WHEN HE GETS BORED
he
goes out of the house,
catching
hermit crabs
at
the back of a makeshift toilet
by
the shore. Putting them,
one
by one, inside an empty
Milkmaid
can. He can hear them
moving.
Keep on crawling.
Perhaps
looking for a way
out.
But each time they take steps
upward,
they fall back. Fighting
for
freedom or seeking for justice
is
not easy. It may even cost life.
At
noon, he would start crushing
their
shells using stones as anvil
and
hammer, killing all of them.
The
crushed meat is collected
in
a coconut shell. Used as bait
in
the hook. And as the sun turns itself
into
lemon in the west, he would cast
his
fishing line into the waters.
LIFE
is
a line
linking
years. And
in between, these
minor
lines exist:
A
line that brings
power
to the house.
A
line that carries
water
to the sink.
A
line that gives
breaking
news.
A
line that allows you
to
hear your sweetheart
from
afar.
Lines
that help
fortune
tellers
predict
the future.
Lines
that are written
on
the forehead by time.
THE MINORITY REPORT
contains
details not made public
by
those who do not know
the
meaning of guilt. Truth hurts.
That’s
why they bury it in the bundles
of
documents tied with red ribbon.
And
kept in the stockroom for decades.
But
truth cannot be hidden, according
to
the most sacred among the books.
Freedom
is its new synonym.
The
hands of justice and the arms
of
law are long. Enough to dig out
dungeons
where truths are buried alive
by
lovers of deceits and deceptions.
In
the meantime, they celebrate.
Red
Wine. Whisky. Double Black.
But
to everything there is a season.
The
minority bloc is not sleeping.
Working
until wee hours. Seeking
for
the most striking of evidences.
True
to all is true to some. And
no
matter what, truth is always true.
Raul G. Moldez writes from Cagayan de Oro City, Philippines. Author of two collections of poetry, A Day in a Poet’s Life and Other Poems and Mga Taho Gikan sa Akong Uniberso, his works have appeared in Philippines Free Press, Philippines Graphic, Philippine Panorama, Sunday Times Magazine, Crowns and Oranges, Kinaadman Journal, Bisaya, Sunstar Weekend, Homelife, Ani Literary Journal, Bituon, Dagmay, Tinubdan, Red River Review, and Sentinel Literary Quarterly, among other publications.
Thank you, Strider Marcus Jones, for publishing my poems.
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