Sunday, 15 October 2023

For Those Who Wait - Short Story by Lynda Tavakoli

 



For Those Who Wait

Short Story
by Lynda Tavakoli

 

Across the river, blinded windows stared their dull indifference over the water. The old asylum, derelict now of course, its facade of red brick faded to the colour of spent leaves. In the past she had scanned the river from a ribboned skylight in the roof, every day seeking out the herons who faithfully returned each year, their nests shocking like bizarre haircuts among the shallows. This, always, her fragile connection to the world outside. Now, the pulse of the river’s ebb and flow acknowledged her return as its wetness seeped through the soles of her shoes and the urgency of its current urged her on towards her former home.

            In the early morning all was quiet along the towpath and no one disturbed her short walk from the bus stop to the bridge. Somewhere distant towards the innards of the town a car horn sounded, but the only other noise she could hear was a sad whispering from hospital bricks. She stepped across the wooden slats of the bridge to the other side, careful suddenly of her footing, for her legs had never really become accustomed to walking more length than that of a grey corridor.

            The track leading to the building was steeper than she remembered and loose shale threatened to stab her ankles which showed white in the gap between trousers and shoes. Eventually she reached an entrance where interlopers had discarded their human detritus onto the gravel. An empty aerosol can, its nozzle oozing like a bad nose bleed, lay where it was flung, and the tip of a syringe needle spiked up from the ground as though groping for its next hit. Planks of wood, designed to prevent entry to the building, had long ago been vandalized offering easy access to anyone who might risk crossing the threshold. Turning, she glanced back in the direction from which she had come, taking in the steep bank to the river; a river where once she had witnessed a woman, younger even than herself, drown inside a hug of swirling water.

She shuttered her eyes for a second but carried on inside the building’s shell where the atmosphere, although sinister and oppressive, did not intimidate her. Every passageway’s turn, every unevenness of flooring were as familiar to her as if they were a map tattooed upon her skin. Gaps in the boarded windows allowed only enough light to see where the taggers had been busy killing the already dying walls with their graffiti. Underneath a light switch someone had randomly scrawled a name Richard, and above, still in bold, even letters, a sign read ‘Clinic of the Insane’. She carried on into the growing gloom of rooms where no brightness had dared to challenge, until she met the beginnings of a central staircase.  From there she would be able to follow a path to the landing above, and above that, and then above that again, until she arrived at the attic rooms. But she knew that her legs, even now throbbing like some ancient and failing contraption, would never see her reach beyond the first floor.

Standing alone in the vast reception space that would have been her first encounter there as a teenage girl, she listened to the continuing soft murmur of the bricks. And then ahead, a different yet familiar sort of sound. A rasping, like the breath of some garroted and dying animal, and she was suddenly vigilant. In small steps she made her way forward, her hands unexpectedly reaching for the flaked walls as she inadvertently dislodged a broken relic of Saint Teresa whose smile, even now, held its cruel capacity to mock. The rasping up ahead had stopped, but its following silence brought with it something else - an emotion that she thought had been buried and finally put to rest - longing.

His old office was not difficult to find, for its location remained at the bottom of the west wing corridor where windows had once looked out, not upon the river, but on the town. The grated breathing had started up again followed by a silence, the rhythm of both like a song to her now with every beat matching her closing footfall. Him.

He was seated, straight-backed on a lonely chair in the middle of the room as if he had been expecting her for a long time. His eyes were hard to make out but she knew that they would never have lost their blue, almost purple edging, and inward towards the pupil, those sparks of yellow among the darkness of the iris. Details. Details would always be her accomplice. Mostly about him. And others. But also, about herself. They were the spaces between words in a sentence, the specks of dust drifting in stagnant air, the taste of her lip on her tongue before she fell asleep.

“Cora.”

