Re-Incarnation
Without my
specs, I saw a cheese,
well-ripened,
past its sell-by date,
hard cheddar
mixed with herbal flakes,
goat gouda
stuffed with fenugreek -
but study
clarified the stitch
in plastic, not
a leather seat.
That sets the
age - assume not staged,
conglomerate,
synthetic mulch,
but stratified,
a grating rind,
absorbent
tissue for the moss,
wherever dip or
needle hole.
Unpromising to
propagate,
like buddleia
in bomb site crack,
yet here it is
on moulded shape,
a host for
green and creeping things.
Though
saddle-sore, I don’t think staged -
it takes me
back to Cambridge days,
drop handlebars
- no sturmey gears -
just pedal
power and lecture notes,
in woven basket
strapped to rear,
and padlocked
to a college rail
or thrown, if
late, tutorial.
Indeed, here
framed, it might be mine,
bike lost,
occasion such as this,
poor
time-keeping, that machine thrust
to ground for
theft outside the school -
that session,
thief in paradise;
the life
expectancy of wheels
a resurrection
bicycle,
in tandem,
saprophytic style?
Whitebeam
Why
is the whitebeam popular?
Freefall
leaf’s shyer underside,
beam
glow of light from wispy wind,
a
dappled stir to ensign white,
without
alba poplar’s pretence.
Is
this surrender to the breeze,
or
subtle flexing as needs would,
trembling,
shudder shiver twist,
the
woods alive with faerie dust,
truncated
Ariel’s escape?
Does
shimmer shimmy by design,
alert
to brighten cambium;
is
auxin tempted, think again,
a
little longer before fall?
Does
death know resurrection comes?
But
who could know or should they tell
of
secret mycorrhiza texts,
that
worldwide web of underground?
We
hear screech screams of chainsaw blades,
but
what is felled when ‘timber’ called?
Dance of Zalongo
We
would they made a song and dance,
as
told the children they would fly,
so
all hands held as leapt up high,
with
deep breath, plunged to valley death.
The
tale retold is children pushed
before
Mamas sang melody,
then
one by one their suicide,
escaping
Turkish pillage, worse.
But
could community on hill,
throw
their own blood, first sacrifice?
And
would the women opt alone,
for
who’s the first, remaining last?
It
is the first that I believe,
counterintuitive
revised,
not
for the want, romantic veil,
but
mothers, how protect their young.
The
hell, gehenna, refuse tip,
the
burning said, committed crime;
but
this, theology of man -
but
not Zalongo, angel wings.
Tree
Lichen to a north face trunk,
so similar to old man’s beard
in grizzled clumps curled about bole,
knee bowed,
gnarled knurl thrown prone in gales.
Lopped to side despite the bark,
rings bitten, chewed to oval shape.
through high flow low tight isobars,
as though new highlight paradigm.
I know that wizened moorland scrag,
two more on either side of tump,
a tumulus of ancient land;
the grouse where skylarks fear ascent,
where Sycorax trapped Ariel,
thin xylem as capillaries,
grey cambium,
cork overcoat.
A landing sight for sparrowhawk -
trail worthless spadgers brought to naught -
a gulp of magpies, every side,
for all the world, these mocking birds
with trifles snapped, Autolycus,
those shiny, silver coin bits.
This whisked, abused as whipping post,
where sleeting spears pierced between ribs,
as spokeshaves, floored by carpenter,
taut calloused derm drawn over bone,
the cage protecting growth in phloem.
Another tree that bore the weight
of all the world could throw at it -
though jessie bells rang over stump
where stooping,
preying wings found flight.
Trews Weir
What true, which spun embroidered myth?
I knew the weir, its timber trap.
Long float log boat from Exmoor down,
that salmon leap, where few flew by,
and pool beneath by Ducks Marsh green,
neither bog nor drake insight.
A minute from my teenage home,
past abbey cite to city route,
but twenty to Old Customs House,
where evasion sought out, caught.
The old match factory, dingly dell -
some causeway song, far Lindisfarne -
swans grace, vestas by the Exe
slats spaced out on ricket bridge.
Phosphor dip splash, workers’ curse,
hair, girls’ flaxen, dropout, space,
quaint plate hanging, rust screech hinge,
except name calling - mill for flax.
The ferry toll board, chain link quay,
Styx man gone when fee unpaid -
my first mucking, a bout in boats -
sandstone walls now garage lets.
Sun streak Sunday, cathedral bells,
wardrobe entries all the way,
in myth and memory, the mix,
through Trew was there, of that I’m sure.
He has been
nominated, like so many, for a Pushcart Prize and Best of the Net.
His blog is at
https://poetrykingsnorth.wordpress.com/
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