Monday, 18 March 2024

Daphne - A romance - Long Poem by Ed Lyons

 



 



Daphne


A romance

by Ed Lyons




Canto I

 

The diary – lines that play the song so plain –

            Seem written by a foreign hand, and yet

Too familiar, and sore, and gray as rain.

      To read with eyes and mind that won’t forget

      The hand that wrote against the fading sunset

Of childhood it is my fate to try

Again to balance memory and fancy.

 

Trevor’s day began cold in the lonely

      Season bleak of autumn turning winter,

Smoking, coughing through slick streets, rainy

      Wet trails cleared by thumping windshield wiper.

      It was a chill morn in mid-December.

Every bird lay hidden in its nest

As ragged storm clouds wandered from the west.

 

From the dash, the love songs crackled static,

      Sad reminders of his forlorn dreams –

Afternoons spent gazing from an attic

      Window blankly at the rainy streams

      Outside, and dusty cobwebbed ceiling beams,

Pondering his lonely quest for truth’

He feels the creeping sadness of his youth.

 

The rainy years now pour into his soul.

      Denied the only thing that he held dear,

That might make his hemispheric heart grow whole,

      That which was most blissful and most fair,

      That of sheltering breast and fragrant hair –

Such was mild Daphne. Clear her eyes,

Set like azure gems in her countenance,


Orbs which bore the sorrow and the longing

      Of elves for the cold and wild galeswept sea,

Balanced by bright smiles, sweet and warming

      As her soft curves – she could have been a lea

      Against harsh winter storms that lash bare tree

And soak the earth in which the faithful sleep

In cold and desolate churchyards, buried deep.

 

Such was Daphne’s beauty. So it happens

      That after drizzly cross-town driving, Trevor

Extinguishing his cigarette, turns

      His car beside a house of stony color,

      The dark and Gothic House of God, another

Moment and he opens a heavy door,

Descends the dark staircase to the basement floor.

 

He marks above his head the casement pane,

      Narrow, leading to the gloomy sky,

Laced by silver trails of running rain,

      And turning on the light, he heaves a sigh,

      Takes guitar in hand, begins to play

Soft notes and chords to the naked walls.

About his spirit, melancholy falls.

 

Thus inspired by his wintry Muse,

      He builds progressions, somber minor key,

And melodies, and strains of haunting blues.

      Within the walls no other sound but he

      Is heard. He feels he stands beneath the sea,

So isolated from everything.

It’s this deep solitude that makes him sing.

 

And now a sudden sound disrupts

      His lonely spells. A presence stands beside him,

Touches his shoulder. It’s Daphne! Joy erupts

      Within to behold another. His heart beats hymn

      Of comradeship, so glad is he. A whim

Invites him, and so he bids her “Stay

Here, linger with me, pass the day.”

 


He only knew her as a Sunday friend,

      A happy face among a pious crowd,

With kind embrace for all at the end

       Of Mass, even for a stormy, proud

      And wild youth such as he. Aloud,

She speaks his name, inquires of him why

He seems so sullen “No reason,” he says softly.

 

His castle stormed now, he begins a song,

      And plucks a happy verse, and then another.

With lilting skylark’s voice she sings along,

      And fills the room with warmth to spite foul weather.

      Twice lovely is this music made together.

By her witchcraft he is filled with wonder –

Emerging from that chamber now they wander

 

Into the lofty gilded sanctuary

      Where lighted candles glow upon the altar.

The vaulted arches soar, strong, yet airy,

      And saints breath light from casements, casting color

      Upon the stony floor. Legends older

Than the Scriptures linger in this hall

Where ashes lie, sealed within the wall.

 

Innocent Daphne Trevor’s friendship seeks,

      But yet she is too young for love’s desire –

Words of comfort now she softly speaks,

      Planting in his heart the seeds of fire,

      Which shall consume him like a hungry pyre.

Virgin Daphne of the sunny meadow,

Light footed as the April field lies fallow,

 

Gazing raptured on the ocean wide,

      Careless, swinging barefoot from tall trees,

Playing gentle games with the ramping tide,

      Commanding still the savage windy seas,

      Wont to sail with dove’s wings on the breeze,

A sweetly singing faery child true.

By your kindness, know you what you do?


But so it was in ages long ago,

      When Apollo on that far-off mount

First beheld her. Cupid’s cruel bow

      Loosed its golden shaft to pierce his heart.

      The mighty god, for all his healing art,

And song, and burning love, could never heal it,

And she, pierced with lead, could never feel it.

 

So it is with Trevor. Eyes now clear

      Behold the angel shining there before him

In all her light, in beauty without peer,

      Her blue eyes radiant, and her woman’s form

      Whispers to him secrets soft and warm.

