Poem for a Man Who Always Asks for the Time,
but Refuses to Wear a Watch
Such a yearning to get off this planet,
no wonder there are so many travel agents –
and I am a yeti around town these days,
no match for the triple glide razor,
all those summer patio sociabilities
that can add up like an ocean of rusty
shipping containers in transit,
full of perishables like ourselves,
so that I run my fingers down a deserted chalkboard,
write this poem for a man who always asks for the time,
but refuses to wear a watch, like upsetting the succession plan
with a handful of coloured breath mints,
going after those numbers with all the sloppy
gumption of an untimely suitor,
& into the viper’s den we go:
this crink in my neck, sheer avalanche!
Turning the music up to meet the dance.
I am a harmonium of high rents
and low standards.
Dropping like Flies, Plates, New Records in the Rap World
The good stuff used to be $5 a tab, and we’d enlist the pubescent collective
to rent this no tell motel out by the highway, hiding in the bathroom
and behind the curtains when periodic noise complaint room checks came around,
the glitter lips sticking to the bottle and the rest of us dropping like flies,
plates, new records in the rap world – laid out on the flowery bedspread after 30 minutes,
watching tiny insects on the ceiling hatch their eggs down onto our faces,
fingering the many tactile fabrics that encased you in clammy form,
eyes that stop blinking, that monumental television scramble –
damaged adoption child on the phone to distant father,
slurring out that gumbo of sloppy confessions she had practiced
in front of the mirror for so long; a trunk full of banker’s boxes
out in the lot, so the legal team of Lewis, Cruikshank & Denial
can explain the evidence away.
Praying When No One Is Looking
Faith can be theological espionage
when you live alone, by choice –
close the door behind you,
praying when no one is looking,
but only for the big things;
you are no simple charity case,
you want the many unseen forces
to know that about you,
take such selective immolations
into account
and your knees seem lumpier by the day,
that Pythagorean thing you do with your hands
over the side of the bed,
no one needs to see the math
behind the numbers:
that ugly face you make when you cry
that hasn’t changed since you
left diapers.
Rebounds
All those rebounds
under the basketball net,
fighting for position
while the daresay gets brave
over library card late fees
that never come back to you.
The basement thrown out
of the bedroom
by the kitchen showing
knives.
She has kids with the last one.
Lost her virginity to a frozen hotdog
from dinosaur times.
Something with plated armour,
drinks in the evenings.
Beats someone else’s kids
when the bars get out
with this bent contortionist
of a coat hanger.
Enjoying screams
instead of safe
words.
That damaged freezer burn neglect.
She always goes back.
Pine Gap
Have you been to Pine Gap?
Seen our friends from another end?
Licked cosmic custard from the bottom
of the bowl?
I realize that is a quick succession of questions
not seen since kings replaced queens
on a throne made of rowdy thickets.
That you hold no more answers than
the many number to call billboards along the freeway
that seem to slowly devour the sky.
And tourist dollars are just outside contraband
smuggled into local prisons,
let’s get that out of the way like a communal
sidestep of perpetual evasion.
The last time you drank too much and got sick,
I held your hair with surgical scalpel exactness.
Over a toilet that hadn’t been cleaned
since Caesar crossed the Rubicon.
Call that love.
Call back the phone centre
that has everyone else on the line.
If we walk together in the rain,
no one will have to pretend to get wet.
In these prurient tight fangs
of razor wire rockabilly.
Ryan Quinn Flanagan is a Canadian-born author residing in Elliot Lake, Ontario, Canada with his wife and many bears that rifle through his garbage. His work can be found both in print and online in such places as: Evergreen Review, The New York Quarterly, Lothlorien Poetry Journal, Red Fez, and The Oklahoma Review.
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