and the ground coffee would end up in the tiny drawer. She explained how it
worked. She was moving house and asked whether I wanted it.
I hesitated,
thinking here was another household contraption that I would use once, then put
back in the box and it’ll probably end up in storage.
I am an
instant-mix kinda guy. I don’t want to work for my coffee.
Coffee,
sugar, hot water, milk, stir.
Sometimes, I
use the 3-in-1 sachets. Tear, pour it out in a mug, hot water. Done.
This looked
like a lot of work.
But she
insisted. She did not seem emotionally-tied to it. Maybe she used it once or twice then switched
to an electric one.
She’s moving
from her apartment back to her mum’s house. It’s a little further away, out of
town, and I will be seeing less of her.
It’s a
sentimental journey. Not only is she packing and parting with stuff in the
apartment but she’ll need to clear her mother’s things.
She says how
she breaks down every time she opens one of the boxes, a wardrobe of clothes,
the dresses she wore, the kitchen items she used, a dining set she favoured for
special guests, albums of photographs. She said going through the photos was
the most painful, and reduced her to tears.
It’s been
seven years since her mother passed.
It’s hard to
differentiate the useful from the sentimental, whether you really needed
something as a reminder, a keepsake – or just give it away to charity for
someone else who could use it.
I watched a
TEDTalk once in which a woman author related how she went jogging in Rwanda,
Africa, and spotted a blue sweater on a boy passing by. She stopped him because
it looked familiar. It had a graphic of Mount Kilimanjaro in front.
Back in the
States, she was going through puberty at the time and was filling up on top,
and the subject of typical schoolyard teasing. The boy allowed her to examine
the sweater and sure enough, the label at the back had her faded name on it. It
made the hair on the back of her neck stand. The sweater had travelled 5,000
miles from New York to Africa. She’d given it to Goodwill 10 years earlier.
We never
know where the things we give away are going to end up.
I don’t know
if the coffee grinder meant anything to her.
Or whether
her mother used it.
Maybe it was
the heart-shaped window on the top, that she slid open, as if opening her own
heart.
She leaned
close and urged me to do so too. You could smell the coffee grounds from a time
long ago in it, a specific bracketed episode in someone’s life, in her mother’s
kitchen perhaps, maybe hers. She needed to let it go.
I took it.
Julian Matthews is a mixed-race poet and fiction writer from Malaysia, published in The American Journal of Poetry, Beltway Poetry Quarterly and Borderless Journal, among other journals and anthologies. He stumbled onto poetry by accident six years ago at a writing workshop. That happy accident has turned into a rabid compulsion.
Brilliant......
ReplyDeleteThe flash fiction's usage of the coffee grinder as a metaphor was brilliant. The characters' careful preparation and the accuracy of the grinding process were similar. It's amazing how a skilled writer can give commonplace items like a coffee grinder new significance. The tale connected the remarkable with the everyday via the ceremonial process of grinding coffee, rather than focusing just on the people. A really interesting and distinctive read!
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