Tuesday, 29 April 2025

Five Poems by Rebecca Surmont

 






Dystopian 

 

In the future we say I remember when 

though our brains are built to forget. 

 

In the future we choose the artificial reality  

that suits us best. 

 

Trees will say a final blessing 

before we cut ourselves down 

 

and we crusade against a brand-new 

common enemy and not realize it’s us. 

 

In the future our children seek love and find 

convenience packaged perfect for their avatars, 

 

the great reef is rife with blight, 

unceremoniously browned and stagnant 

 

and we export our intelligence 

but leave our bodies on the beach with the whales. 

 

In the future we eat so much 

that grandkids are fat and famished, 

 

we rate our daily experience 

so someone else can graph it 

 

and kids don’t write because 

it takes too long. 

 

In the future poetry is an ancient study 

of lost languages, 

 

every story competes for an audience 

in a mythology of progress 

 

and we are present to narrow narratives 

from unknown sources and call it knowledge. 

 

In the future we are colonial tribes  

to an imperial cosmos.

 

 

 

A Spell for Safety of Girls

  

A crone in your small pocket  

your own projected self  

language of past and future formed  

before the lines of your hands.  

 

Scent of discernment  

taste of truths  

the feel of your own liquid body  

its firm imprint as you walk then run  

in your own strong shoes and quick feet.  

 

Words soft to the ear formed from earth  

baked in experience, shared and baked again  

foresight for the age as you reflect it  

wise, skilful, dimensional  

the trust of skill owned by ancestors in  

your pre-recorded fields of vision.  

 

Ascent of butterflies, fragile and fierce  

the crone’s veins like aspects of your refuge  

the river, trees, and wind  

all that travels with them in their flow and footings  

that you can stand, sit, fly in that freedom  

and map it to your volcanic core.


 

 

Pilgrimage   

 

Tonight, the bent smear of cover eludes them -- 

its luminous dusk bowing to a mass of rain. 

 

Falling are their prayers, pelting the stone 

and bramble path under climbing feet. 

 

They are a valley of umbrellaed petitioners  

rising like fungi, capped in black.  

 

Umbrellas mark them, cast like sins,  

no more than foul food to vultures that circle  

 

ahead of the news. But there is one,  

the one who will be first for she is now last.  

 

The final. Her view clearer from the rear post,  

through the rain and dread.  

 

She begins a song, feels it become the future,  

sends it ahead of the sunrise.  

 

 

 

Bells and Angels 

 

We immerse ourselves in the sound bath 

lay on mats in the cold theatre, 

so close we are almost sharing blankets. 

We want bells and chimes to soak through us, 

wring out the old. We want 

to steep in the undertone cello carriage, 

meet whatever awaits us behind closed eyes. 

 

300 people, almost sleeping, summoners to 

angels as the mallet glissades, chingchingching 

That Zuzu, I think, “Everytime a bell rings, an angel gets his wings”. 

I think we’ve exceeded any quota.  

Our stilled bodies in chiming saturation 

let angels find their freedom. 

 

Outside,  

beeping hustle, smell of gyro and samosas 

grease the air as we emerge, quieted. 

At home, we light a candle, turn on twinkle lights. 

A soft reverberation hangs in the head like old memory. 

There are recent losses, we imagine them lifted 

clouding the sun, 

streaking the cirrus-winged sky. 

 

 

 

The Last Boat 

 

I remember the fluming melt 

a green phosphorescence 

caking smell of sulphur

permeating brick and mortar plans -- 

a singed headache 

and 

begging for fresh breath. 

 

By then most had fled 

the single-toned city,  

silent to its future, an almost remnant 

shrouded in gas and rising tides 

seen from the last bridge -- 

our boat to ride the next waves 

away from its black suns 

and chartreuse-swirled memorial skies. 

 

They said it was a no-land 

a mere invisible city where its ends 

met like a vortex. 

They say it sank making its waters 

as dark as forest moss at night, 

an emerald hue seen 

only by satellite.




Rebecca Surmont lives in Minneapolis, Minnesota. She has a love of corn fields, funk, and tiny things. Her written work has been featured in publications such as Steel Jackdaw, The Nature of Our Times, Amethyst Review, Hare’s Paw Literary Journal, MacQueen’s Quinterly, Stone Poetry Quarterly, Eunoia Review, Common Ground Review, Crowstep Poetry Journal, Ekphrastic Review, and Tiny Seed Literary Journal. She is a leadership consultant and coach, and has worked as a physical theatre actor and voice talent.

 

 

 

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