Saturday, 23 November 2024

Three Poems by Mary Anna Scenga Kruch

 




Return to the Sea

 

The car wove seamlessly

through coastal roads

carved into the Lattari Mountains

toward the Amalfi Coast and

when the farthest hills appeared

and reappeared in shades of grey

to sea green tempered by thick clouds

the air was transmuted to silver.

I peered through open windows

elated by noon sun’s lustre

on the turquoise Tyrrhenian Sea

caressed by the cool breeze

and breathed in the ocean air

as it smiled with familiarity

recognizing the rhythm

of an ancestor’s heart.

Take rest

after a long, hot day

recline in the shade

of olive trees

and after a light meal

taste the juice

of fresh grapes

from your vineyard

partake of fruit

that waits for you

then sit with family

as the Lazio sun

melts into lavender hills

of the Eastern Apennines

finally fading

into the Tiber Valley

then close your eyes

imagine a boat

where you float

on soft winds

against an indigo sky

feel my fingertips

cool on your forehead

stroking your brow

goodnight.

 We Abide                   At Point Reyes National Seashore

                                                                 

Here the borderline between

earth and sky blurs

and I wonder

why

when our world and what lies               

above below between   

need be separated

by death

and why in every metaphor poem

and prayer book we accept

that after death our

bodies

pass away then are eulogized with

pretty stories of paradise when

perhaps we  --  our souls

our essences

have never left –  never gone for good

grief longs for this I know

because at least once

I sensed

my mother slip into a space

beyond dreams where

she held me close

by phone

her voice a safety net to

nights I was alone at home

and afraid with two

babies

recently I felt my sister near

as I drove past her old

San Francisco home

on Noriega Street

The Band played and

incense burned like

after her return

from Europe

and I clearly saw my dad grin

as he watered the lawn at

our old Detroit home

all of this

returns to me as sea

and sky blur

into coastal

infinity

and my certainty we abide

in undetermined space

beyond this life

soars.



 

Mary Anna Scenga Kruch has been a career educator and writer inspired by social justice, her Italian American family, and the natural world. She has led a monthly writing group for 10 years and Mary Anna has published a poetry chapbook, We Draw Breath from the Same Sky (2019), and a full-length collection, Grace Notes: A Memoir in Poetry & Prose (2021). Recent poetry appears in Wayne Literary Review, Trinity Review, and Ovunque Siamo. She is working on her next poetry collection, A Finely Penned Road. She hopes to return to her father’s homeland again in 2023.


*

Three Poems by JC Cortens

 




Merman Song  

 

I long to live through lengthening days at home beneath the sea, 

With you my love, my darling one as precious as can be,  

to leave behind all cares and woes embrace a life sublime, 

The light is bright as gauzy night and you at last are mine. 

 

We dine on oyster shells a-half and sip on salty tea, 

while urchins nuzzle at our feet in hopes we’ll set them free. 

Please tell me now, you ask of me, of life above on land. 

I pause to think and take a drink and reach to kiss your hand.  

 

Recall the day you found me dead on rocks beside the sea,  

all worn and deeply injured, blood and bruises covered me.  

The spectre of my soul remained, still tethered to my corpse  

The choice was mine, you whispered fine, you cast your spell perforce 

 

What stories can I tell you now, what song of sun be sung, 

My life among the walking ones had hardly just begun. 

The song, my love, I long to sing is one of waters deep               

They had their chance, their time to dance, embraced their offers cheap.            

 

I long to live my lengthening days at home beneath the sea, 

With you my love, my darling one as precious as can be,  

to leave behind the sand and sun embrace a life sublime, 

The light is bright as gauzy night and you at last are mine. 

 
 
 

 

And then there was the time  

 

driving with my father back from the cottage. On the highway utility poles tick-tocking like a metronome calling forth a silver kind of music. He always wanted to know what I was going to be. Wanted me grown up. I looked out the window counted poles and watched tree tops tickle the belly of the moon.  

 

And then there was the time that very same summer I started staying in the locker room to re-pack my bag after swim lessons to watch the lifeguard get ready. He was a boy just eighteen but to me he was like nothing I’d ever seen, freckled shoulders and rivulets of water down his back. 

