Saturday, 20 July 2024

Five Poems by Sandra Frye

 



After the Divorce  

 

I never saw the farm 

crying with winter’s ice. 

On humid summer morns 

my mother headed south 

as far as Illinois. 

 

We kids knew we’d arrived  

when apples red as blood 

reached out from leafy boughs  

like father’s unseen arms. 

 

The ancient house rose up 

its peeling boards beside  

a crumbling dying barn. 

A crooked creek-bed wound 

 

round willows weeping tears 

whose steadfast roots removed  

my sorrows and my fears. 

I bent my ears to hear 

 

“it’s time to eat peach pie,” 

my grandma’s voice like wind 

through rusty farmhouse screens. 

With soaking barefoot feet 

 

we ran beyond the chicks 

who clucked at us; we passed 

the shed that kept things hid  

a broken bike, some junk, 

 

old tools and tractor wheels. 

That farm provided me  

a million mysteries. 

Once uncle used his axe—  

 

chopped off a chicken’s head. 

We never told our mom 

how days at grandpa’s farm 

taught us cruelty as well 

 

as love, beauty as well  

as gloom, and love cut short. 

I never saw the farm 

covered in snow, but ice 

 

and cold were lurking there. 

 

 

 

Softball, 1936 

 

My mother’s  

gone 

                who used to 

                 hurl softballs  

    

from first base  

in onetwothree

seconds  

 

all the while  

the umpire  

                    shouted “Out!” 

 

but she never 

took a bow 

                     to thunderous applause  

 

                                      and what I want to know is 

if there’s a ball field 

where she is now because  

 

I know  

                      she’s still wearing those 

                      baggy jeans and loose 

 

blouses  

                

still has her right foot firmly  

               glued to the ground  

 

 



The Art of Losing  

 

Mom liked any kind of game, 

you name it. Football, Diving, 

 

Baseball, Dominoes. She was a 

great swimmer and first base player. 

 

Sometimes she practiced the skill of losing, 

and she pioneered a trail into the future, to 

inventions that really matter to women. 

 

She invented perseverance. 

She didn’t take out a patent, but it’s  

obvious she discovered it on those  

 

lonely winter nights in Wisconsin  

without a husband by her side. 

 

Women invented many items that  

men wouldn’t, like the dishwasher.  

 

Or a globe of the world—Ellen Fitz, 

1875. And I owe thanks to Mary Walton 

 

who in 1881 figured out how to reduce 

noise in New York City’s railways by 

 

lining the tracks with sand. That’s likely 

why I barely registered my Dad's departure  

 

in 1951 as he rumbled away, out of town. 

A silent leaving, more or less. Besides, 

 

Mom kept the radio loud, tuned to sports 

on Saturdays and Sundays when we might 

 

have been preoccupied with waiting for Dad. 

 

Later, we tuned the television set to watch 

games—Green Bay Packers and Milwaukee 

Brewers. Every weekend we cheered the teams 

 

to victory. Winning was everything. 

 

The year my dad took off, the Brewers 

ended the season with 94 wins and 57 

losses. 

 

My family had lots of time to witness 

perseverance, and when the team lost, 

 

Mom reminded us, “That’s the real Art.”

 

 

 

Ruminations  

 

I read once that 

the universe will 

 

upon our death 

 

generously split 

in two, 

 

and in one we 

are alive. 

 

I keep thinking 

my mother and  

 

my four sons 

and even my ex-husband  

 

the guru of laughing  

 

may some day 

be found again. 

 

All my sons at ten 

played the piano 

intensely 

 

different 

songs but still  

 

piano keys bobbed  

like black and white 

 

chess pieces dancing. 

 

Like snow swirling on 

broken tree branches  

 

fallen on the ground. 

 

I wonder in which  

universe we will all 

 

one day, be playing 

a piano and in which 

 

one we’ll be laughing.


 

 

 

Metaphor

 

 

books sit inside bookcases  

so religiously upright, stuffed 

with words and knowledge— 

 

that small crackling sound 

when I open one…a priest 

clearing his throat









Sandra Frye - once read somewhere that writers probably have two or three events that shape them in childhood, and everything they write is about those few things. That’s true in her case: everything can be traced back to her stalwart mother and absent father.