Outside, the raindrops fell in sudden voices.

Inside, his leaping, frantic heart rejoices.

 

 

Canto II

 

Inspired by the fairest memories,

      Sing, O Fancy, of that happy twain.

Rove upon the blood-warm tropic seas

      Formed while yet the youthful love is fain

      To frolic, ere deceit’s bitter rain

Descends lead upon the heart, and dashes

Joy into an urn of funeral ashes.

 

Trevor, and sweet Daphne, close together,

      Sit before the agèd mighty organ.

Her melodious fancy flights ascent liked feathers

      Borne to heights on the Alpine-sweeping föhn,

      Her fingers flying quick as dancers when

Mad harvest revels fill the drunken night,

While the noontime sun reigns beyond sight,

 

Obscured within a gray cloak now swirling snow

      In hoary gusts upon the deserted city.

Warmly basking in the amber glow

      Of new-discovered friendship, happy Daphne

      Presents her comrade a gift of song, no ditty

Of lament, lilting strains of joy,

Such as are lifted on a summer day.

 


And Trevor, charged with ecstasies of hope,

      Listens, spellbound, with a steady ear,

His passion stealing reason in swift gallop,

      Until intoxication of desire

      Engulfs him. Time and matter disappear,

And he becomes a soul, a pair of eyes,

And ears, electric senses, and breathless sighs.

 

But now they quit the ancient lofty hall,

      And wearing coats, they step into the yard,

Stepping light between the rows of marble,

      Oblivious to the snow-fall driving hard,

      Which stings and gnaws bare faces turned windward,

And gathers deep in dunes upon the wet

And leaf-strewn withered earth without relent.

 

They leap, and catch, and swing from hanging boughs,

      Thus loosing crystal dust upon their hair,

And startling hidden nests off cowering crows,

      And calling to the west wind without care,

      And breathing billows in the frosty air,

And running, suddenly herself she flings,

Down and makes the prints of angel’s wings.

 

And indeed, she seems and angel to him

      As they cavort and laugh like wild children.

In happy seaa,together splash and swim,

      Trading fantasies, free and wanton.

      Their delight among the groves seems pagan,

But Trevor, near to bliss as he has been

Can never feel that lovers ever sin.

 

O Trevor, restless weary wanderer,

      Why couldn’t you be content to live that day

For what it really was? Why, O Trevor?

      Why could you not embrace her love the way

      That she would wish? How could you ever pray

For more than this from one who is at one

Mortal, nymph, and angel, shining sun?

 


It seemed they were one mind. Each thought the other\

      of similar intent – not so, alas!

The trustful maiden loved him as a brother.

      He loved her as a lover – the day would pass

      Misguided into sorrow, like shattered glass

Once set in a lovely storied window,

Like geese polluting dark the once-pure snow.

 

Revel-mad, they lock in fond embrace.

      Her frost-bit fingers cut into his shoulder.

With wild kisses, he assaults her face.

      His eyes lie buried deep within her hair,

      Seeing but those wispy cascades fair.

Thus softly snared in alabaster trap,

He burns until his every nerve might snap.

 

But gently releasing, you sensed something new

      Within his eyes. For up til now he kept

His passion bridled, but now, poor maid, you knew

      That you must wound your friend, who overstepped

      The moment, and alone, inside you wept,

For you knew you could not be his lover.

You had but hoped to make his burden lighter.

 

Trevor, coldly trembling and nervous as horses,

      Now begins a stammering soliloquy.

Daphne sadly listens. His words are thus:

      “O Daphne, perfect as a symphony

      Composed with skill, of all things fair and lovely,

Can you not sense the fever in my heart?

O sweetest Daphne, may you never part

 

“From my side! I ask you run with me,

      Laugh with me, love me as I so love you,

With longing deeper than the trackless sea,

      Truer than the summer sky is blue,

      Because I’m sick and fear I’ll die without you.”

Thus said, he stares into oppressive silence

With glass-eyed look as though in witchèd trance,

 


In dread of her reply, until at last

      Her words strain through the tense atmosphere,

“O Trevor, Trevor, friend forever fast,

      I only wished to chase away your tear,

      And take your hand in friendship, but I fear

That you shall weep, for I can never give

What you ask. Though you may have such love

 

 

As we have known today for all time.”

      So it was in that distant age, Apollo

Pledged his holy love to her sublime,

      Only to be felled by spurn’s cruel blow –

,     It could never be. Amid the snow,

Trevor, stunned amazed that yet his eyes

Perceive, that grey his lungs still breathe, cries.

