Monday, 9 October 2023

Five Poems by Edilson Afonso Ferreira

 



Stumbles, Ambushes, and Spells

 

‘Yo no creo en brujas, pero que las hay, las hay’

(Galicia’s cruel saying)

 

There was a thief that a bad luck set him

on the way to your house;

a rapist that someone drove his madness’ eyes

and his insane desire to that dear friend of yours,

or, who knows, the weight of evil,

even to your beloved daughter.

A runaway truck that went around, didn’t catch you,

but wrecked a car with your friend’s sister,

also destroying her life and her family’s.

An irate driver who picked you up in traffic,

for, without any motive or reason, to overflow

all his hatred towards this world we live in.

That drug dealer who once saw at your son

a certain hopelessness of youth and guided him,

without pity or hesitation and with all wickedness,

on the sordid path of addiction.

That one you thought your friend but directed you,

with false truths and promise of great gains,  

for a business he never had money or courage to.

That stranger (maybe even a friend),

who, hidden from you and from due respect,

set eyes of malice and sin in your wife.

That sullen and unpredictable man, let loose on the streets,

instead of locked up in a bughouse, who can, on the outbreak

of the moment, just take your life. 

So are some ways generated by witches you never knew, 

nor had never wished to know,

who, for free and pleasure of wrongdoing, also for envy,

collide daily with your brothers and sisters,

and are always looking for you too.


(Published in Fevers of the Mind, July 12 2023)

 

 

Fallen into Oblivion  

 

No more guys and girls happily driving

   open-air convertible cars on weekends, 

   free of seat belts tethering their bodies,

   sweet winds swaying, fighting and playing 

   their loose hairs.

No more

children walking on the streets to school,

   carrying notebooks in their arms,

   not in backpacks, not on buses.

No more

young boys playing marbles in holes

   they had dug on vacant lots near home,

   their mates flying kites heavens above.  

No more

bicycling around only for pleasure,

   without protective helmets and gloves.

No more

family sitting on the front porch after dinner,

   sharing the latest neighbourhood news.

No more

walking in the fields by night,

  under tender and puissant the moonlight. 

No more

people greeting each other and sending good vibes,

   even if they were unknown.   

No more

fresh milk bottles delivered home by the morning,

   but milk boxes at immense supermarkets,

   with sleepless cameras furtively watching over us.

No more

letters, no business letters, no love letters,

   only emails to be lost in cyberspace.

No more

couples who face the difficulties of everyday life,

   profess mutual and sincere one forgiveness,

   respect the common oath once made,

   so engendering true and honest a love. 

No more

parents, sons and daughters going out together at night,

   carrying in common dreams, dramas and desires,

   like a pack of wolves who have not learned to segregate.

No more

growing, assembling and sharing rooms and lives around,

   indifferent to some strange customs of those

   who never knew to love and like themselves,

   our children becoming children of all of us.


(Published in Fevers of the Mind, July 12 2023)

 

 

Days of Fury

 

Yesterday a friend of mine was praising a local psychologist.

She is excellent, the best in her profession, he said.

Do you believe that a mother died and her husband,

aware of the approaching doom, had entrusted

such psychologist to prepare their dear daughter,

unique and sensitive a girl.

for the terrible episode in question.

Then, it was noted that, at the funeral

that one day took place, the girl did so well,

receiving the guests, even smiling,

just as she was at a party.

When my family and I come to be harassed

for life misfortunes, may we honour

the human inheritance and true feelings

we have been endowed since long time.

May we pour out all grief and anguish

we will then pass by.

And, if we feel that way,

let us pull out all our hair.


(Published in Fevers of the Mind, July 12 2023)

 

 

Fears and Feelings

 

There are certain weekends and holydays

when I feel somewhat insecure.

I worry if walking ghosts have occupied 

the void of empty streets and closed doors,  

looking at me as an intruder or suspicious

on their walks.

I miss hearing the sound of hammers and

hoes, the strident come and go of saw blades, 

the brushing of pens on paper or keyboards 

being typed throwing feelings to the world.  

I love the imprecations of painters and artists

when they can’t find the pure art they look for.

I love children screaming through the sidewalk,

running endless races only they are capable of.

I love the noise of people in the streets and alleys,

corners and places,

as they move to destinies only they are aware of,

hard struggling to make their lives a story.

I love hearing someone making something,

even if it is the buzzing of bees.


(Published in The Lake, Dec 01 2021)

 

 

Passage to Paradise

 

The emotion that lies at the heart,

not shown in gestures and words,

cannot be measured or felt,

but for myself.