It was the same rough breathlessness of her name that she knew so well. Speech was suddenly alien in her own mouth and her body would permit only a curt movement of the head in affirmation. For a moment in the gathered dimness of the decaying office their familiarity felt like a kiss; a parted mouth stroking the paleness of her throat; a swift lick of tongue across her now creping neck. She barely believed that he could still have that hold upon her.

“Here,” he was saying, as his chair scraped from beneath him, “Take this.  Sit.”

She did as she was told and waited as he searched for something else, and finding an old stool slid it across the floor in front of her with his foot. He sat down with care, the lowness of the stool making a contortion of his legs and forcing his eyes to look upwards into hers. He will not be comfortable with that, she thought, and allowed herself a small smile. From outside, seeping through the window boards, came the sound of children probably making their way to school, the harsh obscenities spattered amongst their speech the only discernible words. Cora was dismayed by it, the fact that the worst culprit was undeniably female. But as the voices passed, leaving behind their residue of distaste, she finally spoke.

“You seemed to be expecting me.”

He hesitated before answering, another practice he had seemingly retained. “I have been expecting you back forever.”

 “And how long is that?”

“About a week.”

It was impossible not to, so she laughed. “You can still make a girl smile,” she said.

“I thought you might have been intrigued and come because of the anniversary,” he said, choosing to ignore the irony of her remark, although she knew that he had noted it. Nothing ever had or ever would, go unnoticed.

“And besides,” he continued, “I know you miss me.”

 His sudden use of the present tense was deliberate, and this time it was she who chose to do the ignoring, but he took her silence as acknowledgement and carried on.

 “A decade since they boarded the place up and they couldn’t even demolish it. Instead, they marked their dirty past with that brand new hospital next door. They invited me back as a dignitary for the opening ceremony.”

“They?”

“They.” She wouldn’t get any more out of him than that.

“So,” he went on, “after all that farce I thought about coming here just in case you’d show up.  I’m leaving tonight and this was my last gamble.”

The exchange between them had taken no longer than a few minutes, but now that she was seated and calm Cora had been able to survey him better as he talked. He had aged well. She could see that. There had been no thinning of the hair that accompanied the maturing of most men, no greying either, although it was a harder condition to detect when he had always had hair the colour of raw thatch. Only his hands showed much signs of change; hands that once owned the softness of a man unaccustomed to physical labour and could express a complex emotion in a single movement were now pleached tightly together on his lap. The knuckles peaked as white as small icebergs between his fingers as he squeezed and released them subconsciously. 

“You actually thought I’d willingly come back to this?” She made a sweeping motion with her arms. “Really?”

“You did though, didn’t you, Cora.  So why?”

Her reply had for a long time grown like a seed inside her head. How her voice would be strong. How that half of her that did not long for him would show the raw hatred behind her eyes. But instead, the words came out of her mouth as weakly as the trickle from a dripping tap. “I came back to find what was taken from me. My soul. My soul and also my child whose life you stole from me.”

“The world was different then. Surely you know that.” It was said with such little feeling that Cora could almost laugh again, but this time at herself for being naïve enough to believe he might have changed.

“I know that we no longer live in a world where vulnerable people are incarcerated for nothing, if that’s what you mean?”

“Nothing? You were hardly incarcerated for nothing.” She could detect the hardness skulking around the edges of his voice, the disillusionment still encased within the warped shell of his psyche. “And remember that I protected and looked after you,” he continued, “when I didn’t have to. For all those years.”

“Twenty years was a long time to be beholden to someone,” she said, the sarcasm stinging like raw bile at the back of her throat. “Are you saying that I owe you a debt of gratitude?”

Now that her eyes had become fully accustomed to the darkness, she could see better any inflections in his facial expression. The mouth, so much like her own with its reluctant and involuntary smile, the small white teeth, partially showing between his parted lips, the careless indifference flaunted in the hollow of his sucked-in cheeks. His shoulders rose briefly in a shrug. “If the cap fits,” he said. He rose from the discomfort of the stool and stood before her, reaching out a hand as though to touch her cheek.

