The Inside and The Outside of That Space
Dark listens well. Light talks
and talks. One word sits
on the cornice. Another tiptoes
on the fence. One word buries
a bone.
Once, while under a mad spell
I dug through the whole garden,
dug out your longest sentence.
If I found it earlier everything
and nothing would have changed.
Right now, dark listens with
the rapt attention of a good kid
who already knows- inside
and outside of a classroom
are different.
The Address Printed On The Envelope Is Never Enough
The postman still visits.
He forgets my address
everytime and enters
through the other entrance
and calls me asking for
the direction inside the compound.
Today even I cannot remember
the path between the buildings,
through the patches of weeds,
bypassing the startled cat. I cannot.
I ask him if he can see my hand,
a brown one, that waves at nothing
through the black collapsible gate,
eager for the letter, eager to trace
that address printed for on the envelope.
Homestay
The moon floats in the brine broth.
A boat kisses the shore. Its lips taste sad.
You have been fragile once,
want to be that again, overthink
the possibilities and omens,
judge a man by a moment.
Those footprints on the sand
can be anyone's. You repost them
on the same face of the earth.
The thoughts are reduced to be ducks,
and they too return to their homestay.
Insomniacs
During these insomniac hours
night stands in its speckled pajama.
The entire middle class becomes poet
They do not know. They wait.
Sleep rides a torrent. Sleep sleeps
on a blue plastic roof,
and no one writes down those thoughts,
and a handcart moves from one end
of the dark to the other with
mist piled upon it for anyone
who wants to pay and take it home.
No one where I live sleeps.
They wait. They wait for the text
of the morning.
Fated to Satiate
When the predator and the prey
begin to breathe as one,
and when the wind adds a shiver
to the grassland, and the river holds
on to the hollow of a tunnel
that they are yet to engineer,
I see the absence, emptiness
gain a structure, wear some flesh,
stagger and stumble toward me
and be me as if all my history
is the fall of a rodent, silent
and fated to satiate the gray and white owl.
Kushal Poddar - The author of ‘21 Gun Salutes and the Hemingway Syndrome’ and 'How To Burn Memories Using a Pocket Torch' has eleven books to his credit. He is a journalist, father of a five-year-old, illustrator, and an editor. His works have been translated into twelve languages and published across the globe.
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