Disillusionment, sadness and despair,

even rejoicing and pleasure,

have created tears, salty and hot ones,

which have leavened the soil where I live,  

bringing forth flowers, fruits, children.

Have nourished and ennobled my spirit,

paying the toll I owe to the lord of the fief.

I am sure they are leading me to Canaan,

the promised land where evil finds no shelter 

and milk and honey flow abundantly.

Where the woman I desire is waiting for me,

at the door of my house, longing and needy,

wife and lover.

 

(Published in PPP Ezine April 2019)





Edilson Afonso Ferreira, 79 years, is a Brazilian poet who writes in English rather than in Portuguese. Widely published in international Literary Journals in print and online, we began writing at age 67, after his retirement from a bank.  Since then, he counts 190 poems published, in 295 different publications. He was nominated for the Pushcart Prize 2017 and his first Poetry Collection – Lonely Sailor – was launched in London in 2018. His second, - Joie de Vivre – has been launched in April 2022. He is always updating his works at www.edilsonmeloferreira.com. (190/295 …. often, one poem first published in a Literary Journal is later republished in another one)


 


Ten Haiku by Joshua St. Claire

 



Ten Haiku




early moon
two heads together
in the dark



chemtrail sky
the wind whispers
wordlessly



highway interchange
a raindrop turns
to the Rappahannock



clepsydra
cold rain
fills the day



flutesong
glimmering through the quince
moonshine



dog clutch
two ants discussing
a rotting peach



a primordial black hole
in the apple leaves
raven’s wings



will these tulip bulbs
ever bloom again?
autumn burial



near gale
whitecaps
rise fall



Brownian Motion
a few laughing gulls bobbing
on the Atlantic







Joshua St. Claire is a financial executive from rural Pennsylvania. He enjoys writing poetry on coffee breaks and after helping his wife get their three sons to bed. His haiku have been published or are forthcoming in several North American, European, and Asian journals including: Mayfly, The Heron's Nest, Sonic Boom, hedgerow, and Presence.

Three Poems by Steen W. Rasmussen

 



GOD IS A PLACE

God is a place with no scope - a room with no space, walls of no height, imaginary windows, illusionary doors. It cannot be gleaned from out here or in there, nor in thought or dream. It is a place where nothing exists - a place in name only: oblivion; death.

It always was, it is, and it forever will be - yet, never were, is, and can never become. In this paradox lives the illusion of scale and creation, growth from motion and emotion, to choice and meaning - a place that is not God.

Perforce, you exist, and life is something rather than nothing - perforce, you feel there are choices you make. But these are, of course, the illusions. You can choose to believe, seek solace - distraction as well - in the stories we tell, to avoid the truth, looming: you are a prisoner of eternity until you return to the place that is God - a place which, of course, you never left. It is a beautiful and horrifying thing.


 

A POINTLESS POEM


A moment, a vibration

In the void

Accelerates a straight line

Its origin, its true nature

The pointless point

Obfuscated by the speed

Of that universal expansion

 

Extended ad infinitum

When and where, upon a climax

Every point along the line 

And the vibration within each

Breaking into a higher realm

Birthed a whirling disk

 

The pattern repeating

At the speed given

Infinite lines, all pointless points

The vibrating moment

Here within this whirlwind

Where a globe emerged

 

Currently, an interruption

Momentary, maybe

We find ourselves

Not quite fathoming

Still waiting for the tipping point

When became there

Where becomes then


 

SOULSPOTTING


If your soul survives death

Either in a different life

Or in exactly the same

Say it flies off to eternal light

Or to everlasting fire

It begs the question

How many souls have been bestowed

And where are the souls-in-waiting?

Is the soul factory now closed

Or is the manufacturer still busy at it?

 

I bring news about the soul

Some good, some bad

The good news is that

The soul is eternal

It never dies

Your mind and consciousness

They're all yours, enjoy!

The bad news?

There is just one soul




Steen W. Rasmussen is a native of Denmark and lives in New York City. His interest in writing, and writing in English specifically, is rooted in many years of songwriting. His poetry has been published in various journals and forums, including Lothlorien, Sparks of Calliope, Voices of Poetry, and Woodside Writers.

 


Five Poems by Nina Zivancevic

 



Am I wrong or something deeper is going on with the world


This yearning to enjoy the scenery is never going to be mine

This crossing between Calais and Dover full of seagulls and wild waves

I don’t enjoy any longer after the events in the jungle of Calais

And when I arrive in London

Who am I to see now

Where am I to go!?