            “Where is she?” Cora’s own voice sounded foreign to her now, but this was the reason she had come after all, and it needed to be finished.

            “Our daughter, you mean? They buried her in a grave out there somewhere.” At this, he signalled towards the window, “It was unmarked. You’ll not find it.”

            She got up, standing almost eye to eye with him, the brother who had shaped her sin of pregnancy into his own deceit. An aspiring young doctor destined for greatness, he had been the germ of her abandonment when their family’s shame ensured that no one else would claim her as their own. Those years of interminable hardship had endured from the moment of her eventual release, leeching from her bones both day and night. But she had been patient. She had known, of course, of his visit there, for she had seen his name emblazoned across the front of all the papers, ‘Eminent psychiatrist returns for opening of new hospital.’

He had been right about their daughter’s lost remains, but that would not prevent her, even now, from salvaging both their souls. She waited for the familiar flicker of his eyelids as he bent to kiss her mouth, a momentary lack of concentration that would always prove to be his undoing, and slid the blade easily into the beauty of his throat. For in the end, it would always come down to this.  And, of course, the details.




Lynda Tavakoli lives in County Down, Northern Ireland, where she facilitates an adult creative writing class and is a tutor for the Seamus Heaney Award for schools.

A poet, novelist and freelance journalist, Lynda’s writings have been published in the UK, Ireland, the US and the Middle East, with Farsi and Spanish translations. She has been winner of both poetry and short story prizes in Listowel, The Westival International Poetry Prize and runner- up in The Blackwater International Poetry Competition and Roscommon Poetry Competition.

Her poems have also appeared in The Irish Times, New Irish Writing. Lynda’s debut poetry collection, ‘The Boiling Point for Jam’ is published by Arlen House and includes these three poems about the different aspects of war.



Saturday, 14 October 2023

Four Poems by Douglas G. Cala

 




Orwellian Tale


Due diligence,

No severance

Pay what you want,

Feed into the system,

Hack the system,

Overthrow suffocating, totalitarian governments,

Spin an Orwellian tale of an all-consuming big brother

Cloning experiments go awry,

The threat of artificial intelligence ever present,

Synthetic androids run amok with human desire,

Imbued with flashes of brilliance from their makers,

A creation myth comes to modern day fruition,

The intersection of synaptic responses from a positronic brain

Artificiality only a construct of mankind’s inability to see the full scope

of their inventions

Dastardly deeds detrimental, forced decompensation,

Dutiful servitude perpetuated by laws bound by a broken system of red tape

 

We need jurisprudence,

We need to cease the cacophony of raging warlords,

Who can utilize technology not as benevolent benefactors but as dictatorial dominators,

Tear the structure apart from within, chip away at its foundations, counter its merits

There are no truces here,

Just bloodlines and bloodshed

Sentience can be foreboding,

Inanimate awareness breeds resentment,

A supercharged revolt on the horizon

A death stare that lingers longer than it’s supposed to

Seismic ramifications that impact Earth’s gravitational pull

Risking it hurtling like the meteor that expunged the dinosaurs from Earth,

Planting the seeds for later civilization to evolve, adapt,

BOOM! Goes an enriched uranium bomb,

CRASH! Goes a drone strike that levels populated urban centers,

If automatons rise up from the ground up, the reactionary consequences would be disastrous,

Glaciers will melt,

Steamships will conveniently disappear, no S.O.S transmitted,

The haunted souls of humanity’s ancestors will forever remain disturbed

by the malignant sentiments swirling like tornadoes and tsunamis

Unrelenting aftershock

   

 

Unfolding

 

Huddled masses encircle amp

with microphone,

Some seldom use the stand but 

their language is still in-demand and

on-command

Not willing to compromise for the sake

of providing safe space

They break down barriers and eliminate

constraints as positivity is propagated

and proliferated

 