Frye has written three memoirs, “African Dreams,” about serving with the Peace Corps in Africa from 1969 to 1971; “Fatherless,” the story of her unique childhood in the 1950s; and “The Weight of Dreams,” which chronicles her marriage and teaching career. She has two self- published books of poetry titled “Leaving Lessons” and Interior Spaces.” 

Frye rarely submits her poems, but has had several published in The Ekphrastic Review, Eucalyptus and Rose, The Thinking Pen, and The Blue Mountain Review. She is a graduate of the University of Wisconsin, a retired high school English teacher, and mother to four grown sons.

Three Poems by Gordon Ferris

 



Guiding light

 

Longing to be able to speak to you

I walk in your direction, 

looking at you

with my  tongue glued 

to the roof of my mouth

the words stuck

I hope you didn’t notice

though from your eyes, 

I knew this was highly unlikely

Out of there as quickly as possible

Under a cloud of sweat and steam, I ran

Swallowing my pride, what was left of it,

exit,  home to the silent whispering walls

and the still water

where light enters

in and out of view

going on, and on, and on

high up into the sky it goes

to the temptress of the shore

holding you in her gaze

out and away from the rocky shore

unto the path of peace and calm

A searchlight, guiding you on your path

earthbound for evermore



The Visit 


He walks into the ward  

staring 

from bed to bed 

stops at the elderly woman, his mother


A life lived 

loves one brought 

to maturity 

her job done


He walks away from his mother 

towards the window 

towards the begging pigeons 

“don't feed the pigeons,” the sign says 


a woman stares into space 

uneaten food on her tray 

a woman – away

in her world 


with huge smile

 “ must be great fun 

living inside her head” 

he ponders. 



The First Time


The first time I ever spoke my words in public 

the floor didn't open or swallow me up 

the listeners didn't charge  dragging me off in a headlock 


the first time I got to speak my words 

and noticed you in the front seat staring 

and all the others looking in my direction 

and was surprised 


what did I expect 

I am on a stage alone in a silent room 

saying my words   speaking my truth 

where do I think they are going to look 


the first time I spoke my words 

and could hear the words I spoke 

I knew then at that moment

My words could not be changed







Gordon Ferris was born and raised in Finglas, a North West suburb of Dublin. In the early eighties, he moved to Donegal where he has lived ever since. He started writing in 2014 and has had many short stories and poems in publications including Hidden Channel, A New Ulster, The Galway Review, Impspired Magazine, Lothlorien Poetry Journal and Live Encounters. He has also won prizes in the summer 2020 HITA Creative Writing Competition for his poem ‘Mother’ and won the winter competition for his poem ‘The Silence’.

Poetry Ireland awarded Gordon a, Poetry Town Bursary. He had his first book published in January 2023 by Impspired, a short story collection called Echoes and his second book, A Mirror Looking Out, a poetry collection, published by the same publisher, Impspired, under the brilliant stewardship of Steve Cawte.

Three Poems by Kate Noble

 



thrill of the chase


…crouched behind the long-dried tree stump, as I pass

side-look - as if shush finger placed to her lips before my question even forms -

and choosing not to catch my eye… 

while hers brim bright, alive - 

search past well-known crinkle lines 

of lived-in corners and curious knot knowings -

to scan intently 

picking up a sun’s low rays ‘cross water liquid ripples

while red wellies tell of smoothing polymer fun 

aside gnarled waning worn-wood hidings


…and passing on I hear – can’t see - young boys’ voices

behind…to the side,

ripe and likewise alert

sharing joy and 

launching bright-grin sing-song queries 

appealing waves into a boundless frost-free air

“grandma?”



which is eternal…


..and that beyond dwells in our here

brim mirrored worlds o’er lucent tear -

crowd ‘round, so peer with curious ear 

curved strange refractions yet to hear -

grasp wisped meniscus flouting fear –

so close surround, yet never near

still seek to know that sense held dear


 

Limerick


There was a young woman’s sun glasses

Which mirrored back all that she passes

Though her lips curve in smile

Unseen bile skims her eyes

While her heart stalls in thick black molasses.








