The Choir Loft After Everyone Has Gone
The rafters hold the last note
longer than the singers do.
Below, a woman folds the chairs
by the door she used to avoid.
The hymn was about a river.
She has crossed no river today,
only the narrow distance
between the back pew and a stranger
who asked her to stay for tea.
In the kitchen someone counts cups.
A child drops a spoon.
The organist returns for her scarf
and leaves the loft dark.
Somewhere in the building
water warms without an audience.
The woman lifts a chair,
feels its surprising weight,
and carries it beside the others.
The Apron on the Hook
My grandmother's apron keeps
one yellow thread of flour
inside the seam,
though the flour is gone
and she is gone.
We spoke of her faith
as if it were something she kept
in the highest cupboard,
safe from the children.
But here is its shape:
a knot tied twice,
a pocket stretched by oranges,
a small scorch beside the waist
where she leaned against the oven
to listen while somebody cried.
The hook has bent
from years of holding nothing.
I take down the apron
and mend the broken hem
without finding a single answer.
What the Window Did
Every morning the eastern window
returns the same street
in a different weather.
The man downstairs says
God ought to be more obvious.
I have said the same
without speaking.
Today a delivery driver
sets two boxes at the wrong door,
then carries them back
against the rain.
No trumpet. No burning bush.
Just a person correcting
something small
when nobody is watching.
The window admits
what light is available.
It never calls that light
its own.
Inventory of Unfinished Things
One envelope without a stamp.
Two buttons waiting for the coat.
A note that begins Dear Father
and does not know the next word.
On the shelf, a cracked cup
holds the keys of people
who have not been home in years.
I used to call this failure:
the work not ended,
the prayer not fluent,
the table set for one too many.
Tonight I wash the cup
and leave the place beside it clear.
An empty space can be neglect.
It can also be welcome.
For now the lamp stays on,
and the unfinished letter
lies open to the ordinary air.
Douglas Vandergraph is a writer and Bible teacher based in Fort Collins, Colorado, USA. His work explores the intersection of Christian faith, memory, everyday tenderness and resilience. He writes essays and literary reflections for a wide audience, and his work can be found at https://douglasvandergraph.com/.

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