Saturday, 11 May 2024

Six Poems by Stephen Kingsnorth




 

Rime Frieze

 

No spray of blooms but icepick spikes

from plashy spray of lorry tyres,

such mudguard slush, wave paving wash

that’s laid out, splayed on, and through bush;

but bitter bite of frost filled air

holds dirt dense drips like puddled pig,

wrought iron, brittle, stalactice,

sprite dangle gems, shards winter ware.

 

It is best interplay by kerb,

that haulage thunder we beware,

light glitter bright, buds silver search,

by brown clouds vaped, exhausted fumes;

a rainbow spun in spangled rime,

from splattered gutter to the wind,

sprung spider’s web of glisten strings,

their chimes clang crack break as they play.

 

A trunk road with a treasure chest,

bridged rubber treading into slop,

that careless slapping, bubbled ooze

to shroud a shrub in lacewing shine;

grey tarmac stir seeds fruiting hedge,

from fund, fumes diesel, gracious vine,

for tree assaulted, stained with crud,

becomes the mode, hope, hang in there.

 

For we grow tired of wayward spume,

from rain that drains too full for spare,

as dashing, splashing, traffic comes,

that heavy plant, shift street to side;

it scatters swirling swaying plumes 

like lumber whales, spume passing though.

But given moment, still to share,

that spill transformed, bears witness, stare.

 

First posted on the Poet’s Wall, Poets with Parkinson’s, December 2023

 

 

Sum Flower

 

Agèd saint, facing east, prays,

sun-dried, bees, full pollen days,

from central disc, outer rays,

mystic maths laid, fulfilled blaze,

fruit in Fibonacci ways,

Fermat’s spiral interplays,

golden ratio displays,

anointing oil, final phase.

 

First published by Medusa’s Kitchen, August 2023

 

 

Harvesting The Grain

 

A treasure chest, still silver shine,

tools bright, though handles manicured

by leathered palms, patina years,

now pegged, clipped, hung in craftsman’s den;

from blade, spokeshave, to chisel grooved,

for furrow hew or plane and lathe,        

this vice clamp locks the sacred space,

that horde where bored cannot be found,

the artisan’s trove, unmoved, set square.

 

Paraphernalia screwed down,

with awls and all to punch their weight

through hide where seek the buckle bite -

this is the workshop for the grate,

sandpaper gauge to be applied.

Here sons ply wood with hammered nails -

learn cursed shrieks where thumbs intervene -

learn feel for trees by timber yards,

a metric for their carpentry.

 

As lads run rings and harvest grain,

know knots, as buff what can be done,

they learn to work with, journeymen,

and not to fight relationship,

mortise and tenon joined as one.

Bemoan claimed signs of fading skills,

but while there’s canopy, concern,

that bole of life outgrows the stump,

those trees present salvation yet.

 

First published by Poetry Potion, November 2023

 

 

Hoodwink

 

No nudge or wink is needed dear -

we know this suspect from the news;

dark passage, poorly lit, night hawk,

no site for self-respecting soul.

With silhouette identikit

unknown if coming, going, here,

blank face or hair behind black mask;

he’ll not be caught, face punishment,

have bars to limit where he walks,

no jail, nor walk the plank, just bail -

assume this hoodywinking male -

so typical of youth today.

A threat to our suburbia -

an enemy of state, that’s clear.

 

This river pier with tidal reach,

by current waves, sad moods awash,

grim space where jumpers soon conclude,

has light, illuminating route.

As volunteer, despite her Dad -

who left do-gooding well alone -

she was returning from the club,

Down’s syndrome hour on Friday nights.

A chilly evening, homeward found -

why the warm hoody round her ears.

Had it been a fur collar turned,

a college scarf about her mouth

or covid mask tied round her ears,

the label would not be applied.

 

First published by Spillwords, July 2021

 

 

Gun Slinging at Ten

 

It was the winter ‘63

that I found, under thaw, a gun,

as ending, schoolboy trek for home.

