Slaughter
What you see are the remains:
the woodland, the smoke, the retreating flames.
Somewhere, perhaps, in a far-away country
the sky is bluer and roses cling to a stone wall,
palm trees lull a milder wind.
Here there is nothing.
Here there is nothing but snow on the branches of the
spruce.
Here there is nothing to kiss with warm lips.
Here lips grow cold with time.
And you claim, my child, your heart is brave
and living without hope is worse than death.
What do you expect of slaughter?
Should we love instead these long sick hours of life,
these narrow years of yearning,
the brief blooming of a desert rise?
Beasts
And it must be faced
something wild moves through
your evening
perhaps a coyote
driven down from dry hills
has heard it is the night
you may embrace his embrace
or a fox fattened on dreams
will settle on your lawn
with no regard of stars
or wind or even the tilt
of the chimney smoke
remnants of your fire
or it could be just a crow
tired of the wire
fresh from a funeral
and an hour of cawing
at the you beasts
padding
by
Weed
Fire
Wind was
a sorry excuse for force
by time
the fox stopped running,
ending
his escape of the failing fire,
and
waited, hunched but never slinking,
inside
the weeds and we, the three of us,
on the
edge of the field, you and your brother
who would
brag later he had tossed the match
did not
wait like the fox,
as though
our existence had been threatened,
but with
the shallow, yellow transience
of new
humans disappointed (although I,
the only
one who was afraid
of the
joy of destruction)
what
could have been set free,
was the
most disappointed
that our
smouldering
would soon be gone
.
Cake
The girl's hand is pressed against the tree. It's early summer
and her skin is still white with winter. Her boyfriend stands beside
her.
Both are laughing, their teeth two rows of washed shells
in the watermelon-stained sunset. There is the scent
of lighter fluid and meat and now at last I reach the memory
of cake between his lips, and how he wanted it, and wants it still,
standing there beside the fire-escape, where birds lift
into the
alley air.
Not Spring
Why write of another spring
hidden like a scout until
it breeds from sod and rain
a sudden ripping thrust
of yellow and blue and sun?
Spring does no flowing here
and makes each bruising move
free of melody and squared
like a fence right-angled
to split one greening field
from the greener hill beyond.
Nothing in such rapid action
can sustain a breathing note.
Write instead of the traveller
passing by on a bumpy cart
framed in circled language,
historical, doomed by eyes
forced to look forward from
where his head once turned.
John Riley is a former teacher. He has published poetry and fiction in Smokelong Quarterly, The Ekphrastic Review, Better Than Starbucks, Banyan Review, Lothlorien Poetry Journal, Bindweed, and many other journals and anthologies online and in print. EXOT Books will publish a volume of 100 of his 100-word prose poems in 2022. He now works in educational publishing and has written over forty books of nonfiction for young readers.
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