Tuesday, 28 February 2023

Mbaya - Short Story - by Rose Mary Boehm

 





Mbaya

Short Story

by Rose Mary Boehm


As soon as he climbed on board he knew. This was mbaya, very bad business, but he had been seduced by the snake and its whisperings of a new life for those with the heart of a lion. Of course he had to go.

No, not go, he had to run. There were the memories, all jumbled, he never knew which one of the demons would pop up suddenly and possess him today... there were the eyes of the woman – he’d seen those eyes even in his drugged state – eyes that had followed him long after he’d hacked off those arms that protected her extended belly and... and the old man whose thin old body had not resisted; the tongueless scream of the young man in yet another village... all mbaya, all bad demons.

And he’d been so small; he remembered the day they gave him a gun that was bigger than he was and at first almost impossible to carry. But those who’d killed his mama, the warlords, they’d held his nose and made him drink something terrible that had filled him with hate and strength. There were many other boys, just like him. Then they had told the boys what to do. Mbaya, bad things.

Now he was trapped in this ship. But he would not, could not allow the worst to overwhelm him. Much from those years was covered in a dark swirling mist, even though he knew that the drugs had transformed his mama’s little man into a monstrous, frenzied killer. He certainly never wanted to take a closer look.

Then he thought of the people who worked for this ‘NGO’ who wanted to ‘rescue’ him. Rescue? Him? How could he go back to school? Smile politely? Be nice to the teachers? He had needed food and clothing, so he’d stuck it for a couple of weeks. He’d been one of the few who still had their limbs. And every time he had looked at the others, they looking back at him from an unfathomable, black well in their souls. They had confirmed it to each other silently: We have come back from hell. We have been branded. We are contaminated. We are dead.

Before the beginning of the fourth week he ran. There was a small diamond in the lining of his kofia, his old baseball cap. He hadn’t allowed people at the school to take his kofia from him. They thought he was too attached to it for whatever reason and had allowed him to keep it. Of course they would. Those do-gooders, they knew nothing.

When he’d got to town he’d gone to the place he’d been shown, hidden right in the center, protected by the law of silence and fear. A bad place. Mbaya. The old muuzaji the traderman, squinted at him, took his diamond and offered him pittance. That’s when his whole being remembered who he had become, and his eyes had told his story to the muuzaji, and the old man had understood, had almost jumped back a step and had bowed: “I am sorry, master, I was mistaken. Please accept my respect and something over and above the stone’s value.” Satisfied, he’d taken the money and shoved it carelessly into his new khakis. He had walked out into the sun and - almost without his knowledge - his legs had taken him to the harbour.

Leaning against metal railings or sitting on wooden planks, there were many of them, too many - men and women, from many countries, many tribes. Some of the women were heavy with child. And he remembered those eyes. He looked away.

He had given almost everything he had to the man who promised to take him across the big ziwa, the big lake with the huge waves and monsters lurking in the deep. They said they’d take them to the place where everything was made of gold, where life was sweet and the demons couldn’t follow. They’d said he’d have papers and work, a house and a garden, a wife and children.

He had learned at the re-education center that nobody was anybody without papers. He wasn’t quite sure what these papers were, but he knew with certainty that he wouldn’t survive without them. He had also learned that the moon and the stars were not for him, peace was not his for the taking. Still, he was young and something in his heart yearned.

The noise of the big ship’s motors drowned out most of the other sounds, but inside his head he could hear screams. The ship lurched from side to side, and as it sighed and moaned, some metal screeched. Many people were grey and ill. He fought his way to the railing to be sick. The wind slapped his face with vomit from those who were sick upwind. He didn’t care. He just wanted to die.

Suddenly, in the middle of endless waters, the engines lost their urgency and the ship stopped moving. Someone shouted orders he couldn’t understand, but he knew an order when he heard one, and then the sailors started to kick their passengers, pushing and herding them towards a rope ladder on the outside of the ship. Bobbing in the water far below, he could see tiny boats filling with people. Some looked as though in shock, others were moaning and babbling to themselves, some of the women were crying. He didn’t understand why they had to leave the big ship. How could these little boats survive those enormous waves?

