Landing Clear
The giant canvass is stretched across
two branches of huge mango tree.
You slip your feet into open trainers,
venture into the smallest hour
to the pit latrine
the petzel pressed to your forehead,
encumbers like a headache,
its flash glimpses two lines of camp beds;
cocooned sleepers in their mosquito nets,
human chrysalides.
You look out into a swathe of ink black bush,
the filament's sharp blade
catches a thousand glittering eyes –
the green glow,
of arachnid night.
Tabora savanna
A Devil
There is a thing that is called a devil,
it was a lion but it changed itself,
one half became a man, the other half
became a stone. The devil can alter,
sometimes it is half lion, sometimes half man.
It lives deep in the forest's undergrowth,
under the branches of the silalei,
it touches no wild animal and eats
human meat, when people pass it calls to them,
'come my brother help me lift
this firewood'
then strikes them down with its stake and cries out,
'I belong to the Aiser
clan,
escape from me if you
can.'
Then it gorges on their flesh.
If the devil is in a certain place,
people march together to move their Kraal.
Should a voice be heard falling from the mist,
stay silent, for you know it is the devil.
Maasai myth
Anting
Corvus sniffs out
insects
sits atop the
hill,
his feathers
crawling;
a seething
plumage,
purged of
tics and mites.
The soil filled
tank writhes
at the classroom
side,
our senses
hyperactivate,
as we flick formicidae
with rulers,
drop them
down
each other's
necks.
Cohabiter
I
am a function of the hardware
of
my head. Nature had three and a half
billion
years – I have got a hundred;
a
hundred and one billion neuron.
Seven
thousand connections per synapse,
never
overheating, within one litre,
I'm
liquid cooled, run on twenty five watts;
the
power of a very pale light bulb.
Fact
– you don't even need to plug me in,
nor
lithium battery do I require,
just
a gooseberry mint foyle would drive me,
over
the course of nine dozen pages.
At
least so long as human heart and I,
have
faculty by nature to subsist.
Hypnagogia
She
passes unsighted,
across l'Eglise Saint Pierre
de
Montmartre
glances
transmitted,
did
not his daytime capture,
in
the city of somnambulists
but
came back to catch him,
as
unprocessed images,
from
semi-autonomic lids
in
the late night register,
back
room recess,
of
twilight sleep.
Martin Ferguson’s poems have appeared in Stand, Ink Sweat and Tears, The Honest Ulsterman, The Poetry Village, The High Window, The Journal, International Times, Runcible Spoon, and Kleksograph, among others. His first collection, 'An A to Z Art of Urban Survival Following Diogenes of Sinope', was shortlisted by Against the Grain Press and published in 2019 by Original Plus.
He was the guest poet on Paris Spoken
World Online hosted by David Sirois in July, 2020.
He wqs born in West Yorkshire and now lives and works in France, where he teaches professional English Language in-company. He has been known to occasionally frequent 'Le Chat Noir' café to give readings at the Paris Spoken Word open mic poetry events, in the 11e of Paris.
samsmith&thejournal - Original Plus chapbooks (google.com)
Martin Ferguson (@FergusonMartin) / Twitter
Lovely to meet you here. Fascinating... but readers, don't read the one about ants, oo-er...
ReplyDeleteKudos! I dug all of them but “Cohabiter” I think is the stand out. Keep on truckin in your poetic endeavors!
ReplyDeleteMany thanks for your kind words about these
ReplyDelete