WITCH
HUNT
I’m gathering herbs
for an ailing visitor waiting
in my tree-sheltered home
while a posse of town authorities
is preparing an ambush.
There is a list.
Can’t escape the past
the future is tornadoing in.
It’s an old script, time-tested
and I’m well-rehearsed,
since childhood, circled over
by a military plane aiming
for the lone family running
on the road outside a burning town,
my baby sister in my mother’s arms.
The theatre is public,
every thought requires approval,
someone has to be blamed,
new troubles require new sacrifices.
Everyone knows how it ends.
Those on the list are warned
by name calling, a method
used for thousands of years
to appease the gods.
Once it becomes a chorus,
the nicest people join in
to call for death of the named
be it brother or sister.
The hunt can stop and resume
any time.
Yes the future is twisting
toward me.
Daily I hear about new punishments,
all escape routes are closed,
permission required to cross the street,
ancestral crops razed in favour
of fake food,
medicine distributed to cut time.
My kindly neighbour listens
to the authority’s orders every day.
Repetition is a powerful drug.
She suspects I’m not a believer
and so a risk. When we last talked
she was inside her house
front door open
and I stood just outside
at a safe distance,
in the rain.
We used to visit each other frequently.
On the outside, I look like
everyone else.
It’s when I open my mouth
that I’m exposed as someone
not in line.
I know what’s coming,
history is my mentor,
my ancestors live in me.
Can’t escape the past,
the future is flaming my way
but the present is still mine.
I have planted a lilac bush
outside my window
and am preparing a meal as I sing
a song I learned long ago,
then will go for a walk by the river
with the blue-eyed Siberian Husky
who adopted me.
Lilija Valis has lived on three continents, in some major cities, including Washington, DC, and San Francisco when there was music in the streets and strangers hugged each other, published in book, literary and e-zine magazines, as well as nine international anthologies, and performed in public libraries, parks, old theatres, pubs, among other places.
Asked to step side by COVID until it finishes its performance.
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