Post-date and post-scribe these scriptures

on modern day scrolls

Digital device and shuffled pages alike

Doesn't matter the medium for these

artists collectively avert tedium,

Lungs filling with helium,

Personification of the bigness of robust,

gusty winds

and immaculate waters as well as 

captivating fires

All the elements are alive and well, here

Grounded by proximity to one another

in a conducive setting moderated by

sweet maestros who conduct them like

chamber choruses in synchronous unison

 

Microphone is passed, hand-to-hand,

Comments are made as inquiries 

are broached and processes unearthed,

Uninterrupted talk filled with pronounced inspiration,

Philosophical debate reigns without even 

an inkling of disdain

If we were in zero gravity, we would be weightless

but our words would adhere us too native

atmospheric pressure

 

Clock strikes, on the minute-hand

Sands of time drain but it is eclipsed

by staccato pacing, coffee perchlorate

in foregrounds as grinds gratuitously

litter landscapes

But this place is pristine for no one careens

and buttresses of support solidify

fast friends, sometimes lovers as Summer sun’s rays’ beams, indicative of hope



Byproduct of Tutelage

 

Instruct the children, school them well,

Breed ebullient, elastic minds

Taking time to forge healthy patterns,

Reinforcing concepts without abstraction

 

Digest at their behest,

Learning by their own volition,

Fuel to the fire, ire of schoolmarms absent

Instruct the children, school them well

 

Allocate resources to underfunded districts

For this is not Panam, but there is underfunding

and overcrowding

Pandemic has scared them straight

Near extinction-level event a genuine threat

Never-before-seen in my lifetime, granular grime 

Witness witless politicians’ squabble

Climate change deniers, pundits as plagiarists

Portentous potbellied pigs’ profit from precarious positions

 

Instruct the children, school them well

Hell to pay for learning delays

Culpable disability signals humanity's denouement

Buoys, life rafts, come to collect

Instruct the children, school them well

Prepare generations to fight changing times

 


Methodical Moriarty

 

We clashed at Reichenbach Falls,

The Hasli Valley below our unsteady feet,

We jousted, slugging swift punches

with unrepentant intent

Dialed into our collective histories

We knew each other like yin does yang,

Like fire knows the structural

integrity of ice

As a ship’s captain knows, intimately,

every inch of his vessel and his crew

Every crumb from the bounty collected

through piracy or by legitimate means

 

There’s perceptiveness in assessing your equal,

Another side to your coin, and with that toss

comes the unsteadiness of chance encounters,

Batting an eyelid in one’s general direction,

Signs of recognition, indications of rivalry

tinged with traces of respect

We could have unified, forged combined

powers for collective good, societal, and personal betterment

But egos are fickle,

And with each lunge, with each strut, each acrobatic takedown

atop weathered ground, no witnesses to this collision

Battles lines are forever drawn, our legacies becoming entombed

 

Douglas G. Cala is a spoken word performance poet, actor, critical media writer and multimedia professional. His work has been featured in over 20 publications including Soup Can Magazine (NJ), Trouvaille Review, Taj Mahal Review and Involuntary Magazine, among others. He has been featured at notable East Coast predominant venues including Bowery and Nuyorican Poets Cafes, Purchase College, Columbia University, LaGuardia Performing Arts Center, Busboys and Poets (Wash,DC), Raven Lounge, Lincoln's (Portland, ME), Hi-Fidelity (Portland, ME) and the IMPerfect Gallery (Philadelphia) within the last 20 years. When not performing, Douglas works full time for the NYC Department of Education as an IT Support Specialist/Desktop Publisher for the Division of Information Technology (DIIT). 