Kate Noble is creative writer, singer and disabled student mentor. Read more – waking the mind whilst touching the soul – in Vine Leaves Press, The Journal of Undiscovered Poets, Ballast Journal and Linked Verse from Laughing Ronin Press. She is 57 years of age and lives in northern England, UK.

Her recently published poems include; Chide Not the Seeming Layabout (in Linked Verse from Laughing Ronin Press, January 2024) at https://www.laughingroninpress.com/product-page/linked-verse-issue-002), Tread soft o’Foot (in Ballast Journal, July 2023) at

https://www.ballastjournal.com/kate-noble and Early Mist before Snow (in The Journal of Undiscovered Poets February, 2022).

Four Poems by Joshua Martin

 





A Trousers in the Wind



Mass constructed flying shoes


all the FURY


the jury


presented as a


shoeshine kit then


a pair of


TAP SHOES


once worn by CYD


CHARISSE


the last time she


committed an atrocity.





Hopeful glaring


stomach cancer


acid. Pulled up


sock suspenders


at


crusade level kettle


drum


banging . / .





Something


indecisive happened


b/t call to arms


annual print editions &


a BURNING


TURNING


CHURNING


demon masked


gobbled &


positioned to the


left of summer


solstice. Can’t we


all just wring our necks?





Spilling cloudy


ink


afterwards


knuckles


crumbled


shallow


half-lizard


remarks


in pillbox


formal attire


like TOP HAT


& tails.





Where tho did


lessons scratch


the eyes of miles


who beg for shade


amid whirling


helicopter blades


robust yet fading


grief stricken yet


altogether smirking


as a violent act of


possessive &


regressive childhood.





At least


leave alone


&


heave ho


beyond thunder


cloud milk


chocolate


chicken


liver drumstick


seductive tho


reductive at


the particle


level


of misbehaving


shovel grave


stone


backward


propelling


summation


only a latter


connection


to step lightly


as ice flows


creamsicle


like as if


standing in


a doorway


grand enough


palms to


manage


an apple


orchard.





To the ground


SWELL


ing


in


snowdrift


MOUNTAINS


as sullen as a


cucumber is


solid.





There’s no


OTHER


meanwhile


to grasp in the


parachute


pants


of yore.





Jupiter papercut sworn to secrecy



Baring STRAIGHT


forgetmeNOT to sight a


Zest of fingerprint ZaP!!!!!!!!!!





pappy prints radical


gripe, against


inventory:


enough innovation


to make YA sick


, Quick! ,


pick 2 rooster


shells to


SiN an Artuad


would growl


, stench of beautified


boulevard—


crash!





Flung ON-


WARD! UP! WARD!





lil’ Pyramid Scheme o’ the doses /


Annie Rooney in a scooter disaster


Mining club loch ness


pervert w/ a TaN—


TeN BiLl fold


ing stAMp AcT


could not mercy beam


of brief bubbly bareback


, > truly a grease , at rest a


zit





Unbroken chronological endeavours



Lobster marvel consultations


organized Prophet of


Status Quo fetishists


,, time<ed> fast ,, wavering


view=


POINT (confined map) >>>


polar buckles


signify regimes of omissions


/ Archipelagos increasing NuDgInG


tracts;;;;;


turn,ed AN [is]land=


filtered visibility


institutionalized translation


, fantasy shrieking , merging , upended


mincemeat , polluted


imperialist texts


adjacent


, NeItHeR nation


exigencies,


recirculatory


COLLECTIVE


monolithic nautical


interchange





Kitchen Sink Screwball Comedy



A recognized shell


equated to a Burgundy SNAIL


handspun whiskey rebellion:


WHO MUST


HAVE


KNOWN


THE


INTRIGUES


of former snowmen


as sadly deformed as


WOLVES?



Ah. Yes. As. Soon. As. All. That.



Xmas comes up never a


time in which art lacks


a source of glee.


Leeks. Cheeks.


Speaking in


voices hardly


transparent.





Vitriolic cosines


on teleprompter angelic


remote controls /


as funny as


a fruit CAKE


cavalier & just


as steadfast.





Once


stood


up


as


squished


.


A


game


of


pin


the


nose


on


the


dapper


DAN


impresario


.