 

And then there was the time he visited me in a dream my boyhood room as dense as a nighttime forest, my bed a nest of moss and bows. He rested beside me on rough granite. He tucked his flute in his pack and offered me a chunk of bread. Who are you? I’ve never seen anything quite like you. I’m a faun, he said. How did you find me, I asked. Why you called me now didn’t you.  

 

Not much bigger than me his chest was bare and broad as moonlight shifted, I could see where his waist gave way to buttocks becoming the hind of a goat, the soft brown hair surprized with white and blonde. He kicked the earth with his hoof, shifted on the rocks and offered me a bite of his apple. But where do you live? Just that way–he cocked his head over his shoulder. You should come and see. I can’t.  

 

And then there was the time I almost told my father what I wanted to be. Past Lake of the Woods in the front of the car with my father the crunch of tires on gravel growing to the hum of asphalt. I want to be a priest, I said, to make God happy. But really, I only wanted to be as full and bright as the moon.  

 

 

 

Death and the Maiden  

 

He came for tea one gaslit night, ‘most halfway through September, 

to ask for her sweet company if she would but surrender.  

 

The house was high upon a hill, in disrepair left vacant, 

apart from her, and sisters three like rats within the basement.  

 

“Invite me in”, he said to her. She then became suspicious. 

Near silent in his pulchritude, his countenance delicious. 

 

Orion’s Belt cleared top the trees that night of mazarine.  

He wore a suit of finest silk, a pearl pin that gleamed.  

                 

“I’ve seen you once before”, she said, for something inside trembled. 

“So far away when days were long, dear friends there all assembled”. 

 

His yaff was large enough that night to fill the grubby room. 

“I’m not the one”, he laughed. “Now come, let joy relieve your gloom”. 

 

She set a place, cleared off the dust the years'd accumulated. 

Like silver gongs from wedding songs her pulse accelerated.  

 

He put his hand around her waist before he drew her near. 

“To all who rest beneath this roof, I’ve come to make it clear 

 

that you are mine as leaf needs vine. You’re not hallucinating.” 

His breath was sweet as tainted meat yet still intoxicating. 

 

I’d like to say she drove him off, rebuffed his rude advances, 

she cuddled in without a fight, she’d rather take her chances.  

 

His faithful odalisque that night she willingly became.  

They dined on oysters in the shell, played wicked parlour games.  

 

Was with a chiaroscuran heart through nights she held him near. 

A love within her breast burned bright beneath it smouldered fear.  

 

The vespers bells rang true and clear the night he finally told her  

how he would leave her all alone with no one left to hold her. 

 

No dragoman could make it clearer, his words were crystalline. 

Her rooms grew dim no light shone in the atmosphere sublime. 

 

She told me this, I know it’s true though years have passed me by. 

“Be sure”, she said, “to take great care when dreaming of a sky 

 

of prairie blue, so deep and wide, a life without repentance 

is yours my son, most dearly won, no gaoler’s cruel sentence”. 

 

Her hand in mine close to my heart the night she last departed, 

I sent her ‘cross the ocean dark a continent uncharted.  

 

And still, I wait for his return. She said he’d come to find me. 

No solitude can comfort me, no altar here enshrines me. 

 

The grass is high by garden’s gate, trees hide the moon penumbral. 

My life too long feels like a song as wasted as the tundra. 

 

A silk cravat he used to wear lies by his riding glove.  

His pearl pin weeps a drop of blood as crimson as her love.



 


 

 

JC Cortens is a poet and educator living in Vancouver, B.C. Canada.

He responds to a fractured world from a place of compassion and curiosity. His current obsessions include exploring the intersection of identity, sexuality, and the search for the Divine. This synergetic site of healing explores questions of the personal and the political where writing becomes the ultimate expression of that which is currently known and beyond knowing. 

JC’s poems have appeared in The Maynard, The Holy Male, Art & Poetry Anthology, an almost hand beckoning. With composer Carolyn A. Quick, he presented an original art song Donum Aquae: Gift of Water (from the Book of Prayers) in Art Song Lab’s festival in June 2018. His poem There is in me received an Honourable Mention in the Delta Literary Arts Society Spring 2024 Poetry Contest.