Dancing to Connie Francis
You taught me to
dance;
my feet upon
your feet,
shuffling about
the kitchen
to Connie
Francis and Patsy Cline.
One, two, three.
One, two, three.
You taught me to
be wary -
not to trust
promises;
promise is a
synonym of lie,
expect one to be
the other.
You taught me
not to want
too much; nor
need.
To get by on the
strength
of my own heart.
You taught me
that memories hurt;
that the ones
you love most
can’t always be
trusted,
nor leaned on or
even ‘there’.
I learned to
survive
because parts of
me didn’t,
the only truth
that of dancing on your feet
to Connie
Francis and Patsy Cline.
One, two, three.
One, two, three.
Old Bar Piano
I am tired
before my first sip of wine,
so that by the
time I finish
a glass or two,
I am dreaming awake.
The keys of the
piano beneath my fingers
are slow to
respond, weary themselves.
This old bar
piano, steeped in beer breath
and old sawdust
has had an exhausting life -
twangy country
tunes and deep, bitter blues.
I dream I sing
with the piano, my own
scars matching
word for word
with the gouges
in her wood, the
stains on her
boards; the broken
ivory of the B
flat note.
The sad sonority
of my notes harmonize
with the
resonance of her bruised, blues tones.
Third glass now,
perhaps a fourth;
the keys need me
no longer to find their way.
It is always the
way that the
blues find
themselves in the
wide awake
dreams of drunks or the
weary keys of an
old bar piano.
Trees
I think the
trees would
miss me if I
left.
I have given
them names
as it should be.
Old Mab is a
crone,
of that I’m
sure;
gnarled and
bent, and whiskered;
her apples
inedible.
Helice loves the
stream,
her long willowy
arms dabbling
with the frog
spawn
and the wet,
turning stones.
Faith, the
linden tree,
is as young as a
maiden.
No hurry to
grow; thousands of years
to know her
place in the pasture.
I have not named
the Black Locusts,
they are too
many, huge families
connected by
their roots; gregarious -
they include me
in their raucous music on windy days.
The trees would
miss me if I left.
Who would
remember their names?
Who would sing
their memories,
join in their
laughter on a cold winter night?
When I am a
ghost I will
go to the trees
and ask them
to name me, so I
won’t be forgotten
so that I will me missed, now I’m gone.
Linda H.Y. Hegland is an award-winning poetry, lyric essay, and non-fiction writer who lives and writes in Nova Scotia, Canada. She writes the occasional short story. Her writing most often reflects the influence of place, and sense of place, and one’s complex and many-layered relationship with it. She has published in numerous literary and art journals and has had work nominated for the Pushcart Prize. She has previously published two books of poetry - ‘Bird Slips, Moon Glows’ and ‘White Horses’, a book of lyric essays - ‘Place of the Heart’, and a book of verses and vignettes - ‘Remember in Pieces’.
Congratulations Linda. You conjure such sensitive and thought provoking images. Each of the three, different lures into the heart.
ReplyDeleteWell done, Linda! I enjoyed these poems written in a style of your own, especially the first 2 "Dancing to Connie Francis" and "Old Bar Piano".
ReplyDeleteYour every word is so thought-provoking and precious!
ReplyDelete