Migrant that I am

I treasured friendships with people who disappeared into

Another dimension too quickly

A cold creature dressed in foam approaching me with his scythe now

All the dearest have gone

They were kind of disgusted and disillusioned with the daily planet too

My phone book contains only dead numbers

But the shrink encourages me to walk on

Which place in London have I liked the best? The

Squalor of the first squat where I landed in as a young girl or the glorious suite in the 

Savoy hotel where my friends were helping themselves to free lunch and breakfast

Well, that all ran fast, my life that is

And Karl Marx’s grave next to Alma Mahler’s at the Highgate

Attests to their humanist glory

Perhaps that’s where my feet of Hermès should be

heading right now



On translation

 

In the corner cornered

In the room for the poets with a handicap

I translate

Their grants from The German foundations from

Swiss trust funds French catholic associations

Their poems about their inability to move

It’s the chorus of wheelchairs concerto of crutches symphony of metallic corsets and

prosthetic material of all sorts

I hope they get their money they were asking for

As there isn’t a single reimbursement for the suffering they are going through

And yet it’s good that they were allowed to suffer even for a second of eternity

In my case it all had to be done away quickly

They replaced my right leg with titanium

And I was back to work day three, I crawled and flexed and slouched and wiggled

Like any other bionic woman

Cause if I hadn’t done it- oh, it was so clear to me- I would not have food to eat,

And I remembered, yes, I remembered Francois Villon who once wrote

That all the handicapped one legged and deprived

Marched for France and

God knows what King they marched exhausted by life

And they did not know why

Where to and who for

The Hundred year war between England and France

Was it?



Taming the demons



The daemon of money, daemon of debts- quit my domain
Out !!! Get out with your filthy load of worries...

Out    out    out   OUT!!
—Demon of addiction- out of my way!

You don’t need the excuse that you see the world too clearly then let your brains drown in drugs and alcohol
You can see the sad world without an attachment to it
Daemon of memory!! Out! You tortured me enough and I’m extraditing you

to the land of Alzheimer’s!
Daemon of impatience -
You were made for young people
In good health
Calm your angry heart and get out
Of this room!
Daemon of loneliness
Can you change your clothes please? I remember the times
When you were all dressed in rose and gold and I begged on
You to stay or just visit me again
Oh- now too late!  It’s so hard to love you-
Get out of my heart!!



Russian roulette


I had a gun triggered at my head

And it did not fire off

I was pale like a parchment

My life passed quickly before my eyes

I was playing with my dog Atman the keeper of my soul in our garden on Topcider’s

hill In 1959, I wanted to keep my last image of something beautiful something really

innocent like my grandma singing arias from the Fledermauss while cooking lunch

Like my son staring at an old painting in the Jacquemart Andre’s museum age 5, like

me going on the first date with a judo champion age 16 and then I’m back on Pierre’s 

couch listening to his Tchaikovsky age 65,

All of these moments rushed by before my teary eyes and I was glad I’d had them

Then nothing happened, the gun did not fire, dr Levy telling us slowly they made a 

mistake here how could they have an x- ray with such an old machine!,

Anyways, life is very short

It is a shame we cannot think of art or the moment

Of falling in love with that someone special when the gun is pointed at the temple

Life has gone so fast

It’s a shame..



THE RUSSIAN

 

He was seated in front

Of a TV set

Immobile

Staring at the Russian tanks and drones

Demolishing Ukraine

How horrible he said

How horrible!

I was in a hurry

To wash the dishes and

Prepare some light supper

Quite light before our trip

Scheduled tomorrow morning

He was staring at the screen

Immobile

Then he started laughing

Why are you laughing, I asked,

And what’s so funny on that screen?

I asked truly in dismay, outraged.

I’m laughing at your idea to travel to St. Petersburg

And ask Putin to return our old houses to me, he said,

Don’t you see what the man is all about,

How horrible, how horrible, that devil!




Nina Zivancevic

Poet, essayist, fiction writer, playwright, art critic, translator and contributing editor to NY ARTS magazine from Paris, Serbian-born Nina Zivancevic published 15 books of poetry. She has also written three books of short stories, two novels and a book of essay on Milosh Crnjanski (her doctoral thesis) published in Paris, New York and Belgrade. The recipient of three literary awards, a former assistant and secretary to Allen Ginsberg, she has also edited and participated in numerous anthologies of contemporary world poetry.

As editor and  correspondent she has contributed to New York Arts Magazine, Modern Painters, American Book Review, East Village Eye, Republique de lettres. She has lectured at Naropa University, New York University, the Harriman Institute and St.John’s University in the U.S., she has taught English language and literature at La Sorbonne ( Paris I and V) and the History of Avant-garde Theatre at Paris 8 University in France and at numerous universities and colleges in Europe.