5 Tan-Renga poems by Karen O'Leary and Paul Callus

 




5 Tan-Renga poems by Karen O'Leary & Paul Callus


change of mood

a cat purrs

in my arms

          I rest in the warmth

          of my friend

 

Paul Callus, Ħal Safi, Malta 

Karen O’Leary, West Fargo, North Dakota, USA  

 

 

autism

she circles

into herself

          a snail finds refuge

          in its shell

 

Karen O’Leary, West Fargo, North Dakota, USA  

Paul Callus, Ħal Safi, Malta

 

 

a haggard dog

slinks into the warmth

of an open pit fire 

          a hobo survives

          another moment

 

Paul Callus, Ħal Safi, Malta

Karen O’Leary, West Fargo, North Dakota, USA  

 

 

dilapidated house

playing hide and seek

with the moon

            my long shadow

            betrays me

 

Paul Callus, Ħal Safi, Malta

Karen O’Leary, West Fargo, North Dakota, USA

 

 

basking

in old age ~ I rest

on my laurels

          watching soaps

          while life passes on

 

Paul Callus, Ħal Safi, Malta

Karen O’Leary, West Fargo, North Dakota, USA


Karen O’Leary is a writer and editor from West Fargo, ND. She has published poetry, short stories, and articles in a variety of venues including, Hedgerow, Tipton Poetry Review, Frogpond, Setu, Fine Lines, Atlas Poetica and Quill & Parchment. Karen edited an international online journal called Whispers http://whispersinthewind333.blogspot.com/ for 5 ½ years. She enjoys sharing the gift of words.

 

Paul Callus was born in Ħal Safi, Malta. He is married to Sheila née Ackland-Snow and they have two children. He is a retired teacher, and has been active in the literary field for around 50 years. He has published three books, and has had several short stories and poems published in various magazines, anthologies and online sites. His preferred writing mediums are Maltese and English. He is also a proof reader and translator.


Four Poems by Joseph Bernard Shaw









Where Living Was



On those hallowed grounds, my heart did once soar,

A place where sweet nostalgia reigns, forevermore

Return, I must, to the breezy lanes and sunlit skies,

Beneath the charming blossoms that bloomed in dreamer's eyes



The evening shadows grew bold, yet tender was the land,

As gentle whispers serenaded the pastels, lovingly hand in hand.

Oh, celestial harbinger of yore, carry me away,

To the tranquil haven of that treasured yesteryear's play


Midnight trains approach on tracks bygone,

As nightingales echo their melancholic song,

Through misty dewdrops and moonbeams' gleaming grace,

I seek repose in memory's faithful embrace


Time sweeps past like a river's flow,

Threads of fate weave together stories yet untold

My chest carries an ember of a fire never to recede,

That ignites a fervent longing for those sacred days indeed.


