Taking
Control
When I quit that job I thought
I'd quit
you too: but you moved
into my
head and set up
home
there, so every time
I try to
play it cool you start
screaming
and shouting,
just like
the good old days;
and I can
no more evict you now
than I
could back then,
when you
wiped your mouth
all over
my face. Your spit
was a mask
I hoped would harden
and
protect me from you:
but instead it jails us both
into a dance neither of us
know the steps to. Even you,
nimble as you were,
had to report
to the next bully
up the
line, work with the mask
he worked
into your face. I wonder
if all the
bosses who beat you
into shape
still live behind your mask,
the way
you live behind mine?
Still
yelling the shortening odds
of either of us making it out alive.
All
At Sea
The harder I tug against the tide
the harder
you pull on the tow-rope,
anchoring
me to a shore I claim
no allegiance to, though it lays just claim
to me. You don’t see how thin the rope is,
how we’ve
worn it down to nothing
by mooring
you to a land
without
dreaming, me to the ocean bed;
knowing
this little cut I cross
is a
narrow channel disguised
as the parted red sea, only waiting
for sinners to cross.
Soon the
rope will snap of its
own accord
and you will be left behind,
fuming and
raging and wearing
my face;
no eyes will turn the tide
turning
me. Neither of us will survive,
but only you quail at the prospect,
confusing ego with the soul afloat,
already lost to dreaming.
Is it too
late to throw down the rope,
swim
hard for open water?
Cancelling
‘Cancel that one,’ the big boss says;
‘book this
one instead.’
I look at the hand-written note
she hands me and check where
he is on the list. Two hundred
and thirty-fifth, should wait
a year or more. But won’t.
‘Who is he?’ I ask an audiologist
after the big boss has gone.
She glances at the note.
‘Next door
neighbour, probably.’
‘Can we do
that?’ I ask.
She shrugs. ‘What would you do
If you lived next door to a plumber
and your toilet wouldn’t flush?’
I printed the ‘sorry’ letter,
made the cancelled man
wait another month. Four weeks
with the tv on loud and neighbours
banging the walls. Four weeks
nodding to everything that’s said
when you’re standing at the bar.
Four weeks smiling at the doctor’s lips,
hoping he’s saying don’t worry,
your test results are fine.
Four years folded foursquare
in my back pocket,
hoping they’ll use it as excuse
to get rid of me
and I’ll pull out the note
and unroll it on the table.
And the big boss will say
she’s sacked dozens
in her time, but I’m
the first
one that smiled.
Get
Lucky
There never is,
and
never was,
such
a simple thing
as
the simple truth.
Sometimes
liars
get
lucky.
Or
the real man
rolls
out wide
and
you cross the street
in
time to miss the Ford.
Either
way
you
are not enchanted.
Maybe
next Tuesday
you’ll
be hit
by
a tile
ripped
from
the
space shuttle.
No-one
knows;
but
no-one cares
that
no-one knows.
The
body of death
is
simple. But you can
no
more know
what
it means to die
than
understand
what
it means to live.
You
may as well
try
to remember
what
goes on in your head
in
the nightly intervals
between
dreaming,
when
you brain de-frags
all
the useless crap
you’ve
hidden away
in
the drives
designated
‘truth’.
All
those little dreams
you
dreamt one day
you’d
wake to, flushed
out
and replaced
by
all the useful crap
you
wished you didn’t know
even
while you know it.
How
the job works;
how
little you love.
All
the stuff you promised
to
put right
but
were once relieved
to
know you never would.
Until
at last
you
are only content to look death
in
the eye
and
be glad
she
doesn’t look back.
Ian Mullins ships out from Liverpool, England.
Back Catalogue:
The music-themed poetry collection Laughter In The Shape Of A Guitar (UB) struck few chords in 2015.
The chapbook Almost Human (Original Plus), concerning his ongoing
battle with Asperger Syndrome, was released into the care of the community in
2017. The novel Number 1 Red, a tale of pro-wrestling and property
wars, was self-published the same year. The superhero-themed collection Masks and Shadows (Wordcatcher) took to the skies in 2019 and
refuses to come down to earth. Take A Deep Breath (Dempsey
& Windle) took its first gasp in November 2020. The haiku and photo
collection White Masques (Secret House) came out in 2022 and is
available for free download online.
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