Sweatshirt
Everything is always somewhere else:
there where it begins.
Roberto Juarroz
I’m
following at my desk,
struggling
at this darkening hour
to
stay awake.
A
clever computer program
tracks
each movement as the day
winds
back into the infinite past.
It’s
so cold here in the basement,
but
my turquoise sweatshirt
makes
me glad.
Frost
has formed on the windows,
and
in the grass, streaks of white
glimmer
beneath the moon.
It
begins out over the sea.
Maybe
in the northern ocean,
where
Canada glides away
toward
the ice,
maybe
in a dream of seabirds
and
the sound of wind.
.
Black Wings
Across
the road, a flurry of black wings.
A
cracked tree bends, rubbing branches
against
asphalt. It’s nearly dark.
Only
a few cars slide by, headlights
glowing
through rain.
Here
I am, walking as owls gather by the barn.
Here
I am, tongue-tied and sad,
worrying
about nuclear war.
Radio
moans an old song, someone
in
a honky tonk
feeling
the weight of dreams,
a
long drive to see a sleepy son.
I
would call home, if only I knew
the
country code, or recalled the address
where
a smooth board waits anxiously for the nail.
How much death works,
No one knows what a long
Day he puts in.
Charles Simic
My
father put in long days, out by six, a long walk
to
the subway, and all day in the office listening
to
people complain. He got off every Jewish holiday,
but
hated to stay home, had work to finish,
though
some of it he could do sitting at his desk
in
their bedroom, which looked like a little study
with
twin beds made up as couches in the day.
Sometimes
he did extra work, translations
from
German or, less frequently, Czech.
People
called on the phone, and if I answered,
they
stammered, asked for Doctor Klepetar.
None
of them spoke English very well.
They
sounded frightened, or a little ashamed
until
he came to the phone and gently closed the door.
My
mother too worked long hours, interrupted
by
a midday break, and then until eight, and half a Saturday.
But
Death, who knows? That one never gets a break,
people
going at night, on holidays, sometimes
whole
buildings burn or collapse, sometimes floods,
famine,
war or plagues. It’s hard to believe
one
figure could handle it all.
There
must be a whole industry of death,
railroads
and trucks and giant ships to carry all the dead,
machines
stretching to the horizon to process everyone.
My
parents gave them a good run, but in the end
even
those hearty souls got battered down,
though
really it felt more like slowly slipping away.
At
the hospice they told me to talk to my mother,
ask
her questions, but when I did she answered in German,
telling
me things I already knew.
When
she passed, I wasn’t there, driving on my way
to
a meeting, too late to see her tiny chest stop moving up and down.
Great poems again. Thank you Steve for chiseling them. Thank you Strider for publishing them.
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