In Prayers
After her funeral, memories arrived three on a mule:
Jansen’s History of Art on the leather-topped coffee table.
Her water colour of snap dragons on the window sill.
The kettle of Manhattan clam chowder simmering.
Her voice urging joy at first light on Sundays,
“Awake for morning in the bowl of night
has flung the stone that puts the stars to flight.”
They closed off the hill on 24th street
when the big snow closed the schools.
I remembered coming home frozen from sledding.
She ran a hot bath in the old clawfoot tub
and brought me a hot mug of beef consomme.
It was warm and delicious.
Her soothing fingers scratched my back
when I couldn’t sleep,
after my dog died.
She took me fishing when I was a kid.
I don’t remember if I caught any.
But it stuck with me. I never told her that.
Kids don’t tell parents those things that meant something,
those things that rarely happened, maybe just once.
They don’t tell them thank you until it’s too late.
Then they tell them, in prayers.
She Was Everywhere
The ambulance driver
needed a signature.
The cop signed by proxy,
Mom unconscious on a gurney,
about to be taken to the hospital.
Robert arrived from British Columbia,
Linda from Martha’s Vineyard.
We managed meals from the freezer
along with repeated gin and tonics.
We found beds and spent the night
half-awake, in disbelief.
In the morning we made our way to the hospital.
She was comatose beneath a thin blanket,
lost in a network of wires and tubes.
With her breath uneven,
she quivered and winced,
curled her toes
under waves of pain.
In the afternoon the call came.
Sixty years of household goods
to be winnowed.
She was everywhere.
Jars of quince jelly in the pantry,
feathered slippers by the night stand,
silver framed eyeglasses in the pocket of her bathrobe,
her recipe for coffee cake on the kitchen table.
We moved things from here to there,
sorted piles by purpose, found beds at night
and woke early from disjointed dreams
to a new day and the caustic reality that
would not end.
Old Photos
In a grease-stained biscuit box in the attic
I find packets of old photos,
some with names
pencilled on the back.
Grandfather wears a brown fedora,
hoists a string of pickerel,
their soft slippery tails
painting his boot.
In another he wears a necktie,
shirt buttoned to the throat,
as he cradles his shotgun.
Two limp Chinese pheasants
hang from his wide belt.
A black cigar is clamped in his teeth.
In another picture Grandmother stares
from a filigreed silver frame,
her ivory-yellow hair coiled,
a soft mole on her powdered cheek,
this grandmother I lived with,
took for granted like furniture,
now pale and shrunken,
no bigger than a child.
Soon relatives and friends
will arrive in Sunday clothes,
silent in the hallway,
dark carpets and heavy drapes,
the piquant smell of mums,
sombre organ music in the walls.
John Ziegler is a poet and painter who lives in a mountain town in northern Arizona.
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