DELHI
I’ve missed the train to Delhi.
In a
wintry hostel room piled
with
Lonely Planets, backpackers
unfolding maps as
they shiver and smoke,
I choke on
sour air, fleas fastened to my flesh
till it sprouts shiny colonies
of blood.
Sunrise: the
train arrives.
The
stationmaster parades two teeth
to the
east and west of his gum.
The crowd
surges forward.
I
wonder how trains take all our weight,
if someone
will fall to the tracks.
Onward: in
cabins.
People are
sleeping,
their
mouths open, swallowing shadows.
My neck
bends, offering my head
and all
its affairs
to the
soft plain of my palm.
The
train snubs nameless stations.
I reach
into my rucksack,
wrapped in words.
It
is Delhi comes over the horizon
to unwrap
me.
TERMINAL
‘Ping!’
I’m
there again
every
time I step through an airport.
Twenty-two,
naïve,
stopped
at Hong Kong security.
Thinking
only
of
Hong Kong dollars
and
tacky souvenirs.
I
am taken to a room.
I
say something,
but
my voice comes from a place
I
don’t recognise.
His
eyes hold mine,
questions
I can’t understand.
Something
about diamonds.
I
have visions
of
wasting my life in a squalid prison
for
something I know nothing about.
These
things happen, you know.
They
do.
After
two hours of sweats and questions,
shaken
heads and accusations,
he
lets loose a sarcastic smirk,
opens
his office door.
I
am free to leave.
Despite
all the years that have passed,
I
still see him, hear that voice,
authoritative,
stern,
“Where’s
the diamond?”
OFF-ROADING IN THE MALAYSIAN JUNGLE
A Jeep bumping through the wet jungle,
luggage bound tight to the
roof.
Omar smiles behind
the wheel.
Days of adventure ahead.
Brake. Engine.
Silence.
He touches a tiny
leech on his cheek,
green-red, like earth and
blood together.
Into his vast skin, it
disappears.
Blood oozes in its wake.
I have read of such blood
hunters,
their dark meandering
into the chambers of human flesh
churning up fevers,
vomiting, pain.
Although I fear for Omar,
I am grateful he has been
chosen and not me.
Ruby, a chain-smoking
doctor
who grins more than she
speaks,
draws on her
cigarette,
as it burns lazy orange in
her left hand,
holds Omar’s face firm with
the right.
She proceeds to cut his
face with exquisite care.
More blood.
A silence,
except for the grunting
monkeys.
She removes the wriggling
leech on the blade,
carefully flings it to the
ground;
Quickly, skilfully, she stitches
the wound.
We breathe deeper
on the woody cinnamon of air —
Watch the bloody little
creature
quiver on the brown mud below,
almost grinning, showing
its teeth.
Amy Abdullah Barry is published widely,
including Cyphers, Southword, Paris Lit Up, Sunday Tribune, Live
Encounters, Galway Review, A New Ulster and elsewhere. Featured in Breaking
Ground Ireland. Her poems have been translated into many languages.Chosen for
the Poetry Ireland Introduction Series 2022. A travel lover, she
previously worked in the media, hotel and oil/gas industry. Amy has been
awarded literature bursaries from the Arts Council and Words Ireland. She is a
professional member of The Irish Writers Centre and, an Honorary member of the
Pablo Neruda Association, Italy. Amy is the founder of Global Writers. She
regularly organises poetry & music events in her hometown. She has
performed her work in Ireland and internationally.
‘Flirting
with Tigers’ is her debut collection of poems published by Dedalus Press in
April 2023.
Wonderful poems. Great sense of place in all three. Love the imagery.
ReplyDeleteThanks for the visit, John
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