Sunday, 9 November 2025

Three Haibun Poems by Lavana Kray

 






Three Haibun


Snowflake


One fine day, when you will see a single snowflake, it will not be a sign of winter coming, but of me being close to you.

                             Alzheimer’s 

                             the purest snow is nothing

                             but masked mud

 




Twisted destiny



The more people she surrounded herself with, the more enticing solitude became, and so she left. After years, I’m going to look for her. My path clings to the river and turns inland, to wear away into a sea of sand with burdock flowers, and scarlet dragonflies on its crests. Atop an old lighthouse, two storks chop up the sky. While looking for a house, I come across a simple shelter. In a mollusk shell, a trace of ash. Destiny darkened by the glowing sands.

inner cold –

to make a fire or a ladder

of the dry tree

 

 

                              


Paraphernalia


This nun village has spread around the monastery as myrrh on a forehead. Some scent of incense shrouds me, as a door opens and an old green-eyed woman beckons me into her room filled up with icons and jam jars. By the window, a coffin which she bought in her 20s, according to custom, when she joined this community. As I wonder silently, she smiles, lifts the coffin lid and takes out a bottle of water and a few walnuts for me: Never know how long you have to go.

enforced night –

by the hollow window

a rope ladder









Lavana Kray lives in Romania. Her work has appeared in many print and online publications, as well as in haiga exhibitions organized by the World Haiku Association in Japan and Italy. In 2015 this Association awarded her the title of Master Haiga Artist. Her photo-haiku have been featured in NHK Haiku Masters on Japanese TV . The Laval Literary Society from Canada  awarded her the André-Jacob-Entrevous Prize 2023, for a literary text (haiku) combined with an artistic visual. She currently serves as editor of Haiga at Cattails Journal (UHTS). See more of her work at https://photohaikuforyou.blogspot.com.





Three Poems by Phil Wood

 






The Lorelei

Hear our creaking, leaking voices
Seeping, the darkness brimming

Sails shredded, rigging racked
Back into the cave, the waves, the waves

Thirsting, peeling her prow
Salting her mast, whisper whisper

Hear our names ghosting, fearing
Back into the cave, the waves

She drifts alone, no captain, no crew
No harbour of dreams, no light of day

Hear our voices whisper her name
The thirst of caves, the waves, the waves

She wrecks alone, no stars, no charts
Back into the cave, the waves

Back into the cave, the waves, the waves
Back into the cave, the waves


Crwydro


Here's a nod to heritage, those harpists
who soothed the blade edge of a Prince.
Music to shelter from the Welsh rain
rushing rivers, brimming mountain lakes,
thundering waterfalls. A cave to breathe,
hear the trickle, tears from stone to stone.
The harp will pool the blue of solitude.


 

What The Fragment of Runes Said

So many men in mail, their spears and helms 
kindled a dawn of light;
their braided hair, glinted with threaded gold,
as black as starless night.

And her, their Queen so tall,  a cluster of stars
silvered her hair, no song of flight;
she sang and caressed the harp, plucked from hearts
all doubt, their death the warrior's right!

So many men gave voice, all thundered shields
and sang as one to fight;
and her, their Queen so proud, a blaze of tears 
humbled. She knelt in sight.




Phil Wood was born in Wales. He has worked in statistics, education, shipping, and a biscuit factory. He enjoys painting and learning German. His writing can be found in various places, most recently in :  Byways (Arachne Press Anthology), The Fig Tree, The Shot Glass Journal, London Grip, The Lake, Kelp.

Smith and Jones & My Emotional Support Sphynx - Two Flash Fiction Pieces by Marie C Lecrivain

 






Smith and Jones


Flash Fiction
by Marie C Lecrivain 


As the two families exited their homes on the homogenous suburban block to witness the same event that annihilated the dinosaurs, Mrs. Jones looked across the street at Mr. Smith, his arm dutifully placed over his tiny wife’s shoulder, who, in turn, held their twin boys in an iron grip. Mrs. J remembered, two years ago, the day the Smiths moved in, and how Mr. S’s gaze lingered a bit too long on her tidy bosom and wide hips she was secretly ashamed of, as they weren’t symmetrical. In the weeks that followed, the families' lives intertwined. The hubbies took turns grilling burgers on opposite weekends, the wives discussed safe topics like genocide and jello recipes, and kids played street hockey, oblivious to it all. One night, while Mrs. J waited on her porch for Scraps, the family cat, to show up before she went to bed, she spotted Mr. S in his driveway. He stared at her, unabashed. She blushed, and acknowledged a feeling she’d kept, until now, compartmentalized. She removed her robe so her thin nightgown was visible. The cool breeze made her areolas stand at attention. He stepped off his porch, and she wasn’t aware he’d crossed the path from faithfulness to infidelity until she felt his lips on hers. She led him to the basement, which, thankfully, wasn’t locked, where they did the deed, quick, dirty, and full of urgency. The entanglement went on for 18 months, through the collapse of the global economy, mass suicides, and exodus of most of their neighbors, who departed in the middle of the night, cars packed, never to return. Mr. S often wondered if Mrs. J felt shame over their affair, but decided it didn’t matter, as they were all assigned the same expiration date. So, with one mind, they physically and mentally disengaged themselves from their family units, met in the middle of the street, and fell into each other’s arms. It was the first and last moment of honesty they ever expressed, and they weren’t sorry, even as the sky darkened, and they became atoms scattered to the wind.



