Courir de Mardi
Gras – Mamou, La
For the refuges of the Acadian Expulsion,
“Cajuns”
Still stands the forest
primeval; but under the shade of its branches
dwells
another race, with other customs and language.
Evangeline by Henry Wadsworth Longfellow
Gumbo
thick with okra
spiced with filế
and red cayenne
in quantities so
copious the tongue
permanently
scarred and heavy
clings to the
spoken french
like roux on the
bottom of a cook pot.
It’s Fat Tuesday
in Mamou, Louisiana.
El Capitaine
assembles his mounted krewe
as last night’s
secrets still hang humid
in the pea soup
morning air—
hinting at
revelries yet to come.
His cantankerous
cavalry
costumed in
colourful homemade masks,
shirts and pointy
hats
with pants
fringed down the
seams
like the frontier
buckskin britches
of their Cajun
past
follow medieval
traditions
and run these red
clay roads
beg for chickens
and garden
goodies—
ingredients for
the community pot
and leave behind
open invitations
to come
laissez
les bon temps rouler
before the fast.
Back in town,
everything syncopates—
piano
accordion
fingers
across washboards, guitar strings
feet
shuffling in
circles to
heavy beats of
zydeco
French Canadian
Caddo Indian
Creole—
the savoury blend
of spices
simmering in this
gumbo
and coming to a
boil
every Fat Tuesday.
Invocation
Before light separates sky and earth,
coyotes break open the darkness
in this pre-dawn cathedral
the pack answers its alpha
versicle and response
their close cries
the word
the conception-sound that begins
everything.
Usually I hear them answering
the night train's whistle
but this howling
answers nothing human
a primordial petition
or declaration
not meant for me
yet telling me
I am not alone.
Medusa: The Reproductive Life of Jellyfish
Thanks to the art of Sarah-Jane
Crowson
Jellyfish,
in their immature stage,
stay
attached to the coral reef.
In
their Medusa, reproductive stage,
float
bells-open among the plankton.
During the summer
of 7th grade
the popular-girl
Athena,
driving her clique
of horses,
decided to curse
me
in my already
confusing
Medusa phase.
Maybe they sensed
I wasn’t as
attached to the coral as I used to be—
Catholic school
girl that I was
hanging out with some
of the Lutherans.
Maybe my bell
expanded before theirs
allowing me to drift
more intergalactic oceans.
Shunned—
in locked step—
the only contact I
had
with my parochial
school chums
was the name
calling
and the holding of
noses at Mass
when I passed
behind them
on my way back
from Holy Communion.
Left with my
imagination
and a reputation I
could never confess to my mother
I read the lives
of the saints,
dreamt about
unconditional love and martyrdom,
enticed my
siblings to stage plays in our basement,
slept a lot.
Then, just as
suddenly
the curse was
lifted.
Perhaps it was the
basketball coach
clueing the boys
in that
a girl with a
reputation wasn’t all bad
or the need for a
coordinated partner
for upcoming cheerleading
try outs.
Athena and her horses
now wanting to
hang out with me
harness fading, embraced
their own inner Medusa
umbrellas open
tentacles dangling
floating the often
upside down
cosmic theatre.
Reservoir
This reservoir,
deep and long where the Sabine River
once sliced between two states
slippery as time itself
now, a large body of water
covering layers of past life
submerged memories
evolving into something new.
before the dam
bottomlands, rich and
fertile
hugged the river
Sometimes,
in my boat
drifting these muddy waters
I think I hear them—
those voices of the past
among reefs and remnants.
villages dotted the
shores
a boy chases his
sweetheart
Here,
there is no tide
only partnerships
wind and water
old dreams and new lives.
gardens of Crinum
Byzantine Glads,
mustard greens
surround back porches
Here,
some say there is a church below the
water
whole cemeteries
parts of a space shuttle
that crash-landed, like us, back in
2003.
a school bell rings,
roosters crow
pole-driven ferries
oar
Here,
we collect the petrified past
mix it with present day pollen
floating this fabric of time
in a deep, long reservoir of
marriage
What April Showers Bring
-
after Elizabeth Willis ,"and what my species did"
and Childe Hassam's "Rainy Day on
Fifth Avenue" (1893)
My life seemed slightly slanted.
Pushed by an unseen force.
The first sign I was off kilter was
the vertigo, like riding a merry-go-round.
Unsteady, I take a carriage that
day.
The ride seemed endless.
That was the day the storm hit.
That was the day I saw him.
Walking in the rain.
Holding an umbrella.
Another woman under it.
It was not like we were dating, not
like we were anything but friends, not like she was someone I knew or anything
about their relationship.
A dozen times, the following weeks,
I felt faint when I thought of him. Vision blurred.
It was not the monsoon season.
It wasn't even storming but the
headwinds continued to throw me off balance. I learned to lean leeward.
This is why I told him I saw him in
the city that day.
This is why he said he helped his
sister after her doctor's appointment.
This is how I knew I was smitten and
had to tell him.
Everything blurred.
This is what we endured. It was 1893
then it was 30 years of marriage.
This is how we learned to love April
showers.
Mary Ray Goehring is a snowbird who
migrates between her prairie in Central Wisconsin and the pine forests and
reservoir on the border between East Texas and Louisiana. She has been
published in several online and print journals and anthologies such at "A
Path To Kindness" edited by James Crews, The Blue Heron Review, The Rye
Whiskey Review, The Steam Ticket Review, Your Daily Poem and others.
Lovely, especially Courir de Mardi Gras – Mamou, La.
ReplyDeleteExcellent descriptive poems; the detail.
Thank you so much. I am glad you enjoyed them.
DeleteSpectacular.
ReplyDeleteWow! Thank you.
DeleteYour work really held my interest and I felt compelled to read all of your poems presented here.
ReplyDelete