The Properties of Glass
My new specs on the bedside table, arms twisted,
lenses cracked.
Too little water in the drinking glass to down this
morning’s pill.
The scars across my porcelain bowl of shells and
stones have spread.
Dunnock-egg mosaic tiles around the bathroom
mirror,
grout in the interstices smattered with red flecks.
Grit embedded in the fissures of my unslept skin.
In church, the children ask about the stained-glass
panels,
the names of bland-faced saints and slippery marble
forms.
He kneels there to the side of us, eyes closed hard
against his fists.
In the aquarium, the children spread their fingers,
mimicking
the starfish, stare in wonder at the flickering neon
blues and reds.
He thumps the glass, his stare confronts the shark’s
wide rictus grin.
On the road towards his parents’ house, a navy
starling rears
against the windscreen. He whisks it off with windscreen wipers.
A patina of blueberry mulch remains throughout the
storm.
In his mother’s living room, the children keep
returning
to the buds in millefiori paperweights,
to the ships forced into bottles, no release.
South Africa
Little need for me to know the art of lighting fires
in a dehydrated country where most houses lack a hearth. My low-voiced father lit the barbecue,
gentling an enduring simmer. My mother’s
urgent frictions never flinted him to flame.
Grandmother told us stories of an icy Latvian
childhood, taking food to her soldier
father in ragged clammy shoes. Waylaid
by tales of rocks and hedgehogs piercing snowdrifts, I never thought to ask of
fireside-thawing on return.
As girl guides,
at arms-length from the bonfire,
we toasted marshmallows to scorching sweetness, sacrificed outer layers
to messy fragrant cores.
Night times in a rocking chair, the baby solid-warm
against me, heating me to motherness, melting me to calm.
Northern Ireland
Slow to learn the rhythms of this frosty rain-chilled
country, the words which others
understand, the craft of making fires.
My husband building coal-towers, making space for
sparks to slip through.
Christmas in the living room, woodfire-staring,
serpent flames evolving backwards into dinosaurs, rugged creatures growling,
crouching in the grate.
The boys who blazed
my car to rust and crumple right outside my door are never caught. Fire
engine hissing in the midnight driveway,
the children’s anxious faces, the flickering singe of fear. The ashes smudged into the tarmac will never
brush away.
seeing in the dark
at sunrise, our blankets cast a red glow on the ceiling
i sleep behind you, skin on
your skin my hand over your heart
morning sculpts new shadows on the grass before the storm
i listen to the wind, your breath, the wind, your breath, the wind
daisies lean against each other in the rain, umbrellas inside out
in the forest, trees change shape too slowly to be noticed
no familiar tracks to
follow every path i take is new
the stone i tossed into a lake will
not return to tell me what it found there
reminder: the moon, though invisible today, is always present
how will i keep warm at night after the room is cleared, the bed
stripped back,
our years together folded up behind the mountains?
Waitingscapes
1.
In the surgery,
walls depleted green, my bodyhusk beside me on a socially distanced chair. What
matters is an aloe in a red clay pot, leaves uplifted to the closegrained
light.
2.
Mountain, mist on
skin, rain down sides, earthpelt over bones. I know that sunshine will arrive
in its own time, and pull the covers over when it leaves.
3.
Feathery pink
peonies open, my beginnings/endings blur. One moment away from flight.
4.
It doesn’t matter
that the chilled sweet water in the yellow jug has spilt. My thirst has passed.
throughout the winter
beeches hold out railings -
ready for spring bunting
Shelley Tracey, originally from South Africa, lives in
Northern Ireland. Her poetry collection Elements of Distance was
published by Lapwing in 2017. Other poems have been published in The
North, Abridged, Artemis, The Haibun Journal, Drifting Sands Haibun and Tanka
Prose Journal, Bangor Poetry Journal, Skylight 47, Visual Verse, Honest
Ulsterman, North West Words, Ink, Sweat and Tears, Bray Arts Journal,
and many anthologies. Website: https://shelleytracey.co.uk/
worth reading more than once.
ReplyDeleteCongratulations dear Shelley.So proud to be part of this talented
ReplyDeleteI really enjoyed all of these poems. Each time I have read them I have seen more in them. Very powerful
ReplyDelete