He knew what he had to do. He had to stay on the big ship because those little things would surely be devoured by the monsters of the deep. So he crouched down low in the shadows. But they came for him. He fought like a man, but he had no weapon and there were too many.

He tasted salt. The salt hurt the wounds on his lips. His tongue had swollen and filled his mouth. His head hurt and so did his rib cage. Breathing was difficult; he felt cuts deep inside him. His head seemed to be somewhere else than the rest of his body, and he could sense his hands and feet far, far away. He wasn’t sure whether he was alive, but he assumed he must be because - as far as he could tell - the dead no longer feel pain. So he tried to move this huge stone which was his body, seemingly forever embedded where it had fallen.

When he felt strong hands turning him, he realised he had been lying on his belly. The same strong hands forced him to sit up. Something touched his lips and, even though he didn’t understand the words, he knew he should drink. He tried to open his eyes without success but soon something moist and soothing covered his eyes, wiping them gently. Now he could see. And now that he could see and looked around, he knew he was in the realm of the mashetani, the evil spirits, ghosts.

Even though the sun nearly blinded him, he saw white, pink and brown people standing, sitting, or lying on blankets in white sand; they had no houses or huts - some had beds and umbrellas; some had big fat bellies; some were so skinny they looked like the hungry in his country; there were white and pink breasts, small colourful pieces of what appeared to be clothing, shiny bodies, hair of all colours, some round heads with no hair at all, and big faces moving in and out of his vision, everyone talking loudly in no language he could understand.

He shook his head and tried to stand. Some pink naked beings helped him to his feet, and slowly, with great difficulty and much pain, he began to walk. Pulled one foot after the other, an old man dying. Mbaya.

But his lion heart beat fiercely, he recognised something that felt like hope, and his soul longed for a miracle.




Rose Mary Boehm is a German-born British national living and writing in Lima, Peru. Her poetry has been published widely in mostly US poetry reviews (online and print). She was twice nominated for a Pushcart. Her fourth poetry collection, THE RAIN GIRL, was published by Chaffinch Press in 2020. Want to find out more? https://www.rose-mary-boehm-poet.com/

Rosmarie Epaminondas (Rose Mary Boehm)

http://houseboathouse.blogspot.com/

http://www.bilderboehm.blogspot.com/

https://www.rose-mary-boehm-poet.com/

https://www.youtube.com/channel/UCR9fygcz_kL4LGuYcvmC8lQ



Five Poems by Kushal Poddar




On The First Day of The Year

 

The birds descend, folk, fly, rerun the event.

Our fists shower grains, and

the seeds unwind a pale gold peacock's train.

Now it exists; now it does not.

 

Now the child rushes into the eye of the bird circle,

and now the scene ebbs.

The noise constant-forests the temple northex.

A sage clad in perma winter clothes stares at us.

 

 

Fish

 

Sea comes, plays with the shore,

leaves it wet, but reruns the lore.

Two fish, we caught. You murmur

something about ocean being a big graveyard.

I nod. Sleep shores up my nodding head.

Two fish, we caught, kept in

one faded paint bucket, noisy and struggling,

whirl to imitate an yin yang I dream often.

 

 

Kerouac

 

The jazz hand of the signal

mesmerizes the railway road.

Here desires to be There.

A blue becomes my face.

My tired car punctures the time.

 

A hiss bleeds out in the air.

I am tired everyday. I am the everyday.

The last roll of the toilet paper

holds the tale of my life, and

the anecdotes of a pandemic sleep syndrome.

 

I call my friend died last month's first Sunday.

He whispers, "Hear the local train pass.

It plays the wind like God.

The music is God."

 

 

Narrative

 

He can see her, his wife,

singing in their son's wedding

and drowning in the pallor of cancer,

him singing to her. The song he

cannot recall is a milestone.

One can move either way.

 

He can see her, the song.

A woman blinds it with her hands,

soft, whiting away hands.

She says, "Guess the lyrics, dear tune."

 

 

Winter Estuary

 

A dog bites the silence

out there in the morning.

The dog bites again and again

and yet in the end

silence wins it.

