The Sagging Tulip
The yellow tulip in its vase had drooped,
its petals still vibrant, but the flower
hanging its head in sadness. So you snipped
a little off the stem, added water.
Minutes later, it erected itself,
the two leaves also turgid, fresh water
the much needed Viagra for tulips.
But then, too soon it seemed, the laden head
started to sag again, happiness turned
so quickly to sadness, often the case.
It’s those petals quenching their thirst, getting
heavier, the stem no longer able
to support the weight of the flower, fresh
water not the needed medication.
English Oaks
In the driving rain, they begin to look
like brides decked out in their wedding-day gowns,
most of the leaves turned over, exposing
their white undersides (a certain frailty
other oaks don’t display, their leaves instead
more like leather gloves and the stems sturdy
enough to repel the lances striking
their topside green), such weakness contrary
to the prevailing view of the English,
a resolute people able to give
back as much as they take, and they can take
a lot, even when bombs rained down onto
their homeland, never shrinking from battle,
not turning tail when faced with an onslaught.
Marriage as a Pair of Wind Turbines
The last time I stayed at this garden inn without a
garden
and peered out over the harbor, the three-armed
windmills
in the distance were dancing, as they are today, all
six
glinting in the sun, a pair close together and another
farther away, with two singles in between, perhaps
trying
to get together but too firmly rooted in their
separate ways.
The pairs remind me of marriage—when things are good,
a slow dance, the arms of one in a pair rotating
almost
synchronously with the arms of the other as if they
were
holding each other tight, but then drifting apart as
each
responds a little differently to a shifting wind. Wind
keeps the marriage vibrant, each windmill coming to
a dead stop when there is a near-dead calm. When it
changes direction, the arms reorient themselves, the
long
blades of one pair perhaps not seeing it the same way
as
those in the other pair, each windmill needing to do
its own
thing. When the wind picks up, all is good again, a
slow
arm-against-arm, hand-in-hand dance possible once
more.
Jim Tilley has published four full-length collections of poetry and a novel with Red Hen Press. His short memoir, The Elegant Solution, was published as a Ploughshares Solo. Five of his poems have been nominated for a Pushcart Prize. His most recent poetry collection, Ripples in the Fabric of the Universe: New & Selected Poems, was published in June 2024. His forthcoming collection, When Godot Arrived, will be published in August 2026.
Website: jimtilleypoetry.com

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