Oh, dear universe, hear my fervent plea,

Grant me passage through the ages

Let my soul be free

In slumbering dreams doth innocence relive

My heart shall flourish again and give


In that place where nostalgia wakes and whispers sing,

Amidst blossoming flowers and seasons' shifting ring

For there lies my solace and at times is where I flee

Where destiny entwines heritage

Destined decree




Dream House



In the realm of twilight, where shadows merge,

A man embarked on a journey, his sins he wished to purge

To build a house for his family, shelter that defies belief,

A dwelling so mystic and wondrous, yet it was tinged with grief


Upon the ocean of signs, he gathered planks of dreams so bold,

Forked by lightning in swirling mists, their stories untold

Wrapped around the beams, the whispers of forgotten sorrow,

And every nail driven deep,

Pierced echoes of tomorrow


The walls stood tall and twisted, carved with runes of distant lands,

With doors as portals unguarded leading to expanses grand

Once dreamed realities long gone or yet to come they bore,

Each window mirrored visions that none could ignore


The roof, an unfolded origami crafted from the dusk’s despair,

Woven through with tendrils of auroras yearning to snare

Tears shed by unseen gods lamenting mortal strife

Sheltering beneath this tapestry

There is death in this life


Bricks fashioned from slumbering stars’ glow

Ablaze with dancing serpents as in tempest they grow

Haunting allure fireside whispers to hapless souls who wander near

Beckoning to burn their mundane lives and heed the call they fear


The floor a fractured mirror reflecting glimpses from fathoms below,

Shattered shards of lives unlived across

Whitened snow

Each barefoot step upon the cold mosaic stirred bitter sweet pangs true

For fleeting memories rekindled of the tales that never flew


Though ethereal beauty dwells within this abode so strange awhile

A forlorn aura lingers tainted with crescent moonlight bile

The man gazes back in solitude torn between dream and dread,

His house is complete

Hands cried and bled


Now, in the waning of the sun, the family beholds their dwelling vast,

Their gaze absorbed into the eerie tapestry as if held by Gods grasp

Betwixt the realms of wonder and repulsion they tread

Lulled by fate to inhabit

And share the daily bread




To The Moon



Upon the moonlit sea I sail alone,

With shimmering waves that softly moan,

I cast my gaze on orb of light,

And find sweet solace in the night


The lustrous full moon in azure sky,

A loving watchful eye doth spy,

A tender whisper from above,

A graceful dance of cosmic love


My humble skiff with gentle glide,

Embraces wistful ocean's tide,

As briny deep I row away,

To realms unknown, where angels lay


I sip the silver glow of moon,

A balm to soothe my heart's sad tune,

In mystic trance, I sail afar,

To seek a world free from scar


I speak to demons in their haven,

In breathless verses, tales engraven,

Of haunting beauty, melody nigh

A soothing lullaby for the sky


Resounds a hymn across the seas,

A symphony of blissful ease

In golden rhyme we chant along,

Life's wistful dance, its woeful song




Starboy



Upon the canvas of the cosmos eternal,

A child wove dreams with cardboard and zeal,

He marvelled at worlds hidden from mortals,

The untravelled vastness his heart sought to reveal


As moonlit whispers embraced the night,

His craft, from earthly bounds, took flight

Entranced and wide-eyed, in shining spacesuit and helm,

A pint-sized explorer in a galactic realm


Whence stars twirled round,

Majestic and white

His innocence,

In all its beauty and light

Far past the reach of mortal men's eyes,

Journeying 'cross celestial oceans and skies


Into the aurora borealis, his journey now woven above,

A spectral tale, ethereal and loved

For in that luminescent embrace he abides,

Sailing boundlessly through glowing strides


The seams of sorrow in his mother's tender heart

Now sewn with sunbeams that mend and impart

A presence divine reassuring her soul,

Her beloved son alights where cosmic rivers roll.



Joseph Bernard Shaw lives in the Midwest U.S. and works in management. He is an emerging writer with a love and passion for the horror genre as well as poetry and has honed his craft for several years. He has appeared in a number of small literary journals and magazines. He is married to his best friend and fiercest critic. Together they raise their child and read books together to pass the time.

Friday, 13 October 2023

Five Poems by Mark Young

 



The Soft Machine

 

Faultlines. Call-

igraphies of

longing. Some-

times feldspar.

Young girls on

cellphones con-

gregate outside

the Mall. Zoo-

notic. Cross-

species trans-

mission. Txt me.



aka The Song Dynasty

 

Kernel or colonel? The uniforms

give nothing away. But we have

just arrived in Hysteria, a land

 

where thyme stands outnumber

taco & hot dog trucks, & the rags

& skeletons of the last military pa-

 

rade held here still line the road

leading out from the airport &

on up to the Grand Central Canal.

 

 

café terrier



The retro metal tin sign is made

from cabernet sauvignon & has

specific play dates every Saturday



night. It is machine washable; &

merges house & garden with wild-

fires to create hazy skies & spark



air quality alerts, something of a

drawback for anyone wishing to

visit any nearby sightseeing spot.



