Where Greatness Lay
History appeared in every moment,
all those pictures in my head
transformed into solid surfaces of stone,
marble and glass,
while the stories of others
who’d already seen it
faded and paled
to my present, perfect participation.
Finally in Europe at 52, a chaperone,
I wanted my students to feel the echo,
let it take them into the past, sense the
players,
wanted them to realize
what we come from,
why we left,
what we lost and the gains made.
Out on the streets the carousel of art made
me dizzy,
all of Florence swirling ‘round
and I couldn’t breathe,
tried to focus,
and then there I was in a corner of Santa
Croce
standing next to Galileo, Michelangelo and
Dante,
the centuries pressing against me
and somehow, I took a picture in the dim
church light,
burned the grainy image into my personal
darkroom
before walking away.
Judy Woodruff Makes it Palatable
Some nights
I can almost forget what I’m doing
as I put the fork to my lips, take a
bite
tasting whatever deliciousness
there is in our cooking.
Our family room is comfortable.
We have new carpet,
a woodstove,
two well-upholstered sofas, a built-in
bookcase.
Now that the kids are gone
we take our evening meal there,
each on a couch,
glass of wine, glass of beer,
while the dulcet tones of fair Judy
Woodruff
sooth us as we swallow
while Syria and Ukraine are blown up,
citizens in Myanmar are beaten with
clubs,
and Hong Kong protesters are chased
from the streets,
bloody and bruised.
Judy is implacable;
petite, blonde, preserved,
reserved,
and she helps us stay just numb enough,
to get the food down,
not make a fuss,
not really need to leave the room
whenever she warns us
“This content may make some viewers
uncomfortable.”
Nazi Breakfast
April break with nothing to do,
we drove into Manhattan to sightsee,
walk on the Highline,
pop into some shops,
meet our friend for supper.
Somewhere in the West Village we ambled
into a gallery,
saw Vebjorn Sand’s big painting of
Nazi’s at a breakfast table;
“Breakfast, The Banality of Evil,” it
is titled.
The Nazi’s were in an April day too,
sitting in crisp uniforms,
hair precise,
shiny boots, shiny smiles,
and the sun shone too,
dappling bottles, table cloths, chairs.
The men in the painting look over maps,
maps of war,
war plans,
plans to kill
and maim
other
human
beings
who quite likely,
did not
have
any
breakfast.
Precipice
Interstate conflict, territorial
disputes,
transnational terrorism,
full blown war,
governments eat at this smorgasbord of
political unrest,
but never to fullness.
Yemen.
Syria. Afghanistan.
Power, control,
domination of souls;
does nothing ever stop
this striving to be on top
of another?
Sudan.
Libya.
Decisions, beliefs, ideologies
pile upon humanity
seek allegiance,
while people just look for their next
meal,
a job, a warm place to lay,
some form of happiness,
joy too large a word,
too fleeting and slippery in this world
of shadows, deception and greed.
Ethiopia. Iraq.
Myanmar.
Today another oppressed citizen throws
things in a bag,
pulls on a warm coat, a hat, boots,
grabs a child, a pet
and heads out into the newest line of
refugees,
salvaging their life
chased by history, tradition,
manipulation,
the wretched legacy of war.
Oh, Ukraine.
Toward the Horizon
A slant of winter sunlight tinged the
trees,
cast its rose gold stream across our
patch of woods
the beam low in the morning sky,
a searchlight along the cold ground
landing on leaves faded to peach
everything awash in “done,” “over,”
“finished,”
and the brown of everything made me
wish
for the missing snow, the ice,
the normalcy of January past
when folded coverlets pressed the
sleeping soil,
a shimmer of white over all the dead
and waiting,
a season to be counted on.
Now, I count on nothing,
the weather a carnival pendulum ride,
political alliances shifting,
economies surfing on the Covid waves.
I mask up,
keep my distance
destroy a lifetime of work breaking
through
feelings that kept me apart,
my authentic self now encouraged to
go back inside and hide,
but the birds have flown to the
horizon,
summoning the dawn,
and their song is a key unlocking
despair.
Listen!
They are singing now.
Karen Warinsky began publishing poetry in 2011 and
was named as a finalist for her poem “Legacy” in the Montreal International
Poetry Contest in 2013. Her work appears in several anthologies
including Nuclear Impact: Broken Atoms in Our Hands, the 2019 Mizmor Anthology, and lit mags including Blue Heron, Circumference and Consilience.
Her books are Gold in Autumn (2020), and Sunrise
Ruby, (2022) (both from Human Error Publishing), with work centering on mid-life,
relationships, politics, and the search for spiritual connection through nature. She is retired from careers in media and
teaching and now coordinates poetry readings under the name Poets at Large in
CT and MA. find her at http://karenwarinskypoetry.wordpress.com, or @karenw.21 on Instagram
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