 

 

Canto III

 

Hail, Tinúviel, not of the Nine,

      Yet the Muse of my faulted verse,

Keeper of the melancholy wine,

      You, who lead me on to love’s sweet curse,

      You, who pour good balm my scars to nurse,

Lean, and bless my ear with stanzas sweet,

That I may make my song to you complete.

 

As the cloak of dusk fell o’er the land

      In ever deep descending shades of gray,

No painted sunset painted vivid garland

      About the west, no rising starry way,

      Only gradual dying of the day

Like the steady close of sleepy eyes.

Like a fading sepulcher of sighs,

 

The falling snow turned into freezing rain.

      Standing in the final flickering twilight,

Trevor sees upon her face the wane

      Of love’s high noon with all her soft delight,

      Swallowed in the closing maw of night.

Silently, he stares into her eyes,

As if behind an icy wall she lies.

 

Stinging drops of sleet fall from the clouds,

      And soak his coat, and burn his naked cheek,

Gather hoary in his hair, as shrouds

      Of darkest grief enfold his brain grown weak.

      Thus in vain he waits for her to speak,

To break this interplanetary spell,

To release him from this submarine hell,

 

But the distance between them now is light-years.

      She lingers, knowing there is naught to do

To dry her brother’s frozen flowing tears,,

      Until she turns at last to bid adieu,

      In a voice of deep oceanic blue.

As she starts her car to drive away,

She cannot hear him whisper softly,” stay.”

 

As she pulls out into the blinding storm,

      He follows her some paces at a run,

Then halting at the curb, he stands forlorn

      As her taillights fade. Looking wan,

      He stares. She rounds a corner and is gone.

Uncounted minutes fail to break his gaze,

Peering forward through an empty daze.

 

The numbing chill that wracks his body now

      Is nothing to the icy caverns of

His heart, and he is left to wonder how

      She could so crush his all-consuming love.

      He, raising eyes, petitions all above,

“Mary, or God of Moses, can’t you see

My plight? I pray you, send her back to me!”

 

His searching eyes and ears perceive no answer

      But that murky shower without mercy.

The ice within his bones cries out for shelter.

      And now, his brittle feet plod their way

      To the warmer air of the sanctuary.

He opens now the heavy creaking door,

His bootheels landing loud on the narthex floor.

 


His steps disturb the cold deserted stones.

      Alone, he stands amid the echoing hall,

Amid still vaults containing saintèd bones.

      Golden rays from golden tapers fall,

      Casting looming shadows on the wall.

As though sealed among the dead he feels,

As he before the towering altar kneels.

 

No sunlight filters through the casement windows dark.

      Naught illuminates the cross held high

Above his head, save the shining wicks

      Which dance, and mesmerize his weary eye

      Until into a trance his senses fly

And blur, and then shut out the candle’s beam,

And fall into a deep, yet vivid, dream.

 

A pair of disembodied eyes, he stood

      Upon a hillside clothed in Grecian summer,

Witnessed the god and the nymph in the fragrant wood,

      Her wanton innocence, none could be fairer.

      His passioned plea for her to be his lover,

Her frantic flight in fear, his closing stride:

He overtakes her at the riverside.

 

Her desperate prayer was answered by the water

      God. From her sweet cursèd form she was free.

As smitten-mad Apollo at last caught  her,

      He held not her soft body, but a tree,

      Full blossomed, robed in green, growing lovely

On the river’s bank, and he sat and wept:

For his belovèd, lost, a vigil kept

 

By her side, until the summer faded,

      And goldenrod, and Black-eyed Susans grew

Abundant. Shorter grew the days spent shaded

      Beneath her crown. Chill winds of autumn blew,

      And one by one her leaves grew crimson hue.

Now in awe, the god beheld her beauty,

For so her human form was not so lovely.

 


As the dreamlike mirage falls away

      From Trevor’s eyes, he sees the same pew,

Same altar, casements, cross, as every day

      Were there, yet somehow his mental view

      Is altered, heightened, for he knows it’s true

That Daphne has become his own fair tree.

His treasure now is her gift of beauty.

 

 

Strong again, he steps into clear air.

      The storm is passed. The stars are shining bright,

And even though the winter trees lie bare,

      He cares not. He draws a cigarette, a light,

      Then starts his car and drives into the night,

Knowing that in sculpture, song, or rhyme,

He somehow must record this day in time.

 

September-October 1982


 




 

Ed Lyons has been active in poetry for over 40 years, with numerous publications and Best of the New and Pushcart nominations. Ed’s chapbooks include Wachovia and From the Notebooks of Joseph Brown. Ed Lives in Winston-Salem, NC and has written extensively about it. 


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