The lesson had been clearly taught,

from posters, post-war infancy,

if metal object, armament

was seen, then not to lift it up.

So wise, and in obedience trained,

I shuffled toes and nudged it light,

dislodged the barrel from the snow,

through the ice, and down the road.

I kicked it, sliding, trigger ice;

so through the gate and up the path,

and there it lay beneath the step.

To age of ten, deadly design

not in my range, experience.

But comics full of biff and bam,

grenades armed, lobbed in fantasy,

lopped bits hidden in the print,

published, raking in the cash.  

War tales spin out on a limb;

nothing good comes from this trade,

war toys for civilians,

minefields for men’s armoury,

when boys should fix on Minecraft ploys.

I knocked, my mother, shocked at sight,

the gleam that raiders chucked about,

my pride that I’d not lifted it,

but followed rule that adults gave,

right to the letter, as been said.

 

First published by Academy of the Heart and Mind, November 2021

 

 

Dolmen

 

Small corner of my little world

where moors roll, slow-tectonic screwed,

the next just like the one before

except for megalith here pitched.

Not stone circle, henge or ditch,

but dolmen for some passing rich

in wisdom, leadership and wind,

more stolid than the wrapping clouds.

And here it stands, rock resting nest,

a granite witness for the land,

chronos and Kairos hand in hand,

suggestive how we model plans.

 

First published by Allegro, June 2020





Stephen Kingsnorth (Cambridge M.A., English & Religious Studies), retired to Wales, UK, from ministry in the Methodist Church due to Parkinson’s Disease, has had pieces curated and published by on-line poetry sites, printed journals and anthologies, including Lothlorien Poetry Journal.  He has, like so many, been nominated for the Pushcart Prize and Best of the Net.  His blog is at https://poetrykingsnorth.wordpress.com

 

  

Three Haibun Poems by Lavana Kray

 



 

                              The poet


A flock of sheep crosses the orchard, mashing golden overripe plums under their hooves. It smells 

like grandma's old hearth boiling jams. Ahead of me, a convoy of villagers meanders on the path

without horizon, waking the ancestral dust from its numbness. Some people complain about the 

hard times, some say jokes They know a lot about all things, and next to nothing about the man 

they follow on the last road, except that he roamed the hills and wrote poems...            

the leaves no longer fall                          

at the poet's house –

excavators

 

 

                                Shadows


The hand that used to rest on my shoulder, no longer opens the door. No one waters the flowers 

and dreams anymore...Even this fuliginous cloud spreads its shadow and moves on. How desolate 

our walnut tree swing is! Now and then only a snail swings, or this fog, which can’t be waltzed away 

by wind. Some twigs snap under imaginary steps, or maybe not.

I watch obsessively the barren land, letting only a shadow rise. Always the same...

deep mist –

the bitter taste of

aerial roots

 

 

  Fragility


The inclement weather has ruined my plans of mountain hiking. The path turned muddy. Wet birds

watch me sliding towards the yellow water while trying to get hold of branches. The nenuphars 

make place for me. Daylight only flows into the stork's eggs. Perhaps, it’s not by chance that I’am 

here. I could find out how long it takes for indifference to become concern. People pass by, 

engrossed in their cell phones.

falling stars –

equally vulnerable

                                 the sky and man





Lavana Kray lives in Romania. Her work has appeared in many print and online publications, as well as in haiga exhibitions organized by the World Haiku Association in Japan and Italy, and in 2015 the World Haiku Association awarded her the title of Master Haiga Artist. The Laval Literary Society from Canada awarded her the André-Jacob-Entrevous Prize 2023, for a literary text (haiku) combined with an artistic visual. She currently serves as editor of Haiga at Cattails (UHTS). See more of her work at https://photohaikuforyou.blogspot.com.

Three Poems by Peter Mladinic

 



Cindy at the Redbird

 

The headline:

dead infant found in quilt

in Rhode Island slum.