 

Ripping the chill apart

gushes in a few children

shepherded by their mother

sharing the complaints against

this new uniform they cannot afford.

 

A few stressed stretches yonder

Autumn wanders into the winter.




Kushal PoddarAn author, journalist, and a father, Kushal Poddar, editor of 'Words Surfacing’, authored eight books, the latest being 'Postmarked Quarantine'. His works have been translated into eleven languages.

Twitter- https://twitter.com/Kushalpoe 


Four Poems by Ursula O'Reilly

 



QUEEN OF THE FAE


 

Walking in enchanted woods, I witnessed a peculiar scene. A radiant figure seated underneath a willow tree. Upon a glittering crystal throne, on her head a glowing crown. Iridescent robes. sapphire eyes. I recognised the Faery Queen. All around the throne, a multitude of faeries, pixies, elves. I stood captivated, filled with fear and growing awe; recalling tales of wicked Fae, stories told to scare a child. Warnings resounded in my mind. ‘Do not disturb the faery kin’. I faltered, briefly turned away. I looked again; The Folk had gone. In a flash of light, they slipped away. All my life I would recall the scene that I encountered there. Queen of the faeries and her court, assembled on a summer day.




WAITING


Phantoms wait at the gate.

Wait for instruction to enter.

Into the garden, into the house,

Into the grand dining hall.

Long to assemble there.

Eat food from silver platters.

See wine goblets overflow.

But they do not belong.

 

Phantoms knock on the door.

Wait for permission to enter.

Recall magnificent times,

They were welcome visitors.

Long to assemble once more,

Clothed in opulent finery.

Hear the laughter of friends.

But they do not belong.

 


RASCAL.


One day while I rambled

In darkening woods,

I spied a creature standing

Beside a gabbling brook.

 

Shaded by a leaning oak,

I paused and looked again.

Observing me from shadows,

A diminutive goblin.

 

Goblin, perhaps a gnome,

Not observed before.

Standing with a smirk upon

A round impudent face.

 

Bald head, bulbous nose.

Darkly piercing eyes.

Suit of green, sturdy little

Boots upon his feet.

 

He boldly waved, and I

Shook my head in awe.

When I glanced again,

The rascal imp had gone.



FAERY QUEEN

 

Witness the Faery Queen

Upon a gleaming throne.

Beneath the willow tree.

Her iridescent robes

Of scarlet, blue and gold.

Faery court assembled,

Impish faces raised

In ethereal song.

 

Birds perched in trees,

Still hushed observers.

Wild creatures paused,

Motionless sculptures.

Venture close and see

The mortal world halted.

To watch the Faery Court

Salute the rising sun.






Ursula O’Reilly is a writer/artist living in County Cavan, Ireland. She is the author of numerous poems and short stories. Her tales are drawn from life experiences, fairy stories and mythology, and people/events, real or imagined.

Ursula’s work has appeared online and in various literary magazines including: ‘Dawntreader Magazine’, ‘WayWords’, ‘Vita Brevis Press’, ‘The Literary Yard’, ‘Poetry Plus magazine’, ‘Woman’s Way magazine’, ‘Young Ravens Literary Review’, ‘Otherwise Engaged Literary and Arts Journal’, ‘Personal Bests Journal’, ‘The Green Shoe Sanctuary’ and by ‘Southern Arizona Press’.



Monday, 27 February 2023

Four Poems by Ian Mullins






Taking Control

 

When I quit that job I thought

I'd quit you too: but you moved

into my head and set up

home there, so every time

I try to play it cool you start

screaming and shouting,

just like the good old days;

and I can no more evict you now

than I could back then,

when you wiped your mouth

all over my face. Your spit

was a mask I hoped would harden

and protect me from you:

 

but instead it jails us both

into a dance neither of us

know the steps to. Even you,

nimble as you were,

had to report to the next bully

up the line, work with the mask

he worked into your face. I wonder

if all the bosses who beat you

into shape still live behind your mask,

the way you live behind mine?

Still yelling the shortening odds

of either of us making it out alive.