Until then


stubborn as


a hopeless


romantic


the NOMAD splits


an ATOM in


all that


destructive


& ashen


puking.





All that lines can


resemble /


Still bored to stiffened


swimming /


Wires puking arbitrarily


into skulls /


Unlike in youthful un-


determination /


.
/


.
Brighter pigeons


prevail upon


pie in the sky


prancing masses


spin in parachute


advertisements


justly concerned


that falling might


mean the horror


show of civilization


in all its fabled


glories.




Eager!


Eager! Eager!


On the wall they


hang a star.


Eager!


Eager! Eager!


Racks of gummy


bears sing a song


or two or 3 or


MORE despite the


flulike symptom


engulfing these


FIELDS of


DRIPPING


nightingale


winglets.




As formless


as a


bat & as


graceful as


a glockenspiel.




no one


else has


heard the


march of


techno


disease. 

 

 

 

 


 

Joshua Martin is a Philadelphia based writer and filmmaker, who currently works in a library. He is a member of C22, an experimental writing collective. He is the author most recently of the books O! fragmented glories (Argotist Ebooks), Prismatic Fissures (C22 Press), and peeping sardine fumes (RANGER Press). He has had numerous pieces published in various journals. You can find links to his published work at joshuamartinwriting.blogspot.com 

 

 

 

Two Poems by Marie C Lecrivain

 



Danae Welcomes Andromeda


1.


Yes.

We were entombed

in a sarcophagus 

and then dumped 

in the sea.

Before the lid closed over us

my father looked at me with sad eyes,

and shook his head as if to say,

I knew you'd end up failing me. 


Normally, a visit from the gods 

is greeted as a blessing, 

but for the prophecy 

that said my baby son would kill

his grandfather. 

Maybe  his disappointment 

murdered the dream 

to marry me off 

to a warrior king

and spawn a dynasty.


I'll never know.


2.


Yes.

He’s my son.

His tan skin,

dark curls that embrace

his strong neck, 

and occasional thoughtful gestures-

he gained from me.


He’s his father’s son.


How do I know?

It’s the gold glimmer

I see flash in his eyes

when he’s working out

a solution, or sly strategy 

to get away with what’s considered

impossible, or just on the right side

of immoral. He doesn't care who he hurts

when he strives to win, or bother to look back

at the trail of carnage in his wake.

Ask Medusa. O… we can’t.


3.


No.

I can’t tell you

how to be a good wife

because I never was one,

but I can be your friend,

and another sort of mother

if you choose.

We both love him, 

and nearly lost our lives 

to prove it. I'm here to listen

and to hold you close

on those days he’ll be gone 

without a word, or Fates forbid,

he discovers an adventure 

that’s too good to leave alone.



A Quiet Lullaby


This morning, I heard the voices

of a crow, and a pair of starlings

weave together beneath 

the concrete melody of traffic,

a slow, resentful onslaught 

of people on their way to work 

or school. I remembered 

my grandmother as she

pulled weeds from her garden,

my father’s dark disappointed gaze

as he memorized the D 

on my report card,

and my siblings,

small hands clasped

as they chased 

the ice cream truck

down the street.


I wish I could tell you which 

of memories are true, 

or just a wish,

but when you hear a lullaby

that’s almost as old as time,

it’s easier to close my eyes 

and move into the music,

and for a moment, I forget

everything and everyone else.





Marie C Lecrivain is a poet, publisher, and ordained priestess in the Ecclesia Gnostica Catholica, the ecclesiastical arm of Ordo Templi Orientis. She currently curates two literary blogs: Dashboard Horus: A Bird’s Eye of the Universe (travel themed poetry and art), and Al-Khemia Poetica: A Women’s Art and Literary Journal.  Her work has been published in California Quarterly, Chiron Review, Gargoyle, Nonbinary Review, Orbis, Pirene's Fountain, and many other journals. She's the author of several books of poetry and fiction, and editor of Ashes to Stardust: A David Bowie Tribute Anthology (2023 Sybaritic Press, www.sybpress.com).


One Poem by Ray Whitaker

  DRAGONS How could the anger go the disappointment from then the mad over lost love dissipate from sight,  from feelings? Wafted away in a ...