My Emotional Support Sphynx



Flash Fiction

by Marie C Lecrivain


    I found her at an occult store. With her flat gold finish, and stoic expression, she’s a vision of classic judgemental silence; a perfect sphinx. On the way home, as I reach into my bag to caress her smooth tail, and carefully dressed hair, the name “Gladys Calpurnia,” flashes in my mind. 

     “So, that’s your name?” I whisper.

Gladys gave no reply.

     There’s something soothing, and disconcerting, my relationship with Gladys. I carefully carry her from room to room, through breakfast, to my desk, where she listens to me prattle on the phone to clients, watches me type up their details, eat lunch, then dinner, and we finish off each day by binge watching my favorite tv shows. Made from resin, she’s a tough little sculpture, but I’m always careful to set her down on a stable surface, so she won’t take a tumble.

     Inevitably, we’ve grown tired of one another. She never answers my questions, or gives me an indication of what she’s thinking. 

     Well, the girlmance is over. I found Gladys in my desk drawer today, underneath some client files. When did I do that? I pick her up and study her. She, as usual, says nothing. 

    Since I like to make sure all things come to an amicable end, I made a special place for Gladys on a bookshelf next to a row of poetry books and a Cthulhu statue. She won’t be lonely, but will still be seen, as part of the jumbled landscape of my weird life.









Marie C Lecrivain is a poet, co-publisher of Sybaritic Press, and an ordained priestess in the Ecclesia Gnostica Catholica, the ecclesiastical arm of Ordo Templi Orientis. Her work has appeared in California Quarterly, Gargoyle, Lothlorien Poetry Journal, Nonbinary Review, Orbis, Pirene's Fountain, and other journals. She's authored several books of poetry and fiction, including Gondal Heights: A Bronte Tribute Anthology (copyright 2019 Sybaritic Press, www.sybpress.com), and Ashes to Stardust: A David Bowie Tribute Anthology (c 2023 Sybaritic Press).

 



Saturday, 8 November 2025

Five Poems by Ken Gosse

 






Soles of Giants 

 

When I take to the ground on my own stumbling feet 

and look up at the soles of the giants, 

I’m amazed I can gather their thoughts to entreat 

and arrange my own in some compliance. 

 

 

 

Neologistics 

 

I wrote a word that no one’s heard 

and though it seemed a bit absurd, 

I thought it served my purpose well, 

to pave my highway to that hell 

where rhyming poets meet their doom 

(a crowded place of joyous gloom). 

 

Modern poets may debase 

this feature, once so commonplace, 

developed by the greatest bards 

but over time, smashed into shards 

by pens of many later greats, 

avants, though each appreciates 

that time moves on at every dawn 

and though the past’s not dead or gone, 

it’s time for it to rest in peace, 

let formlessness fulfill caprice, 

expressive in its newer ways, 

a better fit for newer days. 

 

At first the word was capradocious, 

(for atrocious, not precocious) 

then it changed to capridacious 

(for audacious, not capacious). 

I avoided crapadocious 

and its sibling, crapidacious, 

knowing well the road I pave 

could send my writing to its grave, 

and so I won’t write either one 

though pondering them is lots of fun. 

 

 

 

My Unfinished Synchrony 

 

When I’m ghosted by my muses, I feel like 

I’m a diminishing, sad drutherless child; 

Paul Clifford’s bright, sunshiny day; 

the Cheshire Cat without a smile; 

Pythagoras with no right angles; 

Carroll without his menageries; 

Frost lost in unknown woods; 

Archimedes without a bath; 

Twain without vernacular; 

Moby—just plain Moby; 

Revere without lamps; 

Newton sans apples; 

Bartleby in ecstasy; 

din but no Gunga; 

potentialess Poe; 

anon imposter; 

what’s worse, 

unspeakably 

Nashless, 

burned 

out. 

0. 

 

 

 

Beneath The Radar (a surreptitious sonnet) 

 

I always feared death waited up for me 

when I would take my pen in hand and muse. 

No guise could well disguise an employee 

whom management was anxious to abuse. 

 

Clandestinely applying ink to page 

since typing on a keyboard could be tracked, 

I counted on each muse to be my mage 

and offer me the epithets I lacked. 

 

I thought of ways to praise my churlish boss 

and honor those above (to keep my job), 

but honesty, alas, would prove my loss; 

a lack, perhaps, of heartbeat’s loving throb. 

 

It seems they’ll never know what glories cost 

because my meager pay would have been lost. 

 

 

 

Forked Tongue In Cheek 

 

After one day of rest 

it was time for the test— 

with a quick morning shake 

God would set free the snake 

which slid off toward the girl 

with the cute little curl. 

 

Although very good, 

somehow she understood 

how to tease him with ease 

so her curl would please 

the cute guy standing by 

whom she hooked in the eye 

 

while he scratched at his chest 

where a scar would attest 

to the birth of another 

who wasn’t his brother, 

but some sort of peeve 

that a voice had called Eve. 

 

She got his attention! 

There’s no need to mention 

the rest of the story, 

a ripe allegory 

where Eve shared her fruits 

and they shared birthday suits.









Ken Gosse usually writes short, rhymed verse using whimsy and humor in traditional meters. First published in First Literary Review–East in November 2016, he has also been published by Pure Slush, Home Planet News Online, Lothlorien Poetry Journal, and others. Raised in the Chicago, Illinois, suburbs, now retired, he and his wife have lived in Mesa, AZ, for over twenty years, usually with rescue dogs and cats underfoot. 

 

 

Three Haibun Poems by Lavana Kray

  Three Haibun Snowflake One fine day, when you will see a single snowflake, it will not be a sign of winter coming, but of me being close t...