A Question of Belonging
Where are you from? they
ask,
and I can’t tell. The more
urgent
their enquiry, the less
I understand the question.
My mind contemplates
geographies and deeper
places
excavated by fear, love,
desires,
and the grand fugue.
I pulled in my roots a
lifetime ago
and now hang suspended in
mid-air,
needing nothing more than
an affable welcome.
Bodies
1)
Big, thin, fat, short, tall,
frail, strong,
incomplete—vulnerable to
destruction
from the inside out,
from the outside in.
Vehicle of consciousness,
loved and hated
receiving the rejection of
thoughtless comparison,
or the velvet glove of
exaggerated self-love.
Bodies, the packaging that
sometimes
splits right open.
2)
My body. I once lost it.
Melted right into
the warm and conscious stone
on a Finnish island
in the summer of 1957. I
remember lichen,
stone caresses, and the
lightness of being.
Driving back from Prague
I
Monsters used to live in me,
behind pillars, planning
ambushes in every dark corner.
II
We drive through Eastern Europe's
endless woods, where fables breed,
and Hänsel and Gretel wander still.
Wolves. Bears. The car devours
black asphalt. In the headlights
grey motes, the windscreen
fills with small cadavers.
No yellow lines.
No street lights.
No-one.
The blackness blackens.
The trees close in.
Orange lights.
Military men.
The border post.
III
I remember another border,
another night, when safety catches clicked
in quick succession.
IV
The bleak monster is a little man
in a greatcoat, collar up.
He wields
a red stamp.
Next…
Dystopia
Wailers and howlers
wolves and hyenas.
A place of rest for the screech owl.
Spectre.
Lilith flies by night.
Shaggy beasts take up their abode
in the powerful realm.
And the satyr shall cry to its fellow,
half goat and half man,
and Rome shall fall.
Her nobles shall be no more,
nor shall kings be proclaimed there,
all her princes are gone. Her castles
shall be overgrown with thorns,
her fortresses with thistles and briers.
Letter to my best friend
Paris, 1958
My first week in Paris. Damn it,
my French stayed behind somewhere
between college and Walburg, Hesselberger
& Frankenveldt. At least
I remembered how to call the porter
when I got off the Express from Düsseldorf
at seven in the morning.
Wonder whether Mum’s got over the shock
that I'd prefer this cauldron of sin
over a secure typing job
at the local lawyers. She’s like a chicken
that’s hatched a duck’s egg:
hysterically running up and down
the lake shore watching the chick swim.
In the Gare St. Lazare, where I have to take
the train to the Banlieue (the suburbs
for you and me) this pretty Arab boy
was trying to chat me up.
Here I am, Elfriede from Werter Street,
crossing Pont Neuf, looking up at Notre
Dame,
walking around Place de la Concorde,
sitting in Les Deux Magots.
If they could see me now.
Went to the movies. One of the double
bill was ‘Cat on the Hot Tin Roof’ in English.
French subtitles. Since I didn’t understand
a word I made up the dialogue.
Elizabeth Taylor was gorgeous, as always.
Paul Newman angry most of the time
or sulking. He probably said to her:
‘You piss me off no end’. And she:
‘Get rid of that stick and I show you.’
Somebody tried to sell
La Tour Eiffel. I have nobody
to talk to, mon Dieu.
But I’m breathing the same air –
give or take a few car exhausts –
as Talleyrand, Cardinal Richelieux
and Les Trois Mousquetaires.
On the Champs Elisées
I passed some handsome flics
who whistled when I went by.
Mother wrote. She’s coming Monday
to take me home.
Rose Mary Boehm is
a German-born British national living and writing in Lima, Peru. Her poetry has
been published widely in mostly US poetry reviews (online and print). She was
twice nominated for a Pushcart. Her fifth poetry collection, DO OCEANS HAVE
UNDERWATER BORDERS, will be published by Kelsay Books in July 2022. https://www.rose-mary-boehm-poet.com/
Just lovely, Rose. Truly lovely.
ReplyDeleteLove your pages. Backgrounds, you, your "Five Poems by Rose Mary Boehm"... recall my arrival in Paris, talking not a word of French. And the most famous question "Where are you from".
ReplyDelete