 

A stranger

in a crowded student union

walked up to me and said

 “l hope you die.”

 

In the backseat of a Honda Accord

I slapped my nephew

for giving my year old son marijuana.

 

I’m waiting tables.

There’s no raisin toast.

We’ll just have to do without. 

 

In a natatorium

a man lifted a stroke victim

out of water

into a wheelchair. 

The stricken man breathed deeply.


 

Declawed Cats Shouldn’t Live Outdoors

 

Put on an optimistic face.

It’s the only way to meet oblivion.

Put on the blue T shirt

that says Optimism.

No one wants to sit in a cyber cafe

thinking about oblivion, or in the movies

before the coming attractions.

Optimism is the only way to meet oblivion.

Wax a Chevy pickup.

Buy a bag of Cheetos. The cashier

puts silver coins in your hand,

your hands briefly touch.

It’s so quick, almost subliminal.

Read her name tag,

get a piece of chalk and write her name

on a wall.  Either that, or go to Walmart

or into Our Lady of Fatima Church

and dip your fingers in holy water.

 

There are many things I cannot do

and even more that I can.

I can have a cat declawed.

I have the strength to peel an orange.

 

It’s no crime to think about oblivion.

Just don’t think about it too much,

don’t let it consume you.

If you do, you won’t be popular

though not everyone wants popularity.

Sometimes you might want to sink

into the woodwork, go unnoticed

in the peanut crunching crowd,

who are walking and talking, or maybe

an audience watching Twilight

or patients sitting in a clinic,

waiting to go in to see the doctor.

 

Some suggestions for optimistic acts:

Polish your shoes.

Go out on a date.

Ride a rollercoaster.  Scream.

It won’t be the scream of oblivion.


 

The Note Said

 

Spend part of each day doing something

you want to do.

Build a bridge, bat an eyelash,

wash spoons at a kitchen sink.

Bowl at the Fiesta Lanes.

Roller skate with a soil scientist

at the Lights Out Rink.

 

I spend 5 minutes in the Tunnel of Love

with Barbara. “Kiss me,

Someday we’ll be no more than dust.”

 

I spend 30 minutes shining my shoes,

15 at a mirror combing my hair.

I haven’t helped any earthquake victims

or built a wall around my feelings.

Intimacy is possible, with Barbara

or Bob, the soil scientist; or Glenda

from Sunday school,

who saw me browsing with 23 year old

Barbara in the lingerie department

at Wessex, our local discount store

which sells everything

from snow shovels to cold-cream.

 

I want to sit under a willow

on a riverbank,

munch potato chips, sip cola, and read

Tillich’s The Courage to Be.

I wouldn’t want to go there with anyone

but Barbara. 

I’d wish for clouds above the river.

I’d do what I want to do

as opposed to what I must do:

 

open one door after another,

see myself in one mirror after another,

tie and untie my shoelaces,

eat some beef stew I don’t really want.

I want a gin martini with 3 olives,

a porterhouse steak medium well,

a baked yam and mixed vegetables

on the side. I want to ice skate

outdoors, on a pond in the woods.

Also, I’d like to attend a cremation

but not of anyone I know.

I don’t want to attend a pet cremation.

I’d rather be at a loom, weaving

a potholder, thinking about the ocean;

or pick up a National Geographic

with an article on Jonas Salk.

 

I have to pay the gas bill,

brush my hair, floss my teeth.

I don’t want to get out of a car,

slip on ice and break my ankle.

I want to walk to the edge of a cliff

and almost fall off. 

Rising  to my feet, dusting off my slacks 

I hear Barbara,

“Jesus, that was close!”


Peter Mladinic's most recent book of poems, The Homesick Mortician, is available from BlazeVOX books. An animal rights advocate, he lives in Hobbs, New Mexico, United States.

