Weak Signal
There's a shimmer on the line
of my night phone.
A dusting of sparkle
on the winter treeline
dividing this life from the new
place where you rest.
I try to sing you my greeting
in the mezzo soprano
you expect. In turn, I hope for
a duet but only get half.
So I tell you I'm fine.
Really, I am.
of my night phone.
A dusting of sparkle
on the winter treeline
dividing this life from the new
place where you rest.
I try to sing you my greeting
in the mezzo soprano
you expect. In turn, I hope for
a duet but only get half.
So I tell you I'm fine.
Really, I am.
A Shorthand of Colour
There is April sky
in her sweater gift,
a coffee cup matched
to a Florida bird,
and the jewel she hung
around my neck is the flash
of a family joke on my blue
Mustang dash. I know
that deserts and deep
Maine bays are different
shades of the same grief.
Another dusk shakes off
its salmon shawl
and weaves my night
into a violet gown
of mourning.
Jump Scare
Maybe the stars came out again
over an empty orchard and frog
song cued that we were back
to normal, each settled into our
comfortable complaint. There is no
looming presence from the last
catastrophe, when something ragged
dogged our heels, the keys wet in muddy
fingers, the engine that turned over
and over, but just wouldn't catch.
It's a cheap conceit, this rerun
none of us can leave. A touch of breath
just behind the ear, a rancid word
that changes everything.
A Witch's Obloquy Against Samuel Alito
As if your weak invocation
of a backwards spoken spell
could reroute our resolve,
I direct you to my cauldron
of circumstance. These bones
are crooked enough, by God,
ruby soaked and upright
for now.
A vigil of one awaits you
at the state line, her papers
forged, her pact with the moon
long expired, but its gamine purpose
intact. You believe it's me singing
a lullaby to my own autonomy,
but it's only the tide pulling you
mercifully away.
We will never meet but I am
still here, sitting with my sisters
in a circle of cats, our cult
of familiars whose iron eyes
will cut straight through
your terrible facsimile
of night.
Sara Clancy a Philadelphia transplant to the Desert Southwest. Her chapbook Ghost Logic won the 2017 Turtle Island Quarterly Editors Choice Award and she is an Associate Editor for Poetry at Good Works Review. Her poems have appeared, among other places, in Off the Coast, The Linnet's Wings, Crab Creek Review, The Madison Review, and Verse Wisconsin. She lives in Arizona with her husband, their dog, a cross-eyed cat and a 26 year old goldfish named Darryl.
Thank you for these, all bright gems, so much more than the sum of their parts
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