She has actively worked for theatre and radio: 4 of her plays were performed and emitted in the U.S. and Great Britain.

In New York she had worked with the “Living Theatre” and the members of the “Wooster Group”.

She lives and works in Paris.

http://theendofbeing.com/2015/05/21/an-interview-with-allen-ginsbergs-assistant-nina-zivancevic-unveils-the-underground/      

http://blues.gr/profiles/blogs/serbian-poet-nina-zivancevic-talks-about-the-beat-culture-cohen 

 



Three Poems by Alec Solomita

 



 

Mourning

 

It is a lonely house

Here in a rural lane’s end

Where the untended

Weeds and honeysuckle

Almost obscure the

The kitchen’s

First floor window.

Mama spends

A lot of time

Peeking through

The vegetation

To see if we have a guest.

We rarely do.

So she jumped

With more than joy

When she saw

A tall male figure

Strolling toward

The front porch.

 

 

Time Passes, Listen . . . Time Passes

 

At some now-lost moment

Max fell in love with her.

Maybe on their sixth grade

school trip to Maine.

 

Nothing came of his

childhood crush save

a melancholy friendship.

 

He joined her little crowd

who sat in circles smoking

the soft grass of the day

and listening to the hard music:

 

Walkin’ the dog

Love me two times babe

Bald headed Lena

Sweet Lorraine.

 

Resting on her luxurious

basement rug, trading roaches,

laughing and coughing.

 

Time passes,

and a few years later,

while Max studied hard

in high school,

 

she made her life

almost a caricature

of a hippie escapade.

 

Married a dealer

had his child,

travelled the world

with canvas back packs,

and the baby girl.

 

Smoked hash

in Amsterdam,

hung out with

Sherpas on the

border of Tibet

got bored with the Buddha

trudged back to the States.

 

Andy (the dealer) hustled

away from his child and

her mother. The deserted

moved to San Francisco

 

where she met Michael,

a couple of steps more

criminal than Andy,

passed off bad checks

 

bombed a building

ended up in a row boat

on a California lake

where he shot himself.

 

 

In the Earliest of Days

 

In the earliest of days,

our house was a sort of salon

where artists leaned from almost

comfortable bright butterfly chairs

framed by wrought iron tubes

to flick their cigarettes

into full ashtrays on the long,

low living-room table, talking

politics more than painting.

“It’s going to be Kennedy,”

said Jim Cavanaugh, who was

quite the fine painter indeed

as well as a bit of a show-off:

upside down on the couch cushion,

hanging his legs over its back,

and blowing smoke straight up to

the high ceiling,

a glass of wine breathing

on his chest, curly black hair

sneaking over the collar

of his white shirt.

“I would not bet on it,”

said American history prof

Ethan Seidman, who had

the credentials. But was

a little pursy and clipped

neither his ears nor nose,

never mind his luxurious,

sallow eyebrows.

“Well,” said Jim,

who, not wanting to lose

his audience, shifted

to lazy smoke rings, which

drifted around the room. “I know

It’s close. But Nixon has a little

imp inside him. Smart guy.”

“Oh,” countered art teacher,

slim, pretty Marimekkoed

Rita Santangelo, turquoise-beaded

necklace swinging.

“But Jack’s so handsome.”

“That’s for sure,” agreed

my mother from the kitchen.

“And so we hear from the distaff side,”

chuckled abundantly bearded

Robert Walsh, who might have

been mistaken for a rabbi were

it not for the clerical collar.

“Haven’t you heard?”

said Jim, seating himself

right-side up, “They

have the vote now.”

 



Alec Solomita is a writer and artist working in the Boston (USA) area. His fiction has appeared in the Southwest Review, The Mississippi ReviewSouthword Journal, and Peacock, among other publications. He was shortlisted by the Bridport Prize and Southword Journal. His poetry has appeared in Poetica, Lothlorien Poetry Journal, Litbreak, Driftwood Press, Anti-Heroin Chic, The Galway Review, The Lake, and elsewhere, including several anthologies. His photographs and drawings can be found in ConviviumFatal FlawYoung Ravens ReviewTell-Tale Inklings, and other publications. He took the cover photo and designed the cover of his poetry chapbook, “Do Not Forsake Me,” which was published in 2017. His full-length poetry book “Hard To Be a Hero,” came out last spring.


One Poem by Ray Whitaker

  DRAGONS How could the anger go the disappointment from then the mad over lost love dissipate from sight,  from feelings? Wafted away in a ...