INTOXICATION
Isabella lives in the ether fingers spidering
a keyboard. She’s an electronic woman
busy in pixels lolling in boxes versed
in universal couplings. Titus is real a voice
that cements red bricks into walls.
When he enters the building she vibrates
switches off and on. Sometimes she’s barely
bubbles in his arms a froth of love.
Some days her voice is so high only dogs can hear.
She’s afraid the air won’t hold everything together.
Choosing footwear for spring she’s arty romantic
for shoes that curl over her toes an elfin look
for people to ask where she’d come from check
for pointed ears peer into her eyes as if
her world floated iris nebula.
Her feet charm in naked leather smooth orgasmic
fit to send thrills up her legs entice them to walk
in tantalising rhythm causing hips to sway
suspend time distract drivers,
bring a day to a lurching halt.
A queen with personal assistants she breezes
through journeys like perfumed air is a mobile
art installation forward musing skipping gaily.
Ads flash for pineapple bamboo arrest bounce
make her calculate worth in physical presence.
Her presentation relevant history intention
as an ethereal being orders language assumes love
wears it like skin gloss peers in on people
examines their enduring selves and how
they direct choose which scenes important.
Satisfaction not Guaranteed
1
I am a sofa, with skin that hugs.
I lounge here, allow room
for inner growth, stretch nicely.
In this bag of skin, bulk or ballast
we wear each other. I’m waterproof,
hold babies, men in my arms.
There are tiny scars, thickenings.
Thinning on hands, forearms denotes
the beginning of the end but
tenure was always mine. I won’t be
re-upholstered; the meat within
may be a burnt offering,
the stuffing, a feast for science.
There can be no re-invention; no
mind-ablutions can regenerate old me.
2
If I said I wanted to be a torso
with a head would you think me
mad? No extremities to catch
or gather. I’d need constant people,
attention. I like peace and quiet, time
to muse, become lost in fiction
not snacking on ice-cream. So
leave me between meals to ponder,
nod the head at a wall of remotes.
I’d be a rebel without a cause,
a stuffed trunk topped with a brain
that didn’t live in the world –
if we all have the right to live as
long as we live, let’s admit everyone
already contracted by birth certificate.
SHAPESHIFTER
One minute he’s blowing his trumpet
the next dropping to his knees
enveloped in orange
black & white striped fur.
A young woman calls
Grab the tiger by its tail.
The next voice roars
Stay exactly where you are!
Tiger watches
is not immediately dangerous
but who would think a tiger wasn’t?
This entertaining man who’d harped on
about his versions of truth
is now a beast with issues.
He raises his head
shakes his whole body right out
to the waving tail and prowls off stage
gazing deeply every face
muscles forcing eyes to follow
as he moves on and on
satisfied with the response.
DIRECTIONS
She imagined truth as an
impossible thing… a lemon ant,
something to interrupt fate,
a boat drifting like an invite,
a flimsy dress and time-limit.
Always a fairy tale.
Back in herself,
the sun smiled at her curling
cold fingers in her armpits
feel the early spring sun’s
intentions; each finger a wand
to wave to meet the dream.
LIMBO
I’d expect dancing
with naked limber men
muscles shiny with effort and music
thrumming through our so-called souls.
I’ll choose that before a heaven
as long as
I revert to my younger self
but if still this elderly thing Heaven might suffice.
Would Hell be too rabble-rousing
even for younger Me?
I expect nothing for these selves in their shells.
They die.
If there’s anything it is leaving
the existence of the body in human minds.
I can see it having a good rest
before diving back into a new venture.
Limbo would be a holiday resort.
Irene Cunningham, a Glaswegian living in Brighton, has been anthologised, magazined & collected, nominated for the Pushcart Prize, won Autumn Voices memoir competition, and decades ago, won a week at Arvon with Roger McGough & Libby Houston. Books: SANDMEN: A Space Odyssey, Hedgehog Press. No Country for Old Woman Dreich Press. Fiona Was Here, Talking to Walls, Up@Ground Level, and A Lush Visit, Amazon. She is building small collections to clear space in her life and concentrate on neglected novel-writing. At the moment drowning in poems, kidnapped, mobbed.

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