SECOND PLACE
Someone
must settle for second place,
be
considered first loser or best of the rest.
Losing
with honour is surely no disgrace.
At
the final whistle or the end of the race
so
many dreams of glory gone west.
Someone
must settle for second place.
Hide
your disappointment behind a poker face,
step
on the podium serene and self-possessed.
Losing
with honour is surely no disgrace.
You
can accept defeat, go and embrace
your
fate or make your heartbreak manifest
but
someone must settle for second place.
We
can’t all be champions, all be ace;
without
the runners-up there’s no contest.
Losing
with honour is surely no disgrace.
So
relish the taking part, the giving chase.
Don’t
hang your head, go puff out your chest.
Someone
must settle for second place.
Losing
with honour is surely no disgrace.
AGNOSTIC
Turning
your back on God is something drastic,
a
self-inflicted excommunication.
Better
get used to being called agnostic
Though
that falls short of full-blown atheistic.
Anyway,
no more Heaven, Purgatory, Damnation.
Turning
your back on God is something drastic.
Those
icons, the plaster saints, or plastic
Jesus
no longer require your veneration.
Better
get used to being called agnostic.
Seems
such a waste abandoning majestic
churches,
the towering gateways to salvation.
Turning
your back on God is something drastic.
You
could have stayed onside, harboured an elastic
conscience,
maintained ties with faith’s consolation
but
better get used to being called agnostic.
You
were always a rebel, a touch iconoclastic,
the
stations of the cross never your station,
yet,
turning your back on God is something drastic.
Better
get used to being called agnostic.
WRITING POEMS
Writing
poems is harder than you think.
It’s
not just a rhyming game, that’s mere child’s play.
It’s
more than having paper swallow ink.
To
start with, you’d better have something to say.
It’s
not just a rhyming game, that’s mere child’s play.
The
rhymes must serve the theme, not the other way round.
To
start with you’d better have something to say
and
know what it takes to marry sense and sound.
The
rhymes must serve the theme, not the other way round
although
you’ve still got the option of free verse.
Even
then you must marry sense and sound
or
your free verse will go from bad to worse.
Although
you’ve got the option of free verse
you
must not let it degenerate into prose.
Your
free verse will go from bad to worse
unless
the words catch fire, metamorphose.
Your
poems will not degenerate into prose
if
you use metaphor - say one thing in terms of another.
But
make the words catch fire, metamorphose.
Choose
carefully; ensure that they hang together.
Why
not use metaphor - one thing in terms of another -
allow
your imagination to take flight?
Choose
carefully, make sure it all hangs together;
it
will take time before you get it right.
If
you allow your imagination to take flight
your
poems will mean more than paper swallowing ink.
It
will take time before you get it right
because
writing poems is harder than you think.
Michael
Durack lives in Co. Tipperary, Ireland.
His poems feature in The Blue Nib,
Skylight 47, The Cafe Review, Live Encounters, The Banyan Review, The Waxed
Lemon, Drawn to the Light, The Poetry Bus, The Stony Thursday Book, The Honest
Ulsterman and Poetry Ireland Review
as well as airing on local and national radio. He is the author of a memoir in
prose and poems, Saved to Memory: Lost to
View (2016) and three poetry
collections, Where It Began (2017), Flip
Sides (2020) and This Deluge of Words
(2023) published by Revival Press.
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