All At Sea

 

The harder I tug against the tide

the harder you pull on the tow-rope,

anchoring me to a shore I claim

no allegiance to, though it lays just claim

to me. You don’t see how thin the rope is,

how we’ve worn it down to nothing

by mooring you to a land

without dreaming, me to the ocean bed;

knowing this little cut I cross

is a narrow channel disguised

as the parted red sea, only waiting

for sinners to cross.

 

Soon the rope will snap of its

own accord and you will be left behind,

fuming and raging and wearing

my face; no eyes will turn the tide

turning me. Neither of us will survive,

but only you quail at the prospect,

confusing ego with the soul afloat,

already lost to dreaming.

Is it too late to throw down the rope,

swim hard for open water?

 


Cancelling

 

 A chipped nail pecks at the screen.

‘Cancel that one,’ the big boss says;

‘book this one instead.’

I look at the hand-written note

she hands me and check where

he is on the list. Two hundred

and thirty-fifth, should wait

a year or more. But won’t.

 

‘Who is he?’ I ask an audiologist

after the big boss has gone.

She glances at the note.

‘Next door neighbour, probably.’

‘Can we do that?’ I ask.

She shrugs. ‘What would you do

If you lived next door to a plumber

and your toilet wouldn’t flush?’

 

I printed the ‘sorry’ letter,

made the cancelled man

wait another month. Four weeks

with the tv on loud and neighbours

banging the walls. Four weeks

nodding to everything that’s said

when you’re standing at the bar.

Four weeks smiling at the doctor’s lips,

hoping he’s saying don’t worry,

your test results are fine.

 

Four years folded foursquare

in my back pocket,

hoping they’ll use it as excuse

to get rid of me

and I’ll pull out the note

and unroll it on the table.

 

And the big boss will say

she’s sacked dozens

in her time, but I’m

the first one that smiled.


 

Get Lucky

 

There never is,

and never was,

such a simple thing

as the simple truth.

 

Sometimes liars

get lucky.

Or the real man

rolls out wide

and you cross the street

in time to miss the Ford.

 

Either way

you are not enchanted.

Maybe next Tuesday

you’ll be hit

by a tile

ripped from

the space shuttle.

 

No-one knows;

but no-one cares

that no-one knows.

 

The body of death

is simple. But you can

no more know

what it means to die

than understand

what it means to live.

 

You may as well

try to remember

what goes on in your head

in the nightly intervals

between dreaming,

when you brain de-frags

all the useless crap

you’ve hidden away

in the drives

designated ‘truth’.

All those little dreams

you dreamt one day

you’d wake to, flushed

out and replaced

by all the useful crap

you wished you didn’t know

even while you know it.

 

How the job works;

how little you love.

All the stuff you promised

to put right

but were once relieved

to know you never would.

 

Until at last

you are only content to look death

in the eye

and be glad

she doesn’t look back.




Ian Mullins ships out from Liverpool, England.

Back Catalogue:

The music-themed poetry collection Laughter In The Shape Of A Guitar (UB) struck few chords in 2015. The chapbook Almost Human (Original Plus), concerning his ongoing battle with Asperger Syndrome, was released into the care of the community in 2017. The novel Number 1 Red, a tale of pro-wrestling and property wars, was self-published the same year. The superhero-themed collection Masks and Shadows (Wordcatcher) took to the skies in 2019 and refuses to come down to earth. Take A Deep Breath (Dempsey & Windle) took its first gasp in November 2020. The haiku and photo collection White Masques (Secret House) came out in 2022 and is available for free download online. 


Ten Sijo, Haiku, Senryu Poems by Mariel Herbert

 



Sijo


Opening lines: we talk of rain,
the privilege of cold fronts.
How rare it is--this permission--
to fold into labyrinths.
Tomorrow the sky disappears.
Scarabs crack beneath our feet.



*



Three Haiku for Mad Scientists

disinfect
scavenged anatomies
tattered lotus

giant axons
disinterring dew frost
from tin cans

rice sparrows
distal to neon
scattered graves



*



faerie knight
in the bathroom mirror
changeling



*



final call
through a sidewalk crack
siren song



*



partial thaw
the last lake maiden
swipes right



*



boundary crossing
craving the hot stings
of hex marks



*



pruning
unwanted rootlets
hedge witch



*



denied magics
brambles till wild
into skin





Mariel Herbert's short speculative poems have appeared in Dwarf Stars 2022, Eye to the Telescope, and Haiku 2022, among others. In addition to speculative poetry, she enjoys haiku, senryu, and the occasional haiga. She lives in Northern California with her family and runs a couple science fiction and fantasy reading groups. She can be found online at marielherbert.wordpress.com.

Five Poems by Greg Bell

 



O f f e r

i

n

g

!

 

The moon came to me last nighT

from her nest on the horizon

setting in the western sky

October harvest moon

waned to crescent

on  her  journey

to the hunter’s

blood moon

Possi

(         )

bility

rested

in  that

graceful arc

of a bow fully drawn

and shot clean through my heart

 

 

T’ai Chi Moon

 

tired & wired in Topanga

            I seek refuge from

                                    rageaholic egos

                                    down the mountain

                        in warring camps

                        erratic fires


 

and find a place on rocky ground


            unwinding in the probe of light


                                    pouring from the moon


                        I scoop moon milk


                        from her pendulous breast



 

and digging down


            groping round


                        and round in ribboned swirls




 

to dancing find the dragon’s


            tongue of flame


                        he curled & sleeping


            in the cave




 

weigh the one


            against the other


                        gather     pour     turn




 

blend the one


            with the other


                                    burning in the night


                        to weld in soft suffusion


                        the fire with the light


 

MoonSong

 

The sun is slowly sinkin’ down
to rest beneath the sea
Been workin’ very hard to light the day

Madwoman Moon is smilin’ now
so pale and secretly
her sacred secrets whisperin‘ the way

Ring around the moon
smiles inside the circle
spinning in the dappled velvet night

And deep darkness is the loom
weaving the mandala
reeling out the tapestry of light

We’ve wandered in where folly grins
under lunar spell
drunken monkeys dancin’ all around

We’ve stumbled out where wisdom shouts
for passions born in hell
to tear your walls and fences to the ground

Ring around the moon
smiles inside the circle
spinning in the dappled diamond night

Silver cobwebs in the loom
weaving the mandala
reeling in the tapestry of light

 


27 Astral Waves

 

I finger beads     at this party

as I caress your belly button

until in your secret mood

you show me your deepest turquoise

carved like finest Chinese jade

 

A child of Israel

carries out the necklace of the empress

to the Oohs and Aahhs of the gasping guests

and the pot shots of a random thirty-0-seven

brandished by the blind man

 

He motions to me in the pandemonium

I ascend the stairs and approach

no questions ‘cause no fear

no answers neither

as he hands the gun to me

and climbs back into the night

 

I wield the weapon as I descend

raise it to the gaping crowd

and face the center of the room

to explore this deadly     toy

the sights are caddy-corner

the trigger tends to stick

 

But I find my target   aim   shoot

the hammer flicks against my cheek

and superfluity of melted wax

shatters from the rim

as I light the white now glowing candle

 


 

The Key


Mother sews a collar for my keys

Works just fine

Used to always lose them



Father pulls up

in a pickup full of groceries

I offer to bring them in



and put the truck

in the garage

but I can’t find my keys



so I set out

down the street

to find the Keeper of the Key



over potholes man-hole deep

falling bricks and timbers from construction

rusty nails seeking out a consummation

in the flesh



rabid rats scurry everywhere

through the glowering hills and

despite warning cries of a murder

of crows



and a scarlet star that stabs my marrow

on I trudge through neon clash of clouds

up the footpath toward the Sufi’s

angry angel



while I worry about

the milk spoiling

back there in the pickup

 

Greg Bell

LOOKING for WILL: My Bardic Quest with Shakespeare @ Ion Drive Publishing

LOOKING for WILL -- on Amazon

LOOKING for WILL @ Better World Books

LOOKING for WILL -- at Bookshop.org

Five Tan-Renga Poems by Uchechukwu Onyedikam & Christina Chin

  5 Tan-Renga Poems Uchechukwu Onyedikam (italic) Christina Chin (plain) deep afrobeat  from the nextdoor  open and close a shared wall thin...