 

 

 

 

 

 

 

 

 


Friday, 10 May 2024

Three Poems by Linda H.Y. Hegland

 



Dancing to Connie Francis

 

You taught me to dance;

my feet upon your feet,

shuffling about the kitchen

to Connie Francis and Patsy Cline.

 

One, two, three.

 

One, two, three.

 

You taught me to be wary -

not to trust promises;

promise is a synonym of lie,

expect one to be the other.

 

You taught me not to want

too much; nor need.

To get by on the strength

of my own heart.

 

You taught me that memories hurt;

that the ones you love most

can’t always be trusted,

nor leaned on or even ‘there’.

 

I learned to survive

because parts of me didn’t,

the only truth that of dancing on your feet

to Connie Francis and Patsy Cline.

 

One, two, three.

 

One, two, three.



Old Bar Piano

 

I am tired before my first sip of wine,

so that by the time I finish

a glass or two, I am dreaming awake.

The keys of the piano beneath my fingers

are slow to respond, weary themselves.

This old bar piano, steeped in beer breath

and old sawdust has had an exhausting life -

twangy country tunes and deep, bitter blues.

 

I dream I sing with the piano, my own

scars matching word for word

with the gouges in her wood, the

stains on her boards; the broken

ivory of the B flat note.

The sad sonority of my notes harmonize

with the resonance of her bruised, blues tones.

 

Third glass now, perhaps a fourth;

the keys need me no longer to find their way.

It is always the way that the

blues find themselves in the

wide awake dreams of drunks or the

weary keys of an old bar piano.



Trees

 

I think the trees would

miss me if I left.

I have given them names

as it should be.

 

Old Mab is a crone,

of that I’m sure;

gnarled and bent, and whiskered;

her apples inedible.

 

Helice loves the stream,

her long willowy arms dabbling

with the frog spawn

and the wet, turning stones.

 

Faith, the linden tree,

is as young as a maiden.

No hurry to grow; thousands of years

to know her place in the pasture.

 

I have not named the Black Locusts,

they are too many, huge families

connected by their roots; gregarious -

they include me in their raucous music on windy days.

 

The trees would miss me if I left.

Who would remember their names?

Who would sing their memories,

join in their laughter on a cold winter night?

 

When I am a ghost I will

go to the trees and ask them

to name me, so I won’t be forgotten

so that I will me missed,  now I’m gone.





Linda H.Y. Hegland is an award-winning poetry, lyric essay, and non-fiction writer who lives and writes in Nova Scotia, Canada. She writes the occasional short story. Her writing most often reflects the influence of place, and sense of place, and one’s complex and many-layered relationship with it. She has published in numerous literary and art journals and has had work nominated for the Pushcart Prize. She has previously published two books of poetry - ‘Bird Slips, Moon Glows’ and ‘White Horses’, a book of lyric essays - ‘Place of the Heart’, and a book of verses and vignettes - ‘Remember in Pieces’. 


Two Poems by John Harold Olson

 



Xenia 

 

 Ash grove 

Birch grove 

Riverbed frozen deep with snow 

 Brewing tea 

Winchester leaning Against a boulder 

 The deer, doe and daughter, 

 approach first 

Not timid but curious 

 Ravens fly in a pairs through the smoke 

 Foxes disappearing in the pines 

 

Drink the steamy tea 

Time to go back 

 

 Xenia opens the back door.

 “I saw you come down from the road,” she said, “like a big orange bear. 

Take off your boots and have some soup.”

 

 

Whippoorwill 

 

 sat in the evening light with my tea,

 heard a whippoorwill through the open door, 

way off in the desert. 

 Used to spend this time in the hard middle 

 But that scene is done. 

Now I listen to the bird. 

 If you close your eyes, You can hear it





John Harold Olson - Is a retired Special Education teacher in Las Vegas. Transitioning to being a hospice volunteer.  


Three Poems and Four Haiku by Sue Spiers

  Eboniza – Goddess of the half-cast     Her skin is dark as polished jet Her eyes are pools of loam. Of icicles her cloak is made. It chink...