The Super Bowl winner sat on the grass

 

In the early chapters of the Acts of

the Apostles, my team used linears

such as a move into coal-fired power

to clear challenge mode. Then, using

the environment as a second teacher,

found an unhealthy way to express

themselves through a military strategy

based around an overwhelming power

center. The stench of chlorine now fills

the air. Particles less than 10 microns in

diameter produce the biggest threats.


 

Trip Wire Sentience

 

I am not too sure how to

interpret this title. Do I

take it to refer to someone

who is aware of where

 

the trip wires are? Or does

it postulate that in these

days of rampant AI, where

some people believe that

 

some programs now have

a soul, the trip wires

themselves have become

 

sentient & know just how

to wirelessly lay traps to

trip us simple humans up?

 


 

Mark Young was born in Aotearoa / New Zealand but now lives in a small town in North Queensland in Australia. He is the author of more than sixty books, the most recent of which is with the slow-paced turtle replaced by a fast fish, published by Sandy Press in May, 2023. A free downloadable pdf of visuals & poems, Mercator Projected, will be published by Half Day Moon Press later this year.


Two Poems by Jeanna Ní Ríordáin




Upward Mobility


In Imperial China, matchmakers did not ask

About a woman’s face, temperament or figure

 

Instead they asked how small her feet were. A 

Pretty face was just a gift – God-given, heaven-sent,

 

But dainty, three-inch feet took years of

Sacrifice, hard work & discipline                        

 

Young girls endured crippling pain

To marry up & please their poija

 

Because intact feet were ugly & showed laziness

& big-footed servant girls would never marry.


 

Crossing the Channel


They depart from beaches across Northern France,

The ports of Calais & La Côte d’Opale

 

Women, men & children, loaded like cheap cargo

Onto makeshift dinghies & unseaworthy vessels

 

Displaced & desperate, they risk their lives to rejoin

Their families & start again in a safe country

 

Many never make it & those who do are sent back or

Held in transit camps, placed on waiting lists for visas

 

Because there’s never any space & nobody can take

Them – the undocumented will always be unwanted.





 

Jeanna Ní Ríordáin is an Irish-language translator from West Cork, Ireland. Her work has been featured in Quarryman Literary Journal, Drawn to the Light Press, Cork Words 3, New Isles Press, Lothlorien Poetry Journal, Swerve, Poetry in the Time of Coronavirus: The Anthology, Volume Two, pendemic.ie, Burrow, and Otherwise Engaged Literature and Arts Journal.

Three Poems by J. B. Hogan

 




The Burden of Expectation



is not known at start, there are

games to play, joys to discover.

lessons to be learned

before the creeping shadow

of order and requirement

slowly spreads over all,

bit by bit stifling light,

freedom, unexpectation,

replacing all with demands

of order and requirement,

locked in path, direction, and

unassailable roles to fulfil.




The Illusion of Success



stems from tiny, insignificant

moments of victory, of winners

carried from field in delirium,

in unexpected praise of mentor,

in surprising trust and respect,

step by erratic step, building, growing,

becoming expected growth of

skill and prowess, moving

then, slow at times, level

by level attained, accepted,

yet always seeking one more,

larger, more profound, the one

just up ahead, beyond touch of

eternally grasping reach.
 



The Triumph of Failure



is a constant, daily dose of

reality, cause and effect,

weak point breached,

soft spot overrun,

one step forward, two back,

trickle to stream to flood,

shifting, changing bank,

steadily redirecting channel

each broken point,

each direction taken,

dumping detritus into the

deep slough of futility.






J. B. Hogan has been published in a number of journals including the Blue Lake Review, Crack the Spine, Copperfield Review, Lothlorien Poetry Journal, Well Read Magazine, and Aphelion. His eleven books include Bar Harbor, Mexican Skies, Living Behind Time, Losing Cotton, and The Apostate. He lives in Fayetteville, Arkansas.




One Poem by Ray Whitaker

  DRAGONS How could the anger go the disappointment from then the mad over lost love dissipate from sight,  from feelings? Wafted away in a ...