Wednesday, 28 May 2025

Five Poems by Kim Rossi

 







 

Swanilda, Some Years Later 

 

She blew mechanical  

kisses 

not even to him 

at audience unseen 

resembling him 

behind a screen 

 

And it’s so much work  

being 

flesh 

and feelings 

even love 

even loneliness  

 

As much as  

I love to dance  

alone  

sometimes I want 

a partner  

whose limbs I don’t 

have to move 

whose words I don’t  

have to imagine 

 

Being young and 

full of mazurka 

I thought I could  

save him fix him 

wind him up 

his enamel eyes 

would see me 

follow me 

light up even  

not asking for anything  

I wouldn’t be giving 

 

Not yet realizing  

the world was full 

of Coppélia 

each one an assembly  

of pixelated perfect 

body parts  

each one blowing 

mechanical kisses


  

 

The Monster in the Cave 

 

The night you killed me 

I lay down in a bed of esparto and sweet sea daffodils 

that my sisters made for me. 

 

My serpents whisper-sang 

sibilant lullabies  

as you crept into my cave 

 

seeing by the mirror of your shield 

which shimmered like my mother’s pool 

where she raised us; we didn’t know 

we were monsters then 

as we splashed and slithered in the tide. 

 

As in terror you approached me 

I dreamt of my father 

how he took me to the deepest depths of sea 

to meet the invisible octopus and strange beautiful creatures 

that you would call monsters. 

  

The moment your blade kissed the nape of my neck 

still somnolent I thought it was Poseidon’s breath 

saltwater cool against the pulse of my throat. 

 

As your sword detached my brain 

my body gave strange birth 

to sons I’ll never see—one with wings 

like me 

a monster 

so beautiful  

but you didn’t notice. 

 

You just took my face to be your weapon. 

 

 

 

Moth Colours 

 

Through my one flower eye 

I see the nocturnal. 

Mine is not an eye  

with lid for slumber: 

it beholds butterfly 

and moth alike 

and sees you are moth. 

No day dazzler 

something mystery— 

a puzzle, a maze— 

striving toward whatever light you can get. 

You too pollinate 

those flowers that don’t close to you. 

Your tricked out antennae  

and patterned night coat   

keep you blended in 

Camouflaged beauty 

I see you, I see you. 

 

 

 

Muse 

 

remove your boots 

I tell my muse 

pointing to where 

I’d left my shoes 

 

he wears them in 

trod clumps of sod 

sprinkling my new-swept tent 

 

he stretches on the sleeping bag 

where I sit cross-legged 

pen and paper ready 

his body unbalancing 

 

where have you been? 

the wood’s too damp to light 

the wind is wrong 

 

and I can’t write 

 

he slides an earth-whorled finger 

along my white lace hem 

his breath like after-rain 

tempting me to sprouting ground 

 

he smells of loam and grass and musk 

and I wonder who else he’s been inspiring 

 

wash up, I say, 

you’ve moss beneath your fingernails 

 

your hands are too clean, 

he replies, 

too sterile 

that’s why your page is blank 

 

with one small sharp move 

he unbuttons 

fronds and fawn lilies falling from his pockets 

 

I pluck a twig from his beard bark rough 

yet soft as the seeds of dandelions 

the faint sibilance of bees 

 

 

 


Coyote City 

 

The dragon howls through the city, cutting it into two 

agendas. 

Years ago there was a bond to silence it 

but it never happened, nor should it:   

we who are so bespelled need to be howled awake. 

 

We forget a moving barrier isn’t always a barrier. 

 

At night an animal is distinct from the landscape  

only by its ears, or by its moon eyes, 

if you, like me, are unlucky and carry a flashlight.  

Oblong. 

A small rabbit huddles in a lawn, eating shadows. 

 

Pointed ears on the sidewalk, a cat probably, or a trick. 

Movement, flashlight reveals its colours. 

Not mine. 

Not mine. 

I keep on. 

 

Once there were no coyotes here. 

There were wolves. 

The dragons drove them away, the story would go, 

or the cars with their eyes as yellow as wolf eyes. 

Then the coyotes came. Coyly. They didn’t rush in: 

it took generations to get so cosmopolitan, 

sauntering the creek bed boulevard,  

bat smoke rising from the chimney in the schoolyard 

just beyond. 

 

My cat is cautious and avoids the creek bed. 

It takes him generations to cross a threshold. 

He knows there’s safety in height, 

unless the coyotes spring wings one night, 

shaggy angel wings. Why not? 

The god of coyotes is generous. 

 

But tonight Bast is my goddess. 

If I say a prayer, it is to her. 

I don’t know how she feels about rabbits. 

Who they pray to is an eternal mystery, 

a god who has forgotten, 

devoured and forgotten  

in the belly of the dragon. 

 

The flashlight shows a truth  

and lies— 

there was no one here until the coyotes came.




Kim Rossi is a poet and speech language pathologist living in Decatur, Georgia. Her poems have appeared in isotrope. When she is not working and playing with language she is